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Spoilers Canon, Continuity, and Pike's Accident

The thing is, classic TOS is in our future after our current structures collapse. I can see a future where they adopt such clean lines and the style echoes the 1960's. And paper printouts could make a comeback. It was a deliberate asthetic of the series because it was Jefferies vision of the future. The future in 2260 does not have to look like what we think it should look like today.
Would love this to be proven. So many Trek fans convinced the 60s vision of the future will sell to modern audiences.
 
Yeah, that's been my impression - people don't like Orci for one reason or another, and the fact that he's a conspiracy nut is irresistible. But whether he intended it or not, STID is not a 9/11 Truther story. In fact, while heavy-handed, it's one of the few Trek movies with anything substantial to say.
Among the reasons it’s my favourite Trek movie (and, let’s face it, heavy-handed and Trek have been chums together since the sixties).
 
In "Space Seed," McGivers makes a "guess" about Khan's background and says Khan was "probably a Sikh," but it's left ambiguous and Khan himself never claims to be a Sikh at any point within canon.

Also, Scotty describes Khan's people as "mixed types" who are "Western, mid-European, Latin, Oriental."
The name is Sikh. Well, all but Khan. Khan is actually a title, not a name. It means Lord and arrived in the Indian subcontinent with the Mongols.
 
Because Roberto Orci said he didn't want to cast a person of color in the role of a terrorist in his "9/11 was an inside job" film.

I have no complaint with the casting, only the casting with that character. There was no reason Cumberbatch had to be Khan. He could have been some other genetic Superman leader in the same timeperiod, or he could have been a different character completely, like Garth of Izar. Making him Khan and ripping off so much of Star Trek II (badly at that) did not help the movie. An original story would have been much better and could have been almost the same. But I firmly believe that Khan is it supposed to be a person of color and should never have been cast otherwise.
 
Would love this to be proven. So many Trek fans convinced the 60s vision of the future will sell to modern audiences.
Which is why my main complaint is when they set it. If you want to tell a fresh story, pick a fresh setting. If you want to explore something in the middle of an established era, you should follow the precedent of matching the style of the era. I think Discovery should have been set 10 to 20 years before The Cage
 
The name is Sikh. Well, all but Khan. Khan is actually a title, not a name. It means Lord and arrived in the Indian subcontinent with the Mongols.
It's both. Usually it's a surname. Rare as a given name.
I had a theory that "Khan" was a title he adopted and Noonien Singh was his actual name. Doesn't seem to be the case though.
No one to my knowledge has ever been able to pinpoint the origins of "Noonien".
 
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clean lines and the style echoes the 1960's.

So..... Strange New Worlds?
HY3HDFD.jpeg
 
It's both. Usually it's a surname. Rare as a given name.
I had a theory that "Khan" was a title he adapted and Noonien Singh was his actual name. Doesn't seem to be the case though.
No one to my knowledge has ever been able to pinpoint the origins of "Noonien".
Noonian is of Chinese origins and means gifted one. Pakistan has some of the best Chinese food due to all the Chinese immigrants there. So that places all 3 names in the subcontinent. Casting Montalban and darkening his skin clearly links to Seikh origins. There are other people's in the subcontinent where they could have cast a blue eyed blond in the role. But once set as a person of color, the character's origins should never have been changed.
 
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Which is why my main complaint is when they set it. If you want to tell a fresh story, pick a fresh setting. If you want to explore something in the middle of an established era, you should follow the precedent of matching the style of the era. I think Discovery should have been set 10 to 20 years before The Cage
Only if you treat Trek as a period piece.

I do not.

And I think Discovery should be 60 years post TNG.
 
Keeping the same designs would not alter continuity.
Continuity is are stories itself.
visual continuity is a thing

Regardless it's telling that the emphasis has become on claiming I said 1960s sets can carry a tv show, something if you look at my posts I never said, and rather than the below, which I did say
it's a common tactic to argue against a point by exaggerating it instead of actually addressing it :shrug:

Because Roberto Orci said he didn't want to cast a person of color in the role of a terrorist in his "9/11 was an inside job" film.
hmmm...
https://movies.trekcore.com/gallery...-darkness-imax/chapter02/stid-4k-blu-0353.jpg

I think the magic blood thing is exacerbated by the fact that, even if it is scientifically realistic and feasible, no other Trek work ever mentions or utilizes it ever again.
There wasn't much left in the Kelvinverse, and its properties weren't known in the Primeverse.
 
They did it with some things, but not others. The echoing the movie corridors and it's more of a mix between movie era and discovery even copying much from TOS.

Sorry Chief. Beyond the white colour, I ain't seeing it.
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Admiral Marcus was the villain of the movie anyway. They could have an actor of color be Khan, have Marcus blame the Klingons for his atrocities (I mean, that is what Marcus ultimately wanted, to have a war with the Klingons), then Khan and Kirk temporarily team up to take down Marcus, at which point Khan is then provided a planet to rule like in Space Seed. That provides an Indian Khan a chance to be in the movie without stigmatizing him as a criminal
 
I also heard they intentionally cast an actor of the "wrong ethnicity" because they were hoping it was make the reveal scene all the more surprising if the actor was a completely different ethnicity than what Khan was supposed to be or what Montalban actually was. Orci was after all hoping "My name is Khan" would remembered alongside "Luke, I am your father" as one of the all-time greatest plot twists in cinema history.
 
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