That
Entertainment Weekly article does a good job of assuaging any concerns I have with the show and its long development period.
Highlights from the article:
“I am so excited for people to see it,” [showrunner Silka Luisa] says smiling. “There is so much legacy with Blade Runner. Every person who touched the show in any way is a huge fan. Everyone was very well aware of the weight of what we were doing, and we did it with great care. And when you’re taking on something like this, you’re very thoughtful and deliberate about each step. That is why it has taken so long, because we wanted to make sure we got it right.”
And getting it right meant threading the needle in terms of paying homage to the past while also offering something new. “We stayed very true to the noir principles of Blade Runner. And there’s a mystery at the heart of the show that looks both forwards and backwards in terms of mythology that fans are gonna be very excited about.”
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“There’s been a replicant uprising that feels like it’s been bubbling up,” Lousia explains. “And between 2049 and 2099, that’s happened. So the war has happened and the humans have lost. Our worst fears imagined.”
Welcome to the new world order. “The replicants are now the power brokers of the city,” says the showrunner. “And humans are the second-class citizens.” (Bummer for us.)
And the story we will see on screen is not just informed and inspired by the two Blade Runner movies, but also by the novel on which the original film is based: Philip K. Dick’s Do Androids Dream of Electric Sheep.
Therein lies the main thread of the series. Notes Luisa: “The show is really imagining what comes after us, and what does it mean to be human in a world where humanity is no longer relevant?”
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“We did return to the book for a lot of the world building,” says Luisa. “Because it’s a TV show and you have so many more hours to fill, we have this great opportunity to actually build out the world, and to go to other places, and to build out parts of history and parts of the universe that I feel like fans have been really curious about and just haven’t gotten to see yet. And the book was really helpful in helping us guide us where we could do that.”
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Leading the new cast is
Michelle Yeoh as a replicant Blade Runner named Olwen. “She is hunting down a group of missing rogue replicants,” explains Luisa. “She’s in the final days of her life, so she knows she has only days left to live because replicants know down to the day when they’re gonna die. It’s certain and it’s definitive.”
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And they plan to go deep on that vantage point. “We have the benefit of television where you have all of the hours that you could want to explore the nuances of this very relatable and human fear of not wanting to die,” notes Luisa. “There’s something about the idea that you’re not winding down when you die. You’re spiraling out. There’s a volatility, a danger, and a desperation to it, which I think Michelle really tapped into in her performance.”
The other key figure is Olwen’s partner, Cora, played by
Euphoria’s Hunter Schafer. Instead of another replicant trying to blend in as a human, Cora is actually the opposite.
“Hunter is playing a human who is a fugitive and has spent her life running from Blade Runners,” explains the showrunner. “And now has to pretend to be one.”
But the act has worked almost too well.
“In this struggle to survive and just trying to live day-to-day, she’s actually lost her humanity,” Luisa says. “So she’s a human who has lost her humanity. And the question for the series is: Once you’ve lost her humanity, can you regain it?”
I love this idea of flipping the roles of replicants and humans in this new world order. There's also a whole section about recapturing the look and feel of the
Blade Runner world and doing it with as much practical effects as possible.
I'm pretty excited about this show now.
