And herein lies the fault of your argument. Those two questions are not the same. The latter concedes the commonly held belief (Not just among Star Trek fans, but the general public and critics.) that TOS1 stands as one of the greatest seasons of television ever. It was revolutionary, unprecedented in its influence, and maintained a remarkable level of consistency for the time it came out - which, given some of the background and behind the scenes shenanigans, was nothing short of miraculous. And so much of its iconography has become cornerstones in not just Star Trek, but the whole pop culture zeitgeist. It's not just the best first season of Star Trek. It is the best season of Star Trek period - in as an objective way as any such thing could be.
For all I care, you could take all of the other 30 or whatever seasons and toss them into a Bingo tumbler and get what you get.
But that's all immaterial really. As the OP presents a list all the episodes ranked by subjective scores pooled into an aggregate. A list that suggests Binary and Past is Prologue is on the same level as Balance of Terror. I mean let's take a step back a moment. And try to inject a little rationality and reason.
I barely remember Binary enough to comment on it enough other than creepy Riker being creepy Riker. But I did give WPIP high marks. I went back and looked and this is what I said about it:
https://www.trekbbs.com/threads/sta...-past-is-prologue.292532/page-3#post-12341345
But that's emotional after the fact reaction. Not in the context of Star Trek history.
And I think my quote there is germane to my greater issue. I don't treat enjoyment value and quality as being one in the same. They are not mutually exclusive and yet I think when judging something within a larger context should be treated as such. Do I think Disco is entertaining? Hell yes. (Not so much Picard.) Do I think it's good? Eh.
And I also don't think it's in the shows - or the franchise's - best interest to ignore the glaring issues and be content with "Well I like it anyway." Because the streaming market is about to become
way more competitive in the coming months, especially with COVID having a lasting effect on production. (I think other networks are going to speed up their streaming output over broadcast.)
Disco had two things going for it that 'covered up' the poor writing: the amazing cast (which is still true) and its production or visual pazazz. The problem with the latter, though, is that Mando just lapped it big time. And Disney isn't stopping there. Eventually, if Star Trek doesn't keep up, it's going to begin to feel quaint again. And the security blanket of CBSAA won't be enough.
If they don't want to get lost in the shuffle, they really need to start writing better code.