Well, holy shit, the darkest hour to end all darkest hours. With the entire fleet (as tiny as it appears) being assimilated and the original Enterprise-D crew being forced to bring the old lady out of the mothballs to save the day, it certainly seems like we'll be going to see the crisis being resolved on a more personal scale than with an outright space battle, probably with a final showdown between Picard and the Borg Queen. Jack, being who he is, would've never just agree with Picard and hide himself away. He has inherited from Picard what he himself describes later as his worst: his stubbornness and his conviction that only he could see what's going on and only he could ever do anything the right way. Picard has already learned this lesson in Season 1, but Jack hasn't. His entire life being shattered into pieces, it's no wonder he set out in search for answers to the only place he could think of. And that doomed us all. No wonder Data sees no way out either.
The build-up to the reveal of the Borg was executed quite well, with multiple signs foreshadowing it before we finally saw the Cube through Deanna's eyes: the close-up shot of Jack's eye mirroring Picard's nightmare from First Contact (when his eye is pierced), Jack describing the vines as connecting the flowers under the soil, almost invisible, like a hive mind, and him finally stating it to be purposeful and PERFECT, with that emphasis. The sense of dread and inevitability kept slowly building up until we finally saw what Deanna witnessed on the other side, and we didn't even get a moment of respite as the crew finished their analysis of the Shrike data and figured out how the Changelings sicced the Borg on the Federation so that they could have their revenge. The insidiousness of it all reminded me of Palpatine engineering the downfall of the Republic for decades (with a special emphasis on Order 66) and Skynet quietly taking over all military infrastructure through the internet, which is probably another reason why things feel so bleak now.
In contrast with all the 10 scores, I couldn't rate this episode as perfect, having two main gripes with it, one on the narrative level and another one on the messaging one, but that might just be my gut feelings being scrambled due to this cold I have. The narrative problem for me was how unceremoniously Shaw was killed off after barely having done anything for the past few episodes, quickly followed by Seven refusing to leaving his side, then Raffi deciding to stay at hers, and that's the last we see of them. It almost felt like the story just wanted to shove these three aside as quickly as possible because their presence on the Enterprise-D bridge would've ruined the nostalgia. Oh, how I would've loved some witty quips about the old ship from them, but alas. Shelby's cameo also felt almost pointless, with her being reduced to a Star Trek standard issue clueless, head-in-the-sand Admiral, unceremoniously and wordlessly executed by her own crew, and we don't even see her body fall down before the feed is cut.
As for the messaging bit... while I understand that they needed an explanation for why the old crew is unaffected while everyone else gets assimilated, it still left a bad taste in my mouth. Even though I'm a millennial with a fully formed prefrontal cortex, I often move in Gen-Z circles, and my political and cultural views (in general as well as in Trek) often get me lumped together with them. And I just found it weird that we have a plotline about everyone under 25 being assimilated by the Borg in a franchise whose fandom is notorious for having a vile, loud and unpleasable part that is walking in lock-step with the far-right anti-woke crowd in their incessant whining about how progressive leftist young adults ruin everything we hold dear from our favorite childhood franchises to traditions, family, and society itself, often outright describing them as an
evil hive mind (or even better, the "woke mind virus"). I'm certain this wasn't what Matalas intended, but I couldn't help but think about this all the time.
Oh, but enough of the complaining. I was fangirling hard throughout. I mean, Elizabeth Dennehy as Fleet Admiral Shelby, ceremonially commanding the Enterprise-F, if briefly? Alice Krige as the voice of the Borg Queen, making a showdown between her and Picard the next week all but certain? The Enterprise-D bridge reconstructed in meticulous detail, AND its computer voiced by archived recordings of Majel Barrett? Holy shit indeed.
Miscellanea:
- I liked the confirmation that the Enterprise-D saucer was extracted from Veridian III in accordance with the Prime Directive.
- So what exactly happened to the Enterprise-E? Whatever it was, it wasn't Worf's fault.
- Worf politely describing the Enterprise as "perfect" after Deanna snaps at him had definite "good tea, nice house" energy.
- I liked the semantics of Vox coming from Locutus. The Queen has always had a flair for the dramatic.
- The fleet, despite being described as being there in its entirety, seemed rather small to me, more on the scale of the battlegroups we've seen during the Dominion War at a first glance (although I have to admit, the dialogue also described thousands of ships in DS9, of which we've never really seen more than a few dozens at once). Obviously, I've only seen projections by fans, but some posited that the military of a state on the scale of the Federation would have personnel numbering in the billions.