So, just to clear up this logic trainwreck, you only care about DSC, the show that brought back Spock, Pike, Number One, the Enterprise, Sarek, Amanda, Vina, Mudd, gave Spock an adopted sister instead of creating an unrelated character so they could have an excuse to revisit him and Sarek, spent an entire season incorporating Pike's crew and ship into the narrative, went to the Mirror Universe for the umpteenth time, had another conflict with the Klingons for the umpteenth time, brought back Section 31, etc., but THE VERY SHOW DSC SPENT A SEASON SETTING UP TO TAKE PLACE IN THIS ERA is dipping too far into the "nostalgia card" well for you to deal with by reintroducing a few recognizable contemporary characters who actually served on the Enterprise before (in TOS) so sort of make sense if you fudge the details a bit?
I like DSC too, but it's got tons of playing the "nostalgia card", so citing that an excuse for dropping this show, when by its very premise and full season of development on Disco you should have already known it was going to play upon nostalgia and bringing back recognizable TOS characters, doesn't make a ounce of sense.
The point should be whether they do something new and interesting and more fully developed with those characters versus their original depictions in TOS, and that should be the litmus test of whether it was wrong or not to use the "nostalgia card" that shouldn't have come as a surprise to anyone. I think Uhura, Chapel, and M'Benga have a lot of room to grow and do something fresh and exciting with the characters, and I look forward to it. You shouldn't be so kneejerk close-minded about it.
DSC's nods to the past make sense narratively and logistically, and the series is so significantly different from previous Star Trek in its format and presentation that said nods are offset.
With Strange New Worlds, I see no logic or reasoning behind the inclusion of Uhura, Chapel, and M'Benga other than nostalgically pandering to people who are only fans of the original Star Trek, and I don't care enough about '60s Trek to want to support that kind of philosophy.
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