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Spoilers Section 31 General Discussion Thread

A Section 31 series. Yay or nay?

  • Yay, a Section 31 series!

    Votes: 80 40.0%
  • Nay, give us anything else instead!

    Votes: 120 60.0%

  • Total voters
    200
I think the problem is fans wanted to see more from the characters. That is actually a good thing and you would think the writers would think"You know the fans seem to like these characters. I think we should try and give them more to do." I see it as a example of a show making a change in plans and going with stuff that is working. Discovery was a show that seemed to not get a clue as to what fans didn't like and still ran with it. I feel like good shows adapt and embrace change and also dump aspects that may be they thought would work but is just not working well with the fans.
That's fine that fans can want that.

It's not an indictment of the show.
 
Looks like it is a disaster on every single level. Who could have seen that coming?

Certainly not me. I don't get paid millions a year to make these decisions.

Getting mixed signals here.

I assume you mean this scene?:

Pod Computer: Auto navigation confirmed.

Owo: I don't like those thermals.

Detmer: The rock's under so much pressure that when the gravity field fluctuates, the debris .

Owo: You mean explodes?

Saru: Really? Are you surprised?

Burnham: I'm not detecting any pattern to these energy field detonations.

Nhan: Magnetics are messing with my nav computer.

Pike: I'm peaking, too. Switch to manual navigation.

Nhan: I'm losing control.

Burnham: These pods are built for this, Nhan. Just take the stick manually.

Nhan: You mean manually manually?

Burnham: Connolly, your field is too wide. Watch the boulders in lateral grid six.

Pike: Burnham's right, tuck in behind her.

Connally: No she's not, sir. Ooh!

Burnham: Connolly, I'm telling you your field is too wide!

Pike: Pull back, Lieutenant. That's an order!

Connally: Sir, she didn't alter the computer's flight patterns to adjust for the gravitational fluctuations. I've got this.

Burnham: You can't rely on sensors!

Connally: Don't question my calculations. My roommate at the academy
was part Caitian. And she was a year ahead of me, Burnham, but I told her what I'll tell you, just relax and let me do...

BOOM!!!!

Burnham: No!

Pike: Connolly?!

Owo: Pod three is down. Pod two has sustained structural damage.

Detmer: Navigation is off-line.

Pod Computer: Structural integrity compromised. System failure is imminent.

Pike: Initiating ejection sequence.

Pod Computer: Warning: Exo-suit initiation failure. Auto eject override.

Pike: Discovery,
I have system-wide failure. Negative on evac. I am in total free fall.

Saru: Captain Pike, we are running a remote diagnostic on your pod now.

Pike: It's dead. That's the diagnosis.

Saru: Can you eject?

Pike: No. My thruster pack's damaged. The damn helmet's stuck.

Burnham: Discovery,can you activate the captain's ejector seat remotely?

Detmer: Lot of surface distortion. I need another 30 seconds.

Owo: Without EV boosters, he'll still be in free fall.

Burnham: Not if I can catch him.

Pike: Forget it, Burnham. I already lost one officer today.

Burnham: I'm comfortable with the risk, sir.

Pike: And I'm not. If you screw this up, we're both dead. Stay on mission. That's an order.

Detmer: 2,000 feet till impact.

Burnham: You need to trust us, sir. I told you we don't abandon each other. Discovery has you. We have him, right, ladies?

Detmer & Owo: Oh, yeah. Absolutely.

Pike: Do it.

Burnham: Calculating the burn rate to stop terminal velocity. Once I eject, take control of my thruster and plot a trajectory to the captain.

Detmer: Working on it.

Owo: 20 seconds to impact!

Burnham: Nhan, stay on course o the asteroid's surface. You'll be fine. I'm going after the captain.

Nhan: Copy that. Go get 'em, Burnham.

Owo: I have a lock.

Detmer: Plotting your trajectory, Burnham. If this works, you have less than ten seconds to catch him, and then I'll hit your thrusters.

Burnham: Copy. Get ready to eject the captain on my mark. On three. One. Two. Three.

Six seconds to impact.

Five. Four.

Three.

Two. One.

Initiating maximum thrust!

Saru: Burnham?

Saru: Burnham, do you copy?

Burnham: Discovery, this is Burnham.
We have touchdown.


Some chatter, patter and jargon, but not a lot of quips or jokes-before, during or after Connally's horrific death. Everything is serious and professional. So "thumbs up?" Rather typical of DISCO action scenes. Played like most fighter jet pilot scenes from war movies.

Now watch the scene. He's doing the "mansplaining" thing as a joke because that was what was in vogue on social media when it came out.
 
I think the problem is fans wanted to see more from the characters. That is actually a good thing and you would think the writers would think"You know the fans seem to like these characters. I think we should try and give them more to do." I see it as an example of a show making a change in plans and going with stuff that is working. Discovery was a show that seemed to not get a clue as to what fans didn't like and still ran with it. I feel like good shows adapt and embrace change and also dump aspects that may be they thought would work but is just not working well with the fans.
Did they? Neither one was setting the world on fire. The main reason seemed to be “they’re on the bridge.”
 
Where do you think I got the dialogue from? I watched with subtitles on.

Maybe, but he’s also doing the “cocky know it all” that’s been in vogue since….forever.

He dies in a comical fashion while mansplaining to two women. It is set up to be comical. Because the people writing it are stupid and don't like Star Trek.
 
He dies in a comical fashion while mansplaining to two women. It is set up to be comical. Because the people writing it are stupid and don't like Star Trek.
Well, having watched it. No. There was no comedy. It was played straight. Everyone was deadly serious.

Nhan has such a small part in the scene that one has to wonder why she’s there. The exchanges are mostly between Pike, Burnham and Connelly.

Where in this scene is proof the writers are stupid and don’t like Star Trek? It’s a pretty standard action piece.
 
Well, having watched it. No. There was no comedy. It was played straight. Everyone was deadly serious.

Nhan has such a small part in the scene that one has to wonder why she’s there. The exchanges are mostly between Pike, Burnham and Connelly.

Where in this scene is proof the writers are stupid and don’t like Star Trek? It’s a pretty standard action piece.
Now you're just lying. It's played for laughs. Literally a minute later the two crew members are making stupid comments and going "sure haha we can do it". Can't believe you actually made me check.
 
Well, having watched it. No. There was no comedy. It was played straight. Everyone was deadly serious.

Nhan has such a small part in the scene that one has to wonder why she’s there. The exchanges are mostly between Pike, Burnham and Connelly.

Where in this scene is proof the writers are stupid and don’t like Star Trek? It’s a pretty standard action piece.
Same here. Do not recall the comedy but I do recall the controversy.

And evidence for hatred of Trek? :wtf:

No, Trek has had quips, inappropriate humor and the like since TOS. TNG dialog makes me cringe more than this exchange.
 
Now you're just lying.
About?
Watching the scene? No. I watched it to get the dialog.

About the scene being serious? No, that is what I saw on the screen. If you see comedy, that is fine.

About the level of participation of each character? That’s evident from dialog presented.

About is being a standard action piece? That’s evident too. Just watch some war movies.

Where are the lies? And where is the proof that the writers are stupid and don’t like Star Trek?
 
What are you talking about. Just watched the scene. It's played straight
First of all, the mansplainer dies in the middle of a mansplaining rant because the talentless hacks who wrote the episode saw it on the news that year. The same clowns who wrote the nazi guy as a pioneer because they saw him on CNN.

Then the two nameless, boring, generic crew members we're supposed to care about get told to do something and start quipping about " haha yeah sure wen can do it" and then do a running commentary on it. Absolute trash.

Which goes back to how this start - adults in Picard S3 actually doing their jobs together and not randomly shouting to create DRAMA.

Section 31 is what we have ended up with because you guys just accept any slop from writers with no background in science fiction led by a guy whose writing credits were mostly Transformer movies which is essentially US military propaganda.
 
I guess some people are forgetting about conversations about boob firmness, floatation devices, Klingon zits and other high-cinema concepts.

The best thing I can say about Kurtzman's vision of Trek is that it has made me appreciate the older movies more. I thought insurrection was dumb and surface level, but now it looks like art compared to the nonsense he and the talentless writers he worked with has produced.

From a quick google, it looks like the mega brains behind Discovery are now doing this (https://en.wikipedia.org/wiki/Zoey's_Extraordinary_Playlist) show. Explains a lot.
 
mansplaining
He was mansplaining? I thought he was just an asshole.
The same clowns who wrote the nazi guy as a pioneer because they saw him on CNN.
It was before we all knew what kinda asshole he really was. I imagine Marvel has the same regrets that Trek does in regards to Musk.
Then the two nameless, boring, generic crew members
Keyla Detmer and Joann Owosekun.
because you guys just accept any slop from writers with no background in science fiction
Gene Roddenberry had no background in Science Fiction.
 
The best thing I can say about Kurtzman's vision of Trek is that it has made me appreciate the older movies more. I thought insurrection was dumb and surface level, but now it looks like art compared to the nonsense he and the talentless writers he worked with has produced.

From a quick google, it looks like the mega brains behind Discovery are now doing this (https://en.wikipedia.org/wiki/Zoey's_Extraordinary_Playlist) show. Explains a lot.
The biggest forced-for-laughs situation I can think of in the Kurtzman era is DSC, trying to dip their toes in the water of humor after the great success that Orville S1 was, effectively demonstrating that you could write good science fiction and still be funny. That was, at least, before they fucked all that up by embracing the stuffy and insufferable “highly evolved sensibilities” bullshit that eventually made TNG a bit of a finger-wagging bore at times.

When DSC started including slapstick comedy (like Linus sneezing Saurian mucus inside the turbo lift), I instantly knew that they were trying Orville-like humor. Then, in later seasons of DSC, I noticed that Michael was starting to be written very similarly to Beckett Mariner, a lot more wild and free-wheeling and even occasionally acting like a chipmunk on crack (especially when she got dosed with that speed-like substance). DSC was largely a series without its own identity, always reacting to external sources both within and without the franchise.

SNW has definitely (IMO) struck a decent balance between the usual kind of seriousness one might expect from Trek, while still keeping things light and real. None of the characters (with the possible exception of La’an) seem to be walking around with a duranium rod up their asses.
 
Section 31 is what we have ended up with because you guys just accept any slop from writers with no background in science fiction led by a guy whose writing credits were mostly Transformer movies which is essentially US military propaganda.
Last I checked, Section 31 is getting roundly dragged in the mud in every corner of the fandom.

Much like your other opinions, they have little to no basis in reality beyond your own biases. How boring and predictable.
 
When DSC started including slapstick comedy (like Linus sneezing Saurian mucus inside the turbo lift), I instantly knew that they were trying Orville-like humor. Then, in later seasons of DSC, I noticed that Michael was starting to be written very similarly to Beckett Mariner, a lot more wild and free-wheeling and even occasionally acting like a chipmunk on crack (especially when she got dosed with that speed-like substance). DSC was largely a series without its own identity, always reacting to external sources both within and without the franchise.
I think that sums up how I feel about it. It tried to be everything to everyone, and its not easy to sustain. I wonder, if it had stuck to its guns, would it be seen differently now?

I know fans have mixed feelings over season 1, but much like Section 31, it might've been a rough start to something way more popular. After all, TNG season 1 is not usually the season anyone puts at the top of their favourites.
 
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