I really liked this finale, and I loved this season. Not perfect, but leaps and bounds over the first two. I hope we continue in this direction. It finally felt like I was watching Star Trek again. I enjoy seeing competent people overcome external and internal conflicts with optimism and hope for a better tomorrow, and I got that in every episode this season.
Were the workings of turbolifts in the 'old' series really that much more believable? That you could enter a turbolift from any point in the ship and just say 'bridge' and it would take you to the bridge? We know DSC is a huge ship: is it that hard to imagine that there's an open space where the turbolifts take their correct position?
Yes, it's far more believable that a lift which can function vertically and horizontally but is otherwise ordinary can exist, because they already do. They are slow and not in wide use but they do exist in our present day, so it is very easy to extrapolate through the improved material science of Star Trek and their ability to manipulate gravity that a more impressive version of a modern technology would be in use on the ships. On the other hand, it is very difficult to believe that an open, hollow space that appears the size of a city exists inside of a ship we can see is not that large. We have a very good indication on the show through the shuttlebay, quite frequently in fact, just how (not especially) large the star drive section of the ship is. A good chunk of it is taken up
by that very shuttlebay. The space we're shown in this episode appears larger than the ship's internal area, so it's asking me to believe that Starfleet of the 23rd century had TARDIS technology. That is neither something I'm ready to believe, nor is it something that the show has demonstrated (outside of this scene) that it wants me to believe. That makes this yet another "spectacle over sense" error, but one that is hard to ignore because instead of being an incidental illustration it was an action set piece that the movement of the character through the scene depended on.
You can get away with an endless chase scene on elevated platforms in Into Darkness through an actual city, and I won't question it. You try to do that in the interior space of a starship, while showing me the thing is irrationally hollow, and I have a much harder time accepting that, mostly because if I do a lot of other, ordinary things stop making sense. At this point they may just be trolling us.
I enjoyed it. The innerspace of the ship is so dumb but I don't really care. I was a bit disappointed Osyraa died. She was a pretty good villain when she was being pragmatic and not a cartoon character.
Agreed. She started as a cartoon villain, then suddenly turned into a more nuanced one, and then turned right back into a cartoon. She had potential, but it was all smashed up here at the end of the season. I think they could have done with the extra room of fifteen episodes this year. Alas.
Stamets, however, is getting super tedious. Burnham and Vance were right. I find it so annoying that he's bitter about having to sacrifice. As opposed to most of the crew, he got to keep his family with him when coming to the future. He gained a bigger family there. Now he's mad at his commander that he almost lost them? I understand during the heat of it, but afterward? What an asshole. I guess that fits with his base character, though.
Yeah, that's a really good observation about his position of even having something to lose where no one else does. Stamets is a guy who doesn't exactly keep his displeasure to himself, though, so it's consistent. And given all he's been through with Hugh, I can sympathize with his resentment. There's a reason families serving together can cause issues, just ask Picard. Burnham may need to make a hard call again next season that splits them up; that's part of being the Captain.
Yeah, but they need a new foe... unless they plan to deserialize the series and make it more like TOS for example...with self-contained episodes.
I don't think we need a foe every season any more than the show needs a new captain every season. Remember Star Trek IV? It did pretty well without one. In fact, this season of Discovery would have worked just as well without a direct adversary from the Emerald Chain. Her contribution was largely superficial. This season did a wonderful job of positioning Vance himself as an antagonist at times. The benefit of writing your characters to be complex people is they can all be good guys and still disagree and be in conflict in various ways as their priorities fail to align. Even better, when writing them as complex, good people, you have a lot more avenues to resolve the conflict than just "I shot her" as they did here.
What was with the TOS music at the end? This is Discovery. None of the other shows used that music.
If anything they should have used Archer’s theme as that was about building the Federation
Yeah, that bothered me too. It's one of those things that just screams "remember this other show!" in an attempt to make me feel the things about this show that I do about the show it's borrowing from. It made sense to use it last season when visiting Talos, but here it just came out of nowhere (the ending quote is not sufficient to justify it, IMO).