"The idea of
Stargate Universe is that it is set on
a ship that was part of an Ancient experiment that was set in motion probably millions of years ago -- one that they never saw to fruition, but that we can," Wright told GateWorld exclusively. "They got busy with the whole
ascension thing."
The experiment is "
to send a ship across the universe, and to send one ahead of it to
seed the galaxies with Stargates, and that they would one day use the
ninth chevron to get there [to the ship]. And that's what
Stargate Universe is."
Millions of years ago (before their conflict with the
Wraith and possibly even before they moved
Atlantis to the
Pegasus Galaxy), the show would reveal, the Ancients sent out two ships: an automated vessel to place Stargates throughout multiple galaxies in our universe, and a second ship to follow up and explore.
A standard, 7-symbol gate address allows for travel within the same galaxy. Use of the Stargate's eighth chevron allows for travel to a different galaxy. And the ninth chevron will allow the team to reach this second, still unmanned Ancient ship.
The series was pitched to SCI FI Channel last fall, just before the writer's
strike -- which put a hold on the project. "The pitch was received very well," Wright said. "[But] we pitched an expensive series -- the idea we have is not cheap. I think we've proven ourselves, so ... 'Can we please have enough money to do it right this time?' And, if not, then honestly I don't want to do it. Why do it wrong?
The strike and the potential cost of
Stargate Universe are not the only reasons the show is not yet moving forward.
"Part of the reason it's taking a while is that
Atlantis is currently on-going, and because we didn't want to go into development with anything during the
writer's strike -- because it seemed inappropriate. Even though we're Canadian, we recognized it is for the American marketplace."
"Internally, Robert and I are a little bit torn, because we had
such a great time making
The Ark of Truth and
Stargate: Continuum. Making one or two of those a year would be a damn fine thing to do! Honestly, it takes up a big chunk of time writing it, a big chunk of time making it, and then the post on a movie is more than twice as complicated as post on the biggest episodes. So it's not like you can just knock one off while you're making a
television show. It's just too much."
Wright said that he is not anxious to return to a schedule that requires the Vancouver team to produce 40 hours of television each year, indicating that
Stargate Universe may wait until
Atlantis has concluded its run.
When the show does begin, Wright believes that it has to both move the franchise forward to attract new viewers, and remain true to the established formula. "It has to feel like Stargate, and it has to feel new. That's the tight rope, that's the balance you have to maintain, and that's the challenge.
"To put it in its simplest terms, if we had ever just done
SG-2as a series it would never have worked. It's not the
C.S.I. model."