War Zone (*)
I told you. Didn't I tell you?
War Zone (*)
Oh absolutely though somehow it manages to weave the derivative stuff with plenty of it's own ideas to create something unique in it's own way. Just like Star Wars drew from western hero mythology and Japanese cinema and B5 drew from sci-fi and fantasy literature (Lensman, Foundation, Lovecraft, Tolkien etc.)There are definite similarities to B5 in there, but also to Star Trek, Star Wars, BSG... every major space opera has elements in the ME universe, which is one of the reasons why that universe is so delicious. Overall, I'd say that Star Wars is the main influence followed by B5.
Exactly, a soundtrack is supposed to seamlessly support and compliment the visuals. Even noticing the music is usually a bad sign.I've noticed in A Call to Arms and War Zone that during some action scenes the sound effects are silent and you're only left with the music. Personally, I don't feel that works, the music just isn't big enough to carry those scenes on its own.
Though I do like the show, it's very uneven - no matter which order you view it in - and there are some moments I find genuinely cringe worthy. It has all of the problems most shows have in their first season without the subsequent four seasons to counterbalance them. Still there are some legitimate high points and the cast is, I think, very strong. Dureena, Max, Gideon and yes, Galen, are all very well acted and (for the most part) well written. Max is a personal favourite of mine in a Kerr Avon meets Rodney McKay kind of way.I've done some reading at the lurkers guide and it seems that a lot of what was wrong here was TNT's fault and that JMS had greater control over the rest of the series, so there's still a chance I'll like the show. Hopefully this episode isn't the shape of things to come.
Your clairvoyance is astounding.War Zone (*)
I told you. Didn't I tell you?
Could it have gotten good? Possibly, but it was a really weak start. Inexcusably weak, for a production team that just came off the experience of a 5 yr show. Part of the blame surely belongs to TNT, but I think the majority of the problem was with JMS & co.
Even without TNT interference, it would have been a very weak start. And shows cannot afford to start that weakly.
True, pilot generally refers to the episode that sells the series, but people still use the term for a first episode and Joe himself used the term "pilot" when referring to "Racing the Night". However, he said that A Call to Arms was a Babylon 5 story that set up Crusade, not a Crusade story.I don't think I've aired my pet peeve for a little while: There was no Pilot for Crusade. Pilots are used to *sell* a series, it's not another term for 'first episode' although a pilot often does become that. "A Call to Arms" wasn't a Pilot, either. Crusade was commissioned without there ever being a pilot episode made.
Joe went from *ZERO* interference on B5 to TNT sending pages and pages of notes for Crusade. They shut the show down between episodes 105 and 106 and wouldn't let the production go on until Joe gave in to their notes. Any of the black uniform episodes in Joe's words "have TNT's fingerprints all over them."Hyperspace05 said:Inexcusably weak, for a production team that just came off the experience of a 5 yr show. Part of the blame surely belongs to TNT, but I think the majority of the problem was with JMS & co.
You know that always bothered me somewhat because I like the black uniforms better than the grey ones.Joe went from *ZERO* interference on B5 to TNT sending pages and pages of notes for Crusade. They shut the show down between episodes 105 and 106 and wouldn't let the production go on until Joe gave in to their notes. Any of the black uniform episodes in Joe's words "have TNT's fingerprints all over them."
"WAR ZONE
'The pacing of this episode, as well as 106 and 107, is consistently slow."While there may be some validity to this as far as 106 is concerned, about which more later, I find "slow pacing" a very difficult concept to apply to this episode."The fight scene in the opening…is choppy and unrealistic."
WAR ZONE contains 25 interior shots, 52 exterior shots, and a total of 115 scenes over 43 pages, averaging 3 scenes or major shots per page, which is something of a record for a script on this or just about any other show. It has stunts, fights, hand-to-hand combat, air-to-air combat, air-to-ground combat, sneaking, shooting, and buckets of other action. It is, frankly, the most ambitious and fastest-paced episode we've ever produced, rivaled only by 103, which is in your hands now, and which is anything but slow.
I believe that, as with 103, the pacing will become more evident once the CGI and other effects are in.
We did the best we could there with what we had in the dailies, which were also sent to TNT. It was a small set, and we really only have the two scenes with which to play."…the scenes which include the senator's speeches need to be cut back."
However:
Ø I agree that there are some places where a couple of transitional shots (such as the downshot, and the crew running out the door coming into the stairwell scene) are a bit awkward, given the coverage we had. We jumped into the scene a bit faster because we wanted to speed up the pacing, get into the confrontation with Gideon quickly, rather than wait for them to start at the top of the stairs and come all the way down.
Ø We can try to further expand the fight by lengthening the first piece, but only by double-cutting some of the footage we have from B-camera and grabbing bits of side-action, but this will add more cuts and that may also make it more "choppy."
Ø If you want additional fight stuff for that scene, it would have to be shot as new material, and there will be costs involved in doing that.
As noted previously, this scene was expanded to meet TNT's earlier notes. Virtually all of the information presented here is necessary for the audience to understand what the show is about: the plague, the blockade, why Gideon was chosen, and what the mission is."Gideon doesn't seem to have an understanding or a rapport with his ship."
Ø However: there is a small piece or two that can be lifted, about 5-15 seconds worth, which may help to pick up the pacing. It would, however, mean eliminating some of the material asked for in earlier notes. So if TNT is okay with that, we can trim up the scene and add those seconds to the fight scene in the teaser.
If "unrealistic" could be better defined for us, that would be very helpful, because that one has us kind of stumped.
Ø One other thing we can do in future episodes that will help the pacing is to work more closely with the directors, who tend to loved their long panning shots to open up a scene, rather than just jumping into it. (We sometimes get stuck with those long pans because coverage tends to start later into the scene, leaving us unable to cut into the scene any later.)
So that I can better understand the note, at what point does Gideon indicate that he doesn't understand his ship?"There are also logic problems. How does he know where the conference room is on the Excalibur without some investigating?"
As for "a rapport with his ship," in this episode he is assigned to the Excalibur for the first time. He's only been there for a few hours; it seems unrealistic to expect to build a rapport with a place in just a few hours.
In the first Excalibur scene, Matheson escorts Gideon to the bridge. Gideon can see the conference room from his chair. Since it is in his clear line of sight, I'm not sure how much further investigation is required in order to find it."Introduce Trace by name earlier."
Ø We don't have any footage of this, but we can add an ADR line using his name.
Regarding the Chambers scene…here we must agree to disagree. Her letter to her sister seems very emotional to everyone here and at WB. Further, it's not a crying scene because that scene is about encouraging her sister about their intention to find a cure. She has to be strong for her sister, not fall apart. This had to be done as a recorded letter to her sister because we couldn't afford another actor at that point.
Also, that scene was sent through in script, and everyone was fine with it at the time.
Regarding 106 and 107…as we noted in our conversation prior to their publication in script form, having done massive action shows in 101-105, we needed to have a couple of smaller, quieter shows in order to balance out the costs involved. So yes, they are slower episodes, as I noted at the time they would be. You can't produce every episode at a screaming pace and expect to stay on budget. Some are loud, some are quiet; the key is just to do more louds than quiets."
Apparently they had hoped to increase their viewership with B5 and Crusade, but after the figures for B5 season 5 came in it became apparent that the people who normally watched their other programs didn't watch B5 and conversely those that watched B5 didn't hang around for their other programs.
Honestly, I don't care how many shots there were, I thought "Warzone" was incredibly dull.
I don't think I've aired my pet peeve for a little while: There was no Pilot for Crusade. Pilots are used to *sell* a series, it's not another term for 'first episode' although a pilot often does become that. "A Call to Arms" wasn't a Pilot, either. Crusade was commissioned without there ever being a pilot episode made.
Jan
Honestly, I don't care how many shots there were, I thought "Warzone" was incredibly dull.
Indeed. It's weird I remember JMS not defending this, because the quotes posted are his usual trenchant self. I wouldn't call "War Zone" slow per se but it's nothing more then one long torturous info-dump.
Not 'look at all these scenes! It's revolutionary!'; that's for sure.What would you have expected him to say? "Yes I know it's crap. I never wanted to write the damn thing in the first place."
He minces his words more delicately then I put it ('something' of a record can mean anything), granted.WAR ZONE contains 25 interior shots, 52 exterior shots, and a total of 115 scenes over 43 pages, averaging 3 scenes or major shots per page, which is something of a record for a script on this or just about any other show.
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