I still can't believe JLI isn't being handled by G and dM and also Kevin Maguire just pay him what he wants. I mean, Dan Jurgens? There's a creator who speaks to the youth of today.
Giffen and DeMattis, that run on the JLI... damn, I still remember it, fond memories and I haven't read them in AGES. It was just damn fun.
It's pretty much my gold standard for what serial superhero comics ought to be. Especially the first couple of years, and especially JLA. They knew how to do comedy, action, and really heartending emotional moments (the Gray Man makes me cry, because I'm a huge baby). But that's the trifecta.
Handing it over to Jurgens is just bizarre. I mean, I don't hate Jurgens' mid-90s JLA. It wasn't terrible, really. But I don't feel that it's particularly well-remembered. (And I'm pretty sure if Doomsday slammed Booster Gold's head in a car door with his force field off, he'd be decapitated, but whatever. Why is that the one moment that sticks out most in my mind?)
On the other hand, I can grudgingly, kickingly and screamingly understand why Giffen and deMatteis didn't get the gig, or weren't even asked to submit a proposal for the gig. G and dM don't actually sell, and as near as I can tell haven't in years. They, and particularly Giffen, are probably the greatest unsuccessful comics creators in history. Like, how did
Formerly Known as/I Can't Believe It's Not the Justice League do, despite being probably the best Justice League stories ever, maybe even including Grant Morrison's? I think the second volume had to finish in JLA fucking Classified.
Sure, he was huge on LoSH, and the original JLI stuff sold well. But why don't people respond to it anymore? That's a mystery that doesn't have a ready solution, except the one I offered in a post above--comics readers are evil--and I don't think that's very scientific.
I'd say Giffen was like Claremont (just as the only two periods the discerning reader should care about the X-Men are when Claremont was rolling out his 6000 page opus and when Grant Morrison was doing his weird Morrisonian shit, the only times JLA was serious business was when G and dM and Morrison were in charge). I'd say they can't bottle the lightning and all that nonsense. But it's just objectively not the case. G and dM's more recent work is every bit as good, and very possibly better. It makes me sad.
But if they needed someone who could sell, who has the same talent spread, Gail Simone should be writing JLI, instead of the predetermined abortion that is Firestorm. I mean, c'mon, that could be the best comic in the world and it won't shift units. I'm not at all sure she'd want to, but that's just a bit of blue skying with an ugly green tinge of compromise.
Let's see what wacky adventures Wally's kids get into this month, that he's got to go save them--meh, not that interesting.
I dunno. I liked
Impulse okay.
I wouldn't mind Wally as a family man, it's a great journey from where he started, it's just I don't dig his kids also having super-powers. It seems like an easy, not particularly creative choice. I would rather him be a family man who as a father has to balance REAL problems and those weird crazy problems he has in his job. Let's see what wacky adventures Wally's kids get into this month, that he's got to go save them--meh, not that interesting.
But, what about a kid, without powers, who grows up with a superhero dad, talk about never meeting expectations.... that could be interesting.
I like it.
Actually,
are there any superhero fathers? The only ones I can think of offhand are Reed Richards and Luke Cage. Heck, the only superhero moms I can think of are Manhunter (E for effort guys but blaaargh) and Sue Storm. Young mentioned the Tornado Twins, but I don't remember Barry raising them, like, at all. I think Magneto spent more time with his kids. (Edit: Oh, right, because he died. Sorry, Bar.

)
Oliver Queen, obviously, does not count in any way, shape, or form.