I like The Orville for the most part. The characters are shallower than in DS9 or modern Trek, but it's usually a fun show with a nice tone, and I don't mind the humor.
^^this
I was going into it expecting more fart jokes but the humor, especially in season 1, was thought out
really well.
I do think it's a little tiresome to always use Moclans as the go-to alien substitute for LGBT people instead of actually having LGBT people,
And it's telling people it's okay to be straight (from that season 2 episode "Deflectors" in particular). Or rather, the metaphor being used has many possible connotations and not just the expected "role reversal to get the heteros to understand"... Add in the filler episodes (the dumb smartphone one) and other running arcs suffered as a result.
but really my only real complaint is that I think MacFarlane has some problematic ideas about what kinds of behavior it's acceptable for men to exhibit towards their exes.
He seems to be playing it for laughs. Kept in a bubble, the show is hardly more ribald than any comedy sketch shows made in the 1980s/90s (MadTV, In Living Color, et al). If this were real life, you bet it's creepy. But if anyone wants another example, those youtube videos where the laugh track is removed from "The Big Bang Theory" also suffice in terms of a fictional context versus real life beyond the airwaves.
The S2 premiere has Ed stalking his ex-wife and her current boyfriend defending him for it and judging her anger as being unreasonable; the narrative seems to be designed to portray Kelly as in the wrong for being angry at Ed. Then later in the season, Kelly's boyfriend sends talking alien plants to harass her when she ends that relationship, and it's played as funny instead of incredibly inappropriate and vaguely threatening.
Ditto, and after the blue pheromone guy appeared in "Cupid's Dagger", they should have made up because her cheating was influenced by... a drug someone else slipped her. But remove the laugh track from any sitcom, especially "All in the Family", and it all becomes the same thing. People subconsciously know a show is just that - not reality.
I'm really excited for Star Trek: Lower Decks. This is the first time Star Trek on TV will have left the genre of "hour-long sci-fi drama" and have left behind the style of "pseudo-fantastical Realist/Naturalist." I generally think Star Trek needs to evolve to embrace more than just one genre and one style of presentation if it's going to survive, so I'm psyched.
Ditto. It feels more like "Futurama with a twist". Liking Futurama probably helps.
And Trek does need to evolve. Devolution is the real risk. And in 1995, people were pointing at DS9 and saying how it needed a ship (and then got one...) Heck, PIC is not my style but I will give it big props for not being focused in a ship, or in a station, while finding a different way to tell stories and its makers are not incorrect in saying they want to find audiences more and other than those accustomed to typical Trek style (people on a ship). The franchise is also big enough at this point to encompass more formats and where one won't bring down the umbrella.
There are, indeed, a lot of Trekkies with sticks up their asses about it; I think it's because this is such a drastic change, and these kinds of fans are the ones who have made their consumption of Star Trek part of their personal identity they can use to to feel superior to others, instead of it being a set of works of art they enjoy for fun, to share with others as a way of bonding with people. Anything that disrupts their perception of what Star Trek is "supposed" to be therefore threatens their self-identity, producing irrationally angry reactions to change.
Liking something or being something isn't the same as the level of "personal identity" you're describing. None of us
is Star Trek and it's fun to watch and in the venue that piques our interest at the time. (We all know someone who likes all iterations, or one but not the other - regardless of combination. And we've seen most or all of the tropes used before as well. Heck, in another time and place TNG could have been as visually gory as "The War of the Worlds" that was made at the same time - which would put that season 1 story with the invading shrimp and scampi to shame. And gore
can complement a scene, especially in sci-fi and horror. Most of us have seen it dozens of times and in at least one show. )
Viewers can still not like the change but I'm not going to shriek "KURTZMAN IS _____ AND MUST MUST ______!!!!!!!!!!!!! "