SF DEBRIS: Well, thank you. I was short of things that make me wake up screaming. This should do for at least a week.
Incidentally, that's the same YouTube channel I look up when I just want to watch one or two of the songs as opposed the entire episode.You know what this thread needs? A song to bring us all together as fans!
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I liked the time back in the late 2000s where Brannon Braga admitted that when it came to writing the technobabble, he had absolutely no idea if the things he wrote even made any sense.
Nope. Gene spin. The action in WNMHGB is about the same as The Cage.
Pike's Kidnapping, including laser fire at the "elevator'No the action is much more in WNMHGB. We get the initial scene on the bridge where they cross the barrier. Lot of explosions on the bridge, Gary and Dr Dehnar get zapped. The tense scenes as Garys power is growing and he is slowly gaining a god complex and going mad. Than of course we get the great Kirk Vs God Mitchell scene on the planet. The cage had a little excitement and some nice dialogue but WNMHGHB was on another level.
Pike's Kidnapping, including laser fire at the "elevator'
Pike testing the cell and yelling at the Talosians
Fight with the Kaylar
Big fricking laser blasts the mountainside
Pike burns in Hell
Pike assaults the Keeper/Gorilla
Pike threatens the Keeper with laser.
Action is action. Not saying the Mitchell fight isn't more epic, it is.The fight with the kaylar was not nearly on the level of the kirk vs god mitchell. Pike tests the cell? Come on man.
Other things in WNMHGB. Gary zapping kirk and Spock, Gray testing the force field in his cell(a lot cooler than the cage test), gary strsngking Kelso with his mind etc. Just a overall better pilot.
Man all this talk I really need to rewatch both of these episodes. Trek at its finest.
And now I suddenly have a hankering to do a rewatch of The Cage.Love “The Cage.” Prefer it to WNMHGB. But I also understand why the later was ordered to series the prior wasn’t.
The action of "THE CAGE" and "WHERE NO MAN HAS GONE BEFORE"... I think they are both pretty comparable.
I do feel that Kirk's story is slightly more personal, given it's his best friend. In that way, I think it is a stronger pilot than "THE CAGE".
"THE CAGE" is still great, though.
Can I ask why it's so powerful for a man to kill his friend?Thats why I love the story so much. Kirk doesn't want to kill Gary and even after Gary kills Kelso he doesn't want to do it but knows he has to. They were friends since the academy. Its a very powerful story. Amazing that both pilots were made in the 60s. The writing holds up well today and I honestly prefer those stories to the Kelvin movies. They really packed a lot into the writing back in those days for an hour show that included commercials. So 50 minutes or so of pure entertainment. None of the filler junk we get today. So much filler in STD and STP.
Can I ask why it's so powerful for a man to kill his friend?![]()
Feels unnecessarily cruel to me.I meant the story itself is powerful drama.
I prefer "The Cage", but I agree with you about "Where No Man..." being the stronger pilot. It probably didn't help matters introducing your lead character as tired of his job and wanting to quit, that sort of story works better down the line after we've seen him through a couple of rough scrapes.The action of "THE CAGE" and "WHERE NO MAN HAS GONE BEFORE"... I think they are both pretty comparable.
I do feel that Kirk's story is slightly more personal, given it's his best friend. In that way, I think it is a stronger pilot than "THE CAGE".
"THE CAGE" is still great, though.
"Life can be damned cruel."Feels unnecessarily cruel to me.
Google AI?!?!?I'll let Google's AI explain:
A "musical show don't tell" refers to a style of songwriting or musical theater where the story and emotions are conveyed through actions, imagery, and sensory details rather than explicitly stating them in the lyrics, allowing the audience to experience the feelings more deeply by actively interpreting the scene instead of being simply told what to feel; essentially applying the writing principle "show, don't tell" to music.
Now can either of you say SNW achieved that in the scene? Or was it Pike and Batel telling us their problems through lyrics?
WRONG.And breaking into dance numbers along with the songs. Completely ludicrous. Takes you completely out of the episode and destroys any chance of suspension of disbelief.
WRONG.
It might take YOU out of it, but you're in the distinct minority.
The funny thing about “The Cage” and Pike in “The Cage” is that DS9’s pilot, “The Emissary,” has similarities to it. And Pike in “The Cage” can be seen as a very early version of the ideas that would become Sisko.I prefer "The Cage", but I agree with you about "Where No Man..." being the stronger pilot. It probably didn't help matters introducing your lead character as tired of his job and wanting to quit, that sort of story works better down the line after we've seen him through a couple of rough scrapes.
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