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Let's talk about the elephant in the room, this series violates Roddenberry's vision big time

I don't think it matters that much whether it violates any pre-determined vision or preconceptions. I have to say though, with the exception of Saru and Lorca, I found the characters pretty unlikable and uninteresting people as far as the setup goes. Yeah, I know it's only three episodes in and they will develop – and I do like it as a show and am intrigued to see more of the world the story is set in – but I can't pretend I've found most of the characters anything other than cold, angry, empathy-lacking and crotchety.

As viewers we picture ourselves in the place we are seeing and imagine how we'd feel. For me, that's 'frustrated and wanting to leave'.
That explains why Game of Throne is so unpopular. Oh wait.

I'm jesting. I see your point and this is going to be something that people disagree on. Do they like the more realistic characters in a darker setting? Some will like it and others won't. Par for the course.

Unlike Game of Thrones, the produces for Discovery have suggested that the war is here for only a season and they don't want the series to be consistently so dark.
 
And this is a bad thing? We want DSC to simply mimic the previous six TREK shows? As someone else noted earlier, this is not supposed to be the eighth season of TNG . . . .
No, it isn't bad and no I don't want it to mimic other Trek shows!

I guess I wasn't clear enough--but I like Discovery and your points are some of the reasons why I do! However, I can see how it can take time for some to adapt to it.
 
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It's hard to judge the characters and their relationships based on a few eps.

True story: when I wrote my DS9 book years ago, all I had to work with was the script for the first episode, where Kirk tears Bashir a new one the first time they meet. Later, after the book came out, some readers complained that Kira was too mean to Bashir in the novel, but, honestly, that's all we saw in the first ep. It took time for the characters to develop the trust and rapport they later enjoyed. At first, Kira had a massive chip on her shoulder where Starfleet was concerned and Bashir was callow and immature. Should we have rejected the show because they were cranky and "unlikable"?
 
See, I read that scene completely differently. I didn't think that was just about showing off the special effects. I thought that scene showed us things about Burnham that were completely in character with what we've seen before, in a couple of ways:

1) She does believe in Starfleet's ideals, so if she thinks Lorca is up to something shady, she's damn well going to look into it as a matter of conscience and duty. It wasn't just a matter of curiosity.

2) She is, as Saru noted, "dangerous." She's smart and capable and resourceful, but she's not always a team player and.she's going to do what she thinks she has to do, regardless, even if that means doing the wrong things for right reasons. (Not unlike her foster brother, actually.)

That's who Burnham is. She's complex, contradictory, and not always predictable--just like real people.

Or, to put it another way, people saying one thing and doing another is not necessarily an inconsistency or sloppy characterization. It just means that dialogue should not always be taken at face value . . . and that human beings are masses of paradoxes and contradictions.

I dunno man. I'm certainly too boring of a person to base a series on, but I'm pretty damn predictable. As are most people I know. You can tell who will be dependable and who will flake out on you, who you can trust and who you can't. People just don't go from being the models of responsibility to flipping out on their closest friends after seven years, not without something major like developing a drug problem. Yet Saru explicitly says that up until the mutiny, he trusted Burnham implicitly.

That actually gets me to another issue - that if Burnham was acting that out of character in the mutiny, she should have been found to have been "temporarily insane" by Starfleet and not have been court martialed (or at least not given a life sentence). Certainly if the "post-traumatic stress" hypothesis is a correct explanation for her actions, she was in real sense not in complete control of her faculties at the time of the mutiny.

Even if I agreed with you it can be a normal human trait to do a "heel turn" with no warning, it's really bad from a dramatic sense. Let's say, for example, that Star Trek decided they wanted to make Riker start being emotionally and physically abusive towards Troi. What would be better? To just drop it into one episode, or to slowly work up to it with little glances and comments over the course of a season? I think the answer is obviously the latter, because building tension up over a season is more entertaining than one moment of "WTF."
 
Speaking of dialogue:

"I'm a soldier, not a diplomat." -- James T. Kirk, "Errand of Mercy"

"That's the diplomat in you talking. What does the soldier say?"-- Michael Burnham, "The Vulcan Hello"

Given that "Errand of Mercy" was the very first Klingon episode, I like to think that was a deliberate echo. And further evidence that DSC is definitely taking some of its cues from classic TOS, which suggests that it's not all that far from Roddenberry's original "vision."
 
lol, I feel like some of you are not even genuine in your praise of STD, sounds like a type of trolling, no way is anyone this impressed with what we've seen so far
 
I'll freely admit something: I don't watch much TV at all.

I'm 38 and I haven't owned a TV since I was 21. Since streaming has become a thing, I've been nostalgically rewatching TV from my childhood (including Trek). I've also been watching Game of Thrones and The Expanse because I was a fan of the novels. But I've never seen a single episode Lost, The Wire, The Walking Dead, Mad Men, Breaking Bad, Girls, Orange Is The New Black, etc. I'm just not that interested in TV compared to books or gaming, and when I watch TV, it's basically just science fiction/fantasy. So you may well be right it compares well with modern TV, but it's just not something I'm particularly interested in.

Fair enough. But one can argue that those new shows are DSC's "competition" these days, not older science fiction shows from earlier eras of television. STAR TREK does not exist in a bubble outside the rest of pop culture; it's needs to feel like a modern show made for modern viewers, not a nostalgia piece.

A modern-day prequel to VOYAGE TO THE BOTTOM OF THE SEA would probably diverge from Irwin Allen's original vision, just because times and tastes have changed since the 1960s. :)
 
That explains why Game of Throne is so unpopular. Oh wait.

I dunno. Looking at GoT, there are plenty of likable characters. Indeed, I'd say that there's only a few (like Cercei) who are entirely unlikable. Most occupy a gray zone of morality, but there have continued to be mostly "good" characters like Jon Snow across the entire series as well.
 
All I see in Discovery is a group of flawed people who are going to go through a lot of shit eventually growing into the 'Gene-vision' version of themselves. We are watching people earn a utopia that for so long was handed to us matter-of-factly. This is the version of Star Trek for the modern era where things are shitty and we have to be stronger together to get past it to something better. Star Trek is about hope for the future to me, and that's what I see right now in Discovery. Michael is on her hero's journey, and according to the hero template, she has to lose her mentor and faith in the cause before earning her victory.
 
The Trek that GR had the most single control over was Trek at its worst. I am so weary of the invocation of Gene's Vision™️
 
All I see in Discovery is a group of flawed people who are going to go through a lot of shit eventually growing into the 'Gene-vision' version of themselves. We are watching people earn a utopia that for so long was handed to us matter-of-factly. This is the version of Star Trek for the modern era where things are shitty and we have to be stronger together to get past it to something better. Star Trek is about hope for the future to me, and that's what I see right now in Discovery. Michael is on her hero's journey, and according to the hero template, she has to lose her mentor and faith in the cause before earning her victory.

This was more or less accomplished in ENT, this take place a century later
 
Fair enough. But one can argue that those new shows are DSC's "competition" these days, not older science fiction shows from earlier eras of television. STAR TREK does not exist in a bubble outside the rest of pop culture; it's needs to feel like a modern show made for modern viewers, not a nostalgia piece.

Yeah, my point is it may well be the case that Discovery is "doing modern television well" - in which case, I just don't like modern television.

I want more Trek episodes like:

TOS: The City on the Edge of Forever, Devil in The Dark
TNG: The Inner Light, Tapestry, Chain of Command, The First Duty, All Good Things
DS9: Duet, The Visitor, In The Pale Moonlight, It's Only A Paper Moon, Far Beyond the Stars

Those episodes all have sections that either bring me to tears or give me chills to this day. I hope this series can reach those heights.
 
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