There's nothing wrong with being creative and having some artistic flair, but it's quite another to do a radical enough break in the visual style of a species that it does prompt these kind of debates.
Doing a radical break without explanation for not maintaining continuity with other people's TV shows is a completely legitimate creative choice.
Wanting/wishing for an explanation is not out of bounds here.
No, but constantly complaining about it for four years gets very tiresome.
I haven't been a fan much of the other DISCO visual rebooting when it comes to established species but there's way less to go on with say the Andorians than fifty something years of Klingons on screen, and a good 30 plus of the TOS movie/TNG aesthetic being the most prominent and dare say, 'definitive' look of the Klingons, until DISCO.
In other words, discontinuities in alien designs bother you sometimes and don't bother you other times and you're trying to rationalize holding them to different standards.
Star Trek is art, but it's also business, and to make such drastic changes can mess with the visual trigger of who the Klingons are supposed to be, and confuse the audience, therefore lowering enthusiasm, or causing needless griping that can get in the way of the story they want to tell or sell.
Hypothetically, but that is not what happened. Star Trek: Discovery is a very successful streaming show that has brought a solid base of subscribers to Paramount+ and keeps getting renewed. And when there was the threat of a delay in DIS S4's release outside the U.S. and Canada, there was a huge public backlash because so many people wanted to see the show.
Even the change from TOS to the Motion Picture look still had the Klingons in a familiar/familiar enough looking D7 so the audience-in-the-know knew right off that those were Klingons of some kind.
And "The Vulcan Hello" featured T'Kuvma speaking in Klingonese and used design elements like the traditional Klingon logo, so the audience knew right off that those were Klingons of some kind.
While Trek is not a documentary, the franchise has set out to attempt to make all of their series fit within the same continuity, which should be a brake on creative license as it were;
Nope. Current artists have no obligation whatsoever to adhere to the creative decisions made by artists in other productions.
CBS didn't have to insist that DISCO, or any of their Trek, was in the Prime Universe. But once they did so, to make it fit and sell the illusion that this fictional future, then a documentarians approach wouldn't necessarily be a bad thing.
It would not have been a bad thing at all! Maintaining strict continuity is a completely valid artistic choice.
And so is throwing continuity out the window.
I assume that's why Kirsten Beyer was working with the DISCO folks in part to bring her knowledge of the franchise to help make DISCO exist more easily alongside the other series.
Well, there have been interviews where Beyer and others have indeed asserted that she advised the showrunners and other writers on prior ST continuity. But that's not actually why she was working there. She was working there because she is a professional writer who got hired to join the writing staff of a major studio's TV show, and taking a job offer like that is the sort of thing you do when you're a professional writer trying to have a career in film or television.
As you said before you have an opinion, but so do I as well as other fans. If I don't like, or have quibbles, about something someone is trying to sell me, are we not supposed to voice them?
After four years? It's the same goddamn complaint over and over again. And it all boils down to a refusal to accept a work of art on its own terms with its own unique artistic goals and a desire to impose certain fans' subjective artistic goals instead. You might as well get angry at The Godfather for not being a good romantic comedy, or at Titanic for not being a good gangster movie.
So if DSC season 1 showed green amorphous blobs, but the dialogue states they are Klingons, you’d just automatically accept it without question?
I mean, yes, because if that's what they did, then that's what Klingons are in that show. But they didn't do that, so maybe we should try accepting a show's unique artistic goals and judge how well it achieves those goals, instead of trying to say that its goals should be different from the start? At a certain point, you have to allow the premise.
Enterprise stepped and addressed that change twenty-five years after it was made. If we're adhering to the precedent Enterprise has apparently set, then an explanation for the Disco Klingons isn't required any earlier than 2032. Which means no one has a right to complain about this matter for another eleven years.
That's precedent.
LOVE IT.
Backstage photos of the DSC Klingons were released before the show premiered. I can clearly recall the posts about those photos, and people questioning if those aliens were in fact Klingons despite the photo caption. That wouldn’t have happened if there was any doubt in John Q. Startrekfan’s mind that those aliens were indisputably Klingons.
The point is that if you want to make a prequel to TOS that takes place ten years before, you don’t radically change one of the main alien races (or their ships) to the point of unrecognizability.
There is absolutely nothing wrong with radically changing one of the main alien races (and their ships) to the point of unrecognizability.
Also, the complaint about the ships is the most ridiculous thing ever. Like, it's an interplanetary empire. They by definition must have billions, if not trillions, of people and thousands of cultures. There is no contradiction whatsoever in them having weird ship designs we haven't seen before and look different from ones we have. It's not like my apartment building looks anything like the White House, or like the White House looks anything like the Taj Mahal, or like the Taj Mahal looks anything like the Pyramids. And yet they were all created by Humans!
The producers of DSC figured this out by season 2, which is why the Klingons look more like they did in TNG (again without any explanation about the change)
They literally gave an explanation about the change.
But speaking of changes with no explanation -- how come Worf's ridges looked so different in TNG S1 vs S7? And why didn't his ridges change back in the flashback sequences of "All Good Things?"
While he lost me at “affront to Star Trek fans,” he does have a point that change for the sake of change is not progress.
Change for change's sake is a completely legitimate artistic impulse.
As for ‘art’: The new Klingon design had nothing to do with art. It had to do with them trying to hide the fact that Shazad Latif was playing both Tyler and Vok.
You are putting the cart before the horse here. Numerous sources have made it clear that the Klingon design was changed because Bryan Fuller felt that the old design was too familiar and that his version of the Klingons needed to look scarier and more alien in order to better embody the story he was telling about alienation and hatred and war. That is to say -- it was a decision made for artistic purposes.