• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

A Niner Watches Babylon 5 (NO spoilers, please)

There are definite similarities to B5 in there, but also to Star Trek, Star Wars, BSG... every major space opera has elements in the ME universe, which is one of the reasons why that universe is so delicious. Overall, I'd say that Star Wars is the main influence followed by B5.
Oh absolutely though somehow it manages to weave the derivative stuff with plenty of it's own ideas to create something unique in it's own way. Just like Star Wars drew from western hero mythology and Japanese cinema and B5 drew from sci-fi and fantasy literature (Lensman, Foundation, Lovecraft, Tolkien etc.)

I've noticed in A Call to Arms and War Zone that during some action scenes the sound effects are silent and you're only left with the music. Personally, I don't feel that works, the music just isn't big enough to carry those scenes on its own.
Exactly, a soundtrack is supposed to seamlessly support and compliment the visuals. Even noticing the music is usually a bad sign.

I've done some reading at the lurkers guide and it seems that a lot of what was wrong here was TNT's fault and that JMS had greater control over the rest of the series, so there's still a chance I'll like the show. Hopefully this episode isn't the shape of things to come.
Though I do like the show, it's very uneven - no matter which order you view it in - and there are some moments I find genuinely cringe worthy. It has all of the problems most shows have in their first season without the subsequent four seasons to counterbalance them. Still there are some legitimate high points and the cast is, I think, very strong. Dureena, Max, Gideon and yes, Galen, are all very well acted and (for the most part) well written. Max is a personal favourite of mine in a Kerr Avon meets Rodney McKay kind of way.

Trivia time: Carrie Dobro (Dureena) did make two small appearances on B5 prior to Crusade. Once as of of Franklin's staff in 'Exogenesis' and again as that crazy Brakiri woman in 'Racing Mars'. Oh and be forewarned, a part of the behind the scenes back and forth meant that Dureena's hair make-up design alters quite a bit from one episode to the next. The forehead piece changes at least twice and they kept having to fiddle with her contact lenses. Nothing as drastic as Delenn's or even G'Kar's change from 'The Gathering' onwards, but it is noticeable. Personally I think her look in 'A Call to Arms' was the best.

War Zone (*)

I told you. Didn't I tell you?
Your clairvoyance is astounding. ;) I shall be reporting you to Psi Corps very soon.
 
I don't think I've aired my pet peeve for a little while: There was no Pilot for Crusade. Pilots are used to *sell* a series, it's not another term for 'first episode' although a pilot often does become that. "A Call to Arms" wasn't a Pilot, either. Crusade was commissioned without there ever being a pilot episode made.

Jan
 
^
He's completely insufferable and self-righteous and smarmy. He's got some of the traits that I dislike in JMS's writing (which is sometimes more then a little smug), bottled up as his essential character thing.

That said, yeah, I rather liked Max Eilerson. He's the Londo Mollari of Crusade, to give him high praise that also illuminates exactly why he works. JMS is always better with his rakes then his heroes... but I disgress.
 
Crusade is not something I would recommend to anyone. There's only 2 episodes out of 13 that I would call good.

Could it have gotten good? Possibly, but it was a really weak start. Inexcusably weak, for a production team that just came off the experience of a 5 yr show. Part of the blame surely belongs to TNT, but I think the majority of the problem was with JMS & co.

Even without TNT interference, it would have been a very weak start. And shows cannot afford to start that weakly.
 
Could it have gotten good? Possibly, but it was a really weak start. Inexcusably weak, for a production team that just came off the experience of a 5 yr show. Part of the blame surely belongs to TNT, but I think the majority of the problem was with JMS & co.

Even without TNT interference, it would have been a very weak start. And shows cannot afford to start that weakly.

I'm not sure anybody really understands the level of TNT interference. It should become more clear when the upcoming Crusade script books come out.

But then, I disagree that it was as weak as Hyperspace05 does. 'Course, I've got all of the drafts of the scripts to compare...

Jan
 
Crusade's first season was better than Babylon 5's (which is not saying much) and it had a better sense of the environment it's set in than Legend of the Rangers (which is saying even less).

Mostly I found it passable space opera; with a couple of bad episodes, some mediocre, one or two good. Ignoring the behind-the-scenes reasons for the show's failures; an over-reliance on cliched writing or occasionally dodgy efforts at humour were in my opinion two of its main failings; and I don't think any of its attempted arcs were cohering well at all (the entirely jumbled order of the series is probably the fault here.)
 
I don't think I've aired my pet peeve for a little while: There was no Pilot for Crusade. Pilots are used to *sell* a series, it's not another term for 'first episode' although a pilot often does become that. "A Call to Arms" wasn't a Pilot, either. Crusade was commissioned without there ever being a pilot episode made.
True, pilot generally refers to the episode that sells the series, but people still use the term for a first episode and Joe himself used the term "pilot" when referring to "Racing the Night". However, he said that A Call to Arms was a Babylon 5 story that set up Crusade, not a Crusade story.

Hyperspace05 said:
Inexcusably weak, for a production team that just came off the experience of a 5 yr show. Part of the blame surely belongs to TNT, but I think the majority of the problem was with JMS & co.
Joe went from *ZERO* interference on B5 to TNT sending pages and pages of notes for Crusade. They shut the show down between episodes 105 and 106 and wouldn't let the production go on until Joe gave in to their notes. Any of the black uniform episodes in Joe's words "have TNT's fingerprints all over them."
 
Joe went from *ZERO* interference on B5 to TNT sending pages and pages of notes for Crusade. They shut the show down between episodes 105 and 106 and wouldn't let the production go on until Joe gave in to their notes. Any of the black uniform episodes in Joe's words "have TNT's fingerprints all over them."
You know that always bothered me somewhat because I like the black uniforms better than the grey ones.

As for TNTs interference, to give an idea of it's degree, JMS did post a relativity small sampling of the back and forth correspondence they had to deal with. A lot of it includes spoilers for upcoming episodes so for TGB's benefit, I'll paste in the stuff relating to 'War Zone' here: -
"WAR ZONE

'The pacing of this episode, as well as 106 and 107, is consistently slow."
While there may be some validity to this as far as 106 is concerned, about which more later, I find "slow pacing" a very difficult concept to apply to this episode.

WAR ZONE contains 25 interior shots, 52 exterior shots, and a total of 115 scenes over 43 pages, averaging 3 scenes or major shots per page, which is something of a record for a script on this or just about any other show. It has stunts, fights, hand-to-hand combat, air-to-air combat, air-to-ground combat, sneaking, shooting, and buckets of other action. It is, frankly, the most ambitious and fastest-paced episode we've ever produced, rivaled only by 103, which is in your hands now, and which is anything but slow.

I believe that, as with 103, the pacing will become more evident once the CGI and other effects are in.
"The fight scene in the opening…is choppy and unrealistic."
We did the best we could there with what we had in the dailies, which were also sent to TNT. It was a small set, and we really only have the two scenes with which to play.

However:

Ø I agree that there are some places where a couple of transitional shots (such as the downshot, and the crew running out the door coming into the stairwell scene) are a bit awkward, given the coverage we had. We jumped into the scene a bit faster because we wanted to speed up the pacing, get into the confrontation with Gideon quickly, rather than wait for them to start at the top of the stairs and come all the way down.

Ø We can try to further expand the fight by lengthening the first piece, but only by double-cutting some of the footage we have from B-camera and grabbing bits of side-action, but this will add more cuts and that may also make it more "choppy."

Ø If you want additional fight stuff for that scene, it would have to be shot as new material, and there will be costs involved in doing that.

"…the scenes which include the senator's speeches need to be cut back."
As noted previously, this scene was expanded to meet TNT's earlier notes. Virtually all of the information presented here is necessary for the audience to understand what the show is about: the plague, the blockade, why Gideon was chosen, and what the mission is.

Ø However: there is a small piece or two that can be lifted, about 5-15 seconds worth, which may help to pick up the pacing. It would, however, mean eliminating some of the material asked for in earlier notes. So if TNT is okay with that, we can trim up the scene and add those seconds to the fight scene in the teaser.

If "unrealistic" could be better defined for us, that would be very helpful, because that one has us kind of stumped.

Ø One other thing we can do in future episodes that will help the pacing is to work more closely with the directors, who tend to loved their long panning shots to open up a scene, rather than just jumping into it. (We sometimes get stuck with those long pans because coverage tends to start later into the scene, leaving us unable to cut into the scene any later.)
"Gideon doesn't seem to have an understanding or a rapport with his ship."
So that I can better understand the note, at what point does Gideon indicate that he doesn't understand his ship?

As for "a rapport with his ship," in this episode he is assigned to the Excalibur for the first time. He's only been there for a few hours; it seems unrealistic to expect to build a rapport with a place in just a few hours.
"There are also logic problems. How does he know where the conference room is on the Excalibur without some investigating?"
In the first Excalibur scene, Matheson escorts Gideon to the bridge. Gideon can see the conference room from his chair. Since it is in his clear line of sight, I'm not sure how much further investigation is required in order to find it.
"Introduce Trace by name earlier."
Ø We don't have any footage of this, but we can add an ADR line using his name.

Regarding the Chambers scene…here we must agree to disagree. Her letter to her sister seems very emotional to everyone here and at WB. Further, it's not a crying scene because that scene is about encouraging her sister about their intention to find a cure. She has to be strong for her sister, not fall apart. This had to be done as a recorded letter to her sister because we couldn't afford another actor at that point.

Also, that scene was sent through in script, and everyone was fine with it at the time.

Regarding 106 and 107…as we noted in our conversation prior to their publication in script form, having done massive action shows in 101-105, we needed to have a couple of smaller, quieter shows in order to balance out the costs involved. So yes, they are slower episodes, as I noted at the time they would be. You can't produce every episode at a screaming pace and expect to stay on budget. Some are loud, some are quiet; the key is just to do more louds than quiets."
It's all rather academic of course as JMS found out years later that by the time the show had gone into production, TNT had already decided they didn't want the show any more and used this tactic of intentionally confounding and infuriating the production staff so they could cancel the show without being done for a breach on contract. Basically they were intentionally pissing them about.

Apparently they had hoped to increase their viewership with B5 and Crusade, but after the figures for B5 season 5 came in it became apparent that the people who normally watched their other programs didn't watch B5 and conversely those that watched B5 didn't hang around for their other programs. In short, Crusade was doomed before the cameras even rolled. Given all that it's a wonder Crusade was any good at all. And to think how the Browncoats whinge on about how poorly Firefly was treated.
 
Honestly, I don't care how many shots there were, I thought "Warzone" was incredibly dull. I remember the first (and only) time I watched it, I started zoning out, and came back in halfway though the space battle. And my reaction was, "Wait, when did a space battle start?"
 
Apparently they had hoped to increase their viewership with B5 and Crusade, but after the figures for B5 season 5 came in it became apparent that the people who normally watched their other programs didn't watch B5 and conversely those that watched B5 didn't hang around for their other programs.

I thought they wanted JMS to turn Crusade into a lowbudget Tribune show? So they were trying to cancel it from the beginning instead.

Weird.
 
Exactly. They wanted to make it impossible to comply with their demands in order to have an excuse to break their contract.
 
Honestly, I don't care how many shots there were, I thought "Warzone" was incredibly dull.

Indeed. It's weird I remember JMS not defending this, because the quotes posted are his usual trenchant self. I wouldn't call "War Zone" slow per se but it's nothing more then one long torturous info-dump.
 
I don't think I've aired my pet peeve for a little while: There was no Pilot for Crusade. Pilots are used to *sell* a series, it's not another term for 'first episode' although a pilot often does become that. "A Call to Arms" wasn't a Pilot, either. Crusade was commissioned without there ever being a pilot episode made.

Jan

Well, by contrast, Joss Whedon's philosophy is that the first three or four episodes are all sort of pilots, in that they all need to sell the show to the viewers and contain enough exposition to bring people up to speed if they missed the very first.
 
I think what Jan is getting at is that the term 'pilot' is often misused. Pilots are single episodes commissioned to try and sell a show and if successful, often end up being the first episode which is why some people (including Joss Whedon apparently) have come to assume the concepts are one and the same.

Honestly, I don't care how many shots there were, I thought "Warzone" was incredibly dull.

Indeed. It's weird I remember JMS not defending this, because the quotes posted are his usual trenchant self. I wouldn't call "War Zone" slow per se but it's nothing more then one long torturous info-dump.

What would you have expected him to say? "Yes I know it's crap. I never wanted to write the damn thing in the first place."
Put it in it's proper context; that memo was written during post-production of 'War Zone' and while they were still deep into shooting and writing the show. He's clearly trying to make sure the episode is the best it can be, given TNT are the ones that asked for it in the first place. The only professional way to behave is to address their notes one point at a time and approach it as reasonable as possible, however, given the kind of nonsense they're coming out with (also keep in mind this is by no means the first such exchange) it's clearly becoming increasingly impossible to address there supposed concerns.
If you read it, you can see they're clearly contradicting themselves; one minute they're complaining "Gideon doesn't seem to have an understanding or a rapport with his ship." and the next they're complaining that he knows where the conference room is...the one that's like five paces behind his chair...
 
"It is, frankly, the most ambitious and fastest-paced episode we've ever produced, rivaled only by 103, which is in your hands now, and which is anything but slow."

^Maybe I'm getting old and my eyesight is failing because I don't see where he says, or even implies any such thing. The pace of the episode is indeed very fast, it's the flow that's the problem, mostly due to the clunky introductions and and "whack you over the head" exposition that TNT insisted on.

It might be worth keeping in mind that this is all about a cut of the episode we've never seen and the one we did see was finished after these exchanges.
 
^
I was referring to also:
WAR ZONE contains 25 interior shots, 52 exterior shots, and a total of 115 scenes over 43 pages, averaging 3 scenes or major shots per page, which is something of a record for a script on this or just about any other show.
He minces his words more delicately then I put it ('something' of a record can mean anything), granted.
 
Unless you know for a fact that he's factually incorrect in his assertion (I certainly don't, one way or the other), I'm not sure what your point is. He doesn't mince words at all, he's being very direct and to the point; They're saying the episode is slow to which he basically says "how can it possibly be slow with this number and variety of scenes in a 40 minute show."
At no point is he saying the episode is "revolutionary" as you put it, all he does is directly address their notes. Since we can be fairly sure now that TNT were deliberately spewing nonsense, I think it's all rather academic.
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top