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Did JJ ruin Kirk?

Go to 6:26 for some Spock/Uhura flirting..

Yeah, without any follow through on the actual show, I think it just a matter of opinion. I mean, today there are some fans who think that the Abramsverse Uhura and Spock relationship was a clever build on stuff from the TV show and others (like me) who think it came out of nowhere. Me personally, I'm not a big fan of the idea, even though it "works," since it's just one difference in the new timeline from the old one.

buttin' in to post this, if no one has done that yet:

Nichelle Nichols: "I decided then from the character that I read [Spock] that I wanted to be very much like that character but in a feminine way. And Gene said, and I was sharing this with George the other day, when I told him that I thought of Spock as my mentor. Because if you remember Uhura was the only one he was able to teach the Vulcan lyre to and he sang and spooffed on Spock. Now, you could have never had a love scene in 63 between Uhura and Spock but there were several hints and Gene was one in the kind of beginning to follow that.."

[for the sake of the discussion about canon inspiration only because it doesn't matter what happened or not in tos since the reboot is in another reality anyway]
rumor is (and also something said by TPTB I read in a trek book ages ago that maybe someone can find again), and Nichelle seems to confirm this in the above quote, Roddenberry had tried to set a Spock/Uhura thing up at the beginning (hence her flirting with him AND him smiling at her) but it never went anywhere because, well, you can imagine why. If you just think that at the time the Kirk/Uhura kiss was so damn controversial for the sole reason that a white actor was kissing a black actress, even if it essentially was forced on both the characters thus it happened against their will and it wasn't actual 'romance', the 1+1=2 is simple to make. And no, to racist people it wouldn't matter that Spock is a white looking alien.
It isn't so hard to imagine, for me, why Gene might have wanted to explore this couple because if you think about it, it would be completely fitting for the theme of star trek, way more than the many 'flings' Kirk had - if you ask me. It also ties nicely into the fact that Spock is HIMSELF the result of a human/vulcan relationship so it's plausible to think that he might have more in common with his dad than he thinks.

Aside from the instances where Uhura blatantly flirts with him (and he objectively doesn't seem to mind, anyway), and even putting aside all the times he rushes to her side to help her when something happens on the ship, I might also accidentally mention the scene where Spock mindmelds with ambassador Kollos and then the latter starts to address Kirk, McCoy and Uhura like Spock perceives them. One could say 'don't read too much into it' but, I mean, if you automatically take him saying that Kirk and McCoy are Spock's friends at face value and you naturally assume that it's Spock's opinion that is being voiced, then it goes by itself that him reciting Byron to Uhura to call her beautiful ALSO is an expression of Spock's thoughts and opinion. To be fair, you could tell me that maybe Kollos has a thing for terran women, but then you gotta try to rationalize and explain how plausible it can really be that Kollos would know about ancient earth poetry by Lord Byron (and not only know it, but being able to use it as a metaphor about her beauty), and how he could know from which part of the 'United States Of Africa' Uhura comes from and that the meaning of her name in her mother language (swahili, a language that is not so known outside of Africa even in OUR time) means 'freedom'.
You also could rationalize the part where McCoy says 'that's not Spock' and the latter says 'are you surprised to find I've read Byron, doctor?'

tl; dr; It's not canon in tos beside some subtext and some bts information for those who care to dig for that kind of stuff, but I think it's probably one of the most 'canon' inspirations in the reboot. Regardless if Orci maybe was a shipper and he simply wanted it to happen or he really did his homework there, it isn't the most random thing one could have done if they wanted to add a different kind of dynamics (beside the male friendships that were everything we were allowed to have in a show from the 60s) while making a modern reimagining of trek. Even without anything I mentioned above about tos, it would still be, IMO, a good idea and fitting for the characters and the themes of trek.
 
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Uhura is the one surviving recurring female because they took Rand, Chapel, and Uhura and smooshed them into a single character. So you have the dynamic of three guys and a girl as the front runners as originally planned, you have one of those men as an 'unavailable' love interest, and you have the culture clash with the emotionless Vulcan. They simply, and controversially, thought, well, let's only make him partially unavailable and push the envelope for once. Hence he becomes an aloof boyfriend as opposed to an unrequited love. It works better to move it forward like that in a movie format than a series.
 
How do you figure?

The show was originally about Kirk and Spock with McCoy and Rand as second tier support. Rand and Kirk had a thing but knew it was inappropriate on board ship. Uhura was a support player on comms. Chapel was a support player with a thing for Spock.

The movies are about Kirk and Spock with McCoy and Uhura as second tier support. Uhura and Spock have a thing but know it is inappropriate on board ship - oh wait no - they totally don't care about that bit and snog and argue while on duty but you get the picture.

NuUhura looks to me like they smooshed all three together. The absence of the other two suggests that they felt the characters had little merit unless they were loving their men from afar and Uhura owns that territory now.
 
NuUhura looks to me like they smooshed all three together. The absence of the other two suggests that they felt the characters had little merit unless they were loving their men from afar and Uhura owns that territory now.

For all the love we heap on secondary characters, Chapel and Rand were simply boring. One got axed after 13 episodes and the other only survived because she was the Executive Producer's mistress.
 
None the less, each was her own person with unique traits and personalities and shouldn't be judged solely on her relationship status.

Saldana made Uhura all her own and shouldn't be judged/characterized solely by her relationships either.
 
None the less, each was her own person with unique traits and personalities and shouldn't be judged solely on her relationship status.

Saldana made Uhura all her own and shouldn't be judged/characterized solely by her relationships either.
I agree and I was talking more of plot purposes rather than personality. Chapel was a bit dull, although she had her moments but Rand was certainly not boring. Their development was simply hamstrung by rarely letting them be involved in the story. The balance with nuhura is closer to what Rand should have been in TOS.
 
That guy's whole channel is made up of poor excuses for the mistakes of the director and writers of the two reboot films.

He's always come across as arrogant in his videos, like he's superior to those who criticize the films for proper legitimate reasons. I definitely don't consider myself a "Jar Jar Abrams hater", but his videos really don't help in making anyone feel better about them.

I enjoyed Star Trek '09, I didn't like Into Darkness very much, and I'm excited to see Beyond, but no amount of TOS references, Tribbles or redshirts will convince me that Orci, Kurtzman and Lindelof are some group of scholars or misunderstood martyrs. It takes a little more than cheap fan service to write a good script that makes sense.

That's what I'm looking for. A fun time at the movies, characters I can invest in, and a script that doesn't treat me like I'm an idiot. I don't care how many 9/11 allegories you can fit into a two-hour film, just make something good.
 
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One of the things I hadn't seen mentioned yet is that originally in that kiss scene with Uhura in the TOS it was originally supposed to be Uhura kissing Spock not Kirk, but Shat threw one of his fits about it and that was changed. I read it in one of the biographies, either Nimoy's, Shatner's or DeForest.
 
That guy's whole channel is made up of poor excuses for the mistakes of the director and writers of the two reboot films.

He's always come across as arrogant in his videos, like he's superior to those who criticize the films for proper legitimate reasons. I definitely don't consider myself a "Jar Jar Abrams hater", but his videos really don't help in making anyone feel better about them.

I enjoyed Star Trek '09, I didn't like Into Darkness very much, and I'm excited to see Beyond, but no amount of TOS references, Tribbles or redshirts will convince me that Orci, Kurtzman and Lindelof are some group of scholars or misunderstood martyrs. It takes a little more than cheap fan service to write a good script that makes sense.

That's what I'm looking for. A fun time at the movies, characters I can invest in, and a script that doesn't treat me like I'm an idiot. I don't care how many 9/11 allegories you can fit into a two-hour film, just make something good.
What an interesting takeway to his videos.
 
I didn't mind the writing at all. Some things could have clearer, but that's true of most films.

I guess since the characters don't due much for me, I'm kind of depending on the stories to keep me interested, so when that doesn't work either, I don't have any investment in the procedings.

While I agree that it certainly was different than prior adventures, that still doesn't preclude the possibility, which is what I'm arguing for. To me, arguing that because something has never been done before doesn't mean it can't ever happen.

But does it fit in the context of the franchise? And is it something that can be altered in the first place?

The other thing is that all the evidence in the movie itself seems to be saying: "This is a 'normal' time travel incident." If it wasn't supposed to be a normal one, I think that should've been made clear in the movie itself.

Red matter is an unknown. It creates artificial singularities, things that have been shown to cause disruptions in space-time before (TNG-Timescape, DS9-Visonary) and the gravitational effects could also be cited as having an impact upon moving between dimensions and time.

However, the instances with artificial quantum singularities that you cited also show the weird time effects altering the timeline they were in, not creating a new one. Also, since red matter was not created as a time machine, so any properties it had in this regard had to be accidental. Which leads the question if it's alone enough to do wonky things with the timeline?

I'm not so sure; all the other "quantum singularities do wacky things with the timeline" story have a secondary influence (the aliens putting their young in the Warbird's engine, O'Brien getting radiation poisoning, etc.) to make the time warp work. There's no such qualifier here.

Which is why, if Prime Spock was in the original time line, his lack of attempting to fix it is more egregious.

Agreed. However, I think, since the time travel is being used as explanation for the reboot, that this would be ignored, whether or not Spock Prime figured out all the exacts or not. (I will say that I agree that the Abramsverse is a parallel universe, so I have no problem with Spock Prime staying there, if he'd rather not try to get back to his own universe. I just question the time travel model that was being used behind the scenes.)

Then you might want to have a chat with the writers since they cite "Parallels" as an inspiration.

"Parallels" is not a time travel episode. If that was the model they wanted to use, then they found a way to work within that instead of trying to duct-tape an unrelated thing to it.

So, because the odds are not good, it's not worth trying? Since when has that stopped the heroes?

Actually, I agree with this. But, once again, the real world reason that they want an in-universe explanation for the reboot (rather than just rebooting it, like how the 2016 Jungle Book movie didn't bother to explain why it had no continuity with the original classic animated film it was based on; it was just another movie and expected that we'd get that), that trumps all, even if doesn't makes much sense in-universe.

Save for the method of action, which includes artificial singularities, alien devices, Iotian gateways, and slingshoting around the sun, among others.

Also, lots of tech in Star Trek works because of the speed of the plot. This is not unique to Abrams' Trek and shouldn't be a condemnation here.

In some cases, I don't care for the "speed of plot" tech in other stuff, too (like the going to the center of the universe in The Final Frontier). I will concede that I may be being unfairly harsh on the Abramsverse, however, the rest of the franchise was designed with the idea that it fit into one whole. The Abramsverse does what it pleases regardless of whether it makes sense in the context of the larger franchise, and it doing so, ignores its own rules (as a branching off timeline, it has to conform to the scientific laws, cartography, biology, etc. of the parent continuity, which it does not). This series really should've just been a clean reboot, a la any incarnation of TMNT. That's clearly what the Powers That Be want it to be.

It's a portal in space and time, where it traveled in to the past of an alternate dimension.
Parallels simply means that new quantum realities can exist. It has nothing to do with time travel, but it does present us with the probability of a new quantum reality forming.
The only mechanism we don't know is how. Red Matter introduces that potential "how."

The pieces are there for it to work. It's just never been done before.

I may not be bothered by the Defiant incident so much, since the rules of how the spatial interphase worked were clearly explained in the TOS episode, and the ENT show just explained how this specific interphase incident was triggered and what happened after. So, it makes sense to me. In the Abramsverse case, I have trouble figuring out how what we see on screen meshes with the director's explanation, since they seem at odds.

"Parallels" already explained how quantum realities are formed and I think a case can be made that the Abramsverse is one. The problem is is that the director's explanation doesn't work with the franchise's established time travel rules (as I understand them).

I sympathize with that, but I can't share the sentiment. I have as much stake in nu-Spock as Prime Spock.

Fair enough. Stuff like this is subjective.

Why?[/QUOTE]

I think he's referring to the fact that official publications are now calling the Abramsverse continuity the "Kelvin timeline," after the ship from the '09 film. However, the moniker wasn't created by Abrams, but by the Okudas for the third ed. Star Trek Encyclopedia. (I think it's a good idea in the sense that calling it the "alternate reality" is vague, since he term can refer to any other timeline, universe, or otherwise altered reality, but I'm not sure I like the name myself. I would've gone with "red matter timeline" personally.)


Neither. Just an observation.

Of course, you take it either way ;)

Which videos are you talking about?
 
I guess since the characters don't due much for me, I'm kind of depending on the stories to keep me interested, so when that doesn't work either, I don't have any investment in the procedings.
Fair enough. Nothing is going to make you care.

But does it fit in the context of the franchise? And is it something that can be altered in the first place?

The other thing is that all the evidence in the movie itself seems to be saying: "This is a 'normal' time travel incident." If it wasn't supposed to be a normal one, I think that should've been made clear in the movie itself.
I think that Spock Prime's reaction to the events indicate, at least to me, that it is not normal. He behaves far more as a man out of his time, rather than a man trying to correct a mistake.
As for the context of the franchise, I've explained my feelings on the matter. Time travel has been consistent in Trek only as is necessary. There are some time travel episodes which flat out don't care about continuity of the events and work within their own story.


However, the instances with artificial quantum singularities that you cited also show the weird time effects altering the timeline they were in, not creating a new one. Also, since red matter was not created as a time machine, so any properties it had in this regard had to be accidental. Which leads the question if it's alone enough to do wonky things with the timeline?

I'm not so sure; all the other "quantum singularities do wacky things with the timeline" story have a secondary influence (the aliens putting their young in the Warbird's engine, O'Brien getting radiation poisoning, etc.) to make the time warp work. There's no such qualifier here.
Red Matter isn't a secondary influence?


Agreed. However, I think, since the time travel is being used as explanation for the reboot, that this would be ignored, whether or not Spock Prime figured out all the exacts or not. (I will say that I agree that the Abramsverse is a parallel universe, so I have no problem with Spock Prime staying there, if he'd rather not try to get back to his own universe. I just question the time travel model that was being used behind the scenes.)
Fair enough. I just don't have a problem with the model used.
"Parallels" is not a time travel episode. If that was the model they wanted to use, then they found a way to work within that instead of trying to duct-tape an unrelated thing to it.
But, that's how you fix things in Fallout ;)

In seriousness, it's not that they have to match it exactly. They use the idea of alternate realities from TOS and splitting time lines from "Parallels" to build something new. That's what science fiction does.

Actually, I agree with this. But, once again, the real world reason that they want an in-universe explanation for the reboot (rather than just rebooting it, like how the 2016 Jungle Book movie didn't bother to explain why it had no continuity with the original classic animated film it was based on; it was just another movie and expected that we'd get that), that trumps all, even if doesn't makes much sense in-universe.
Well, it makes sense to me.

In some cases, I don't care for the "speed of plot" tech in other stuff, too (like the going to the center of the universe in The Final Frontier). I will concede that I may be being unfairly harsh on the Abramsverse, however, the rest of the franchise was designed with the idea that it fit into one whole. The Abramsverse does what it pleases regardless of whether it makes sense in the context of the larger franchise, and it doing so, ignores its own rules (as a branching off timeline, it has to conform to the scientific laws, cartography, biology, etc. of the parent continuity, which it does not). This series really should've just been a clean reboot, a la any incarnation of TMNT. That's clearly what the Powers That Be want it to be.
Star Trek has done it's own thing some times as well. Abrams Trek is not any more guilty than others.

I will agree that "speed of plot" annoys me in the Abrams' films because everything happens so fast. But, that's a filmmaking choice that annoys me, not something that ruins the film for me.

Also, aside from cartography (which is more a matter of speed of plot to me) what other aspects of continuity is Abrams' Trek ignoring?


I may not be bothered by the Defiant incident so much, since the rules of how the spatial interphase worked were clearly explained in the TOS episode, and the ENT show just explained how this specific interphase incident was triggered and what happened after. So, it makes sense to me. In the Abramsverse case, I have trouble figuring out how what we see on screen meshes with the director's explanation, since they seem at odds.

"Parallels" already explained how quantum realities are formed and I think a case can be made that the Abramsverse is one. The problem is is that the director's explanation doesn't work with the franchise's established time travel rules (as I understand them).
I just disagree on this point. I think that the influence of red matter in the singularity's formation, especially how quickly it forms, created a branching timeline, a quantum parallel branch off of the Prime Continuity. Prime Continues on while Kelvin branches off.

I feel like this is demanding Abrams' universe to offer an explanation for something that Star Trek has large treated as just background details. So, you'll forgive me if I come across as irritated. I'm not, but this whole thing feels like Abrams' Trek is being held to one standard, but the rest of Trek is held to a different one in terms of explaining things.
Fair enough. Stuff like this is subjective.
Very true.

I think he's referring to the fact that official publications are now calling the Abramsverse continuity the "Kelvin timeline," after the ship from the '09 film. However, the moniker wasn't created by Abrams, but by the Okudas for the third ed. Star Trek Encyclopedia. (I think it's a good idea in the sense that calling it the "alternate reality" is vague, since he term can refer to any other timeline, universe, or otherwise altered reality, but I'm not sure I like the name myself. I would've gone with "red matter timeline" personally.)
I have stated my reasons for liking the Kelvin nomenclature. My question was more a matter of why they considered it awkward that it was named after Abrams' grandfather.

Which videos are you talking about?
This YouTube channel, which started this thread.
This is the video in question.
 
I think that Spock Prime's reaction to the events indicate, at least to me, that it is not normal. He behaves far more as a man out of his time, rather than a man trying to correct a mistake.

Sure, he does seem to have decided to not try and undo the accident (for whatever reason). This's where it gets murky for me, since the answer why this is in real life is that Paramount wants to make movies set in this timeline, so it can't be erased, but the "in-universe" question as to why Spock decides to leave alone aren't answered. Also, I didn't read anything about his reactions as suggesting that this was an "unusual" time travel trip, but that could be subjective.

As for the context of the franchise, I've explained my feelings on the matter. Time travel has been consistent in Trek only as is necessary. There are some time travel episodes which flat out don't care about continuity of the events and work within their own story.

I'm afraid I don't remember any specific instances, although I know there have been some. The only point I'm going on is that of the various time travel stories (regardless of the differences in the temporal mechanics and theories to reconcile them), one detail that seems consistent is that time travel always changes the main timeline and never creates parallel universes; With the exception of "In a Mirror, Darkly," (ENT), parallel universe stories never use time travel, just inter-dimensional travel in real time. In all time travel stories, the characters are either trying to fix damage to history or change history to their benefit, plans that wouldn't be needed or work if time travel created parallel universes.

So, because that seems to be one of the set rules of Star Trek time travel that's not broken, for this movie to say: "This time, it created a parallel universe where all the changes happen," I think there needs to be an explanation why that is beyond: "They went through a homemade black hole."

This link goes to an essay that a fan wrote on the movie's time travel model. I generally agree with his assessments.

Red Matter isn't a secondary influence?

I don't think so. The black hole was the method of time travel somehow (which never made that much sense, since all the dialogue seemed to suggest that it was a "normal" black hole and not a special one that would do unusual stuff). The red matter was only the mechanism for creating the black hole. By the time the black hole was made, the red matter was gone.

I just didn't feel like it was explained enough why this black hole could allow time travel by itself and create a parallel universe, esp. since time travel creating a parallel universe is something new. It may not be impossible, but if you're telling me that there's an exception to the rules, I'd like to know why the exception is happening here.

Fair enough. I just don't have a problem with the model used.

See above for my counter. If the technobabble had been explained, I might've been more receptive to it, since I didn't feel like the movie explained how things worked, which is a big no-no in sci-fi stories like this.

But, that's how you fix things in Fallout ;)

Sorry, I don't get it.

In seriousness, it's not that they have to match it exactly. They use the idea of alternate realities from TOS and splitting time lines from "Parallels" to build something new. That's what science fiction does.

In this case, I didn't feel like it was being extrapolated in a way that made sense. All the alternate realities we've seen before were not made through time travel, so suddenly saying that it happens without explaining the how or why is off-putting for me.

Well, it makes sense to me.

Okay.

Star Trek has done it's own thing some times as well. Abrams Trek is not any more guilty than others.

True, but the others made more effort at holding together. The Abrams movies claim to be a branching off timeline, but then don't take that into account when writing the stories. Had it been a clean, TMNT-style reboot, then I wouldn't be complaining, since the series is, intentionally or otherwise, saying "We're part of the original continuity by way of a new timeline," but then reject the obligations that that decision entails.

I will agree that "speed of plot" annoys me in the Abrams' films because everything happens so fast. But, that's a filmmaking choice that annoys me, not something that ruins the film for me.

I think this one crosses the line from pacing problem to raising plot holes. Case in point, in Abrams' own The Force Awakens, there's not a lot of travel time for the Falcon from the Rathtar ship to Takodana. But, unlike the Trek movies, it's kept vague enough that we can assume that more travel time happened off-screen (in fact, we have canonical confirmation of that fact, since Rey's Survival Guide establishes that Rey was writing in a journal en route to Takodana, which we don't see in the movie proper).

Also, aside from cartography (which is more a matter of speed of plot to me) what other aspects of continuity is Abrams' Trek ignoring?

I'm not being allowed to write a long enough post, so I'll have to attach a list of examples separately.


I just disagree on this point. I think that the influence of red matter in the singularity's formation, especially how quickly it forms, created a branching timeline, a quantum parallel branch off of the Prime Continuity. Prime Continues on while Kelvin branches off.

I think I agree with this outcome, but prefer a different model of mechanics for explaining how it happens, and since the movie doesn't go into the details, that does give us all the freedom to speculate and come up with the answers that we think best fit the clues. So, I can't say that you're wrong, just that I think the other means fit the franchise's internal rules better (albeit in a much more convoluted way).

I feel like this is demanding Abrams' universe to offer an explanation for something that Star Trek has large treated as just background details. So, you'll forgive me if I come across as irritated. I'm not, but this whole thing feels like Abrams' Trek is being held to one standard, but the rest of Trek is held to a different one in terms of explaining things.

Well, in my case, I don't think the background details add up, so I'm questioning them on that regard. Also, since the Abrams series is so different from the rest of the franchise and is not making any effort to be consistent with previous material (in regards to technobabble, for example), some people are going to poke at it a bit more. In my case, I'm trying to use the same standards I evaluate the rest of the stuff to examine the reboot series.

I have stated my reasons for liking the Kelvin nomenclature. My question was more a matter of why they considered it awkward that it was named after Abrams' grandfather.

Oh. I don't see why it would be awkward, esp. since the timeline wasn't actually named after Mr. Abrams grandfather and, while I'm not a big fan of the name, it does work and makes it clear which version of the franchise is being discussed, more so than "alternate reality," which could describe just about anything in the franchise.

This YouTube channel, which started this thread.
This is the video in question.

Thanks, I'll have to take a look at that.
 
Due to tech problems, this's a continuation of my previous post. Sorry about any rules violations; I'm just trying to get all my text uploaded.

fireproof78 said:
Also, aside from cartography (which is more a matter of speed of plot to me) what other aspects of continuity is Abrams' Trek ignoring?

Me:

Star Trek
(2009) mistakes

- I disagree with the time travel model the movie uses (at least the model that the filmmakers have said it uses). The official explanation is that all time travel is controlled by Hugh Everett's "many worlds" theory. The theory, as applied to science fiction, is that when ever a time traveler time travels, his actions generate a new timeline which branches off from the old one. So, for all practical purposes, the traveler always ends up in the past or future of a different parallel universe, while their own carries on without them. Such an interpretation would explain how the alternate reality movies can coexist with mainstream Star Trek, but the many worlds model isn't how time travel works in the Star Trek universe. For example, episodes like "The City on the Edge of Forever" [TOS] and "Yesterday's Enterprise" [TNG] show that Star Trek time travel doesn't create parallel universes (if that were so, then history wouldn't have been changed around the characters as it did).

Unfortunately, that means that the movie's altered timeline overwrites the original one. Although stories were whole sections of the timeline (usually the far future) are erased ("Timeless" [VOY] and "Twilight" [ENT] are two of my favorites), the idea that most of Star Trek never "really" happened is not a very encouraging thought.

But, given that much of the Star Trek multiverse is made of different quantum realities created when there is more than one possible outcome of events, at which point the universe in question diverges ("Parallels" [TNG]), it's a reasonable assumption that the two Star Trek timelines coexist through this principle; Nero and Spock's trip through the red matter black hole was the event with more than one outcome; it created a universe where they were thrown back in time, which was the alternate realty; and another where they didn't, which was the continuation of the original timeline.This model would follow the filmmaker's intentions of creating a new Star Trek continuity that ran parallel to the original but still follow the series' general rules of time travel.

In fact, in the Vulcan school scene, a student can be heard reciting the following Q and A: “What is the central assumption of Quantum Cosmology? Everything that can happen does happen in equal and parallel universes." Although that comment hard to reconcile with the fact that quantum theory was theoretical until the timeframe of "Parallels," it's some canon evidence for my theory, or at the very least of the coexistence of mainstream and J.J. Abrams Star Trek minus the many worlds theory.

- The officers assigned to the Kelvin are wearing an Enterprise-style insignia despite the fact that in 2233 each starship had its own insignia, not to mention that the uniforms existed before time timeline change. (I suspect the costuming department wanted an obvious Starfleet insignia to avoid confusing new fans, and we're supposed to assume that Starfleet had redesigned and reassigned the Kelvin insignia to the Enterprise in the prime universe.)

A variation of the problem has the characters during the main part of the movie wearing a version of the TV show uniform in a timeframe when the turtlenecked uniforms from "The Cage" and "Where No Man Has Gone Before" [TOS] were in use. (Apparently Starfleet apparel was some how influenced by the Kelvin's encounter with Nero.)

- Circumstantial evidence from ENT, "The Cage," and "Obsession" (TOS) strongly suggest that the Kelvin should have had either phase cannons or lasers instead of phasers.

- When George Kirk pilots the Kelvin into the Narada at impulse, the ship is clearly being propelled by the warp nacelle. Not only is that impossible, since the Kelvin is clearly not going at warp speed, but the warp drive was disabled by the Narada's first salvo, anyway!

- In the Kobayashi Maru scene, McCoy says the simulated Klingon ships are Klingon Warbirds (a ship mentioned but not seen in "Broken Bow" [ENT]), while the bridge's windows shows K't'tinga-class battle cruisers.

- If the Narada’s arrival in 2233 created a parallel universe, then Spock’s arrival in 2258 also created a parallel universe, meaning that the latter half of the movie is set in a completely different reality. The movie basically ignores its own time travel rules (that may or may not even be correct to the franchise in the first place).

- One of the biggest plot holes in the movie is where Kirk explains to Pike that, according to the evidence in Pike's dissertation on the attack on the Kelvin from the movie's prologue, the Romulan ship that attacked the Klingons offscreen was the same ship that destroyed the Kelvin (and is currently attacking Vulcan). However, they could not have realized that the Narada was a Romulan ship since that would have been their first encounter with them. "Balance of Terror" (TOS) makes it very clear that the Federation had no idea who the Romulans are and "The Enterprise Incident" (TOS) notes that Vulcan and Romulan biosigns are so much alike that the Kelvin survivors should have thought that they were attacked by rogue Vulcans, or at least Vulcanoids, which they would not have connected to the Romulans.

Also, Uhura's claims to know all three Roman dialects is not very likely, given how little the Federation learned about the Romulans over three centuries ("The Defector" [TNG], Nemesis). A related linguistic problem; the suggestion that Romulan is easily mistaken for Vulcan is disproved by "Minefield" (ENT), where Sato (who is Uhura's better at linguistics) doesn't notice this.

(It's possible that the Federation learned more about the Romulans after 2233 in this timeline, but that should have been explained. The non-canon novelization by Alan Dean Foster – based on older drafts of the script – has the Federation know about the Romulans since before the movie began, in direct violation of "Balance of Terror," so it seems that the movie was written under a faulty premise.)

- "Delta Vega" is used as the name for a planetoid in Vulcan's star system despite the fact that Delta Vega was an aired planet located near the edge of the galaxy, as seen in "Where No Man Has Gone Before" (TOS). (The name was reused as inside-joke for Trekkies [Memory Alpha]. Presumably, the Delta Vega featured in this movie was named after the original one, vice versa, or was named after the creation of the alternate reality. Although it can be explained logically, I hate this oddity.)

- Chekov says he's seventeen years old during the movie (as of 2258), meaning that he was born in 2241. However, in "Who Mourns For Adonais?" (TOS), Chekov says that he was twenty-two (as of 2267), which would mean that he was born in 2245! That strongly suggests that the new Chekov is in fact a different person with the same name, which would explain his radically different appearance and why he's suddenly a "whiz kid.”

However, Chekov being a teenage commissioned Starlet officer doesn’t mesh with how the situation was handled for fellow wiz kid Wesly Crusher on TNG, who was only an acting ensign until he was old enough to qualify for the Academy.

- Scotty and Kirk could not have beamed from Delta Vega to the Enterprise, even with the transwarp beaming formula (which refers to beaming over to another ship while in warp, not the advanced transwarp drive propulsion from Star Trek III onwards). First of all, the distance was roughly sixteen lightyears ("Home" [ENT]), which is out of range of the movie's era transporters and the transporters of Ambassador Spock's era. And even if we granted that extensive range, they couldn't have beamed through the Enterprise's shields.

- Spock convinces Kirk to bring him with to the mission on the Narada by stating that he’ll be useful since Romulans and Vulcans have cultural similarities. This incorrectly assumes that the Federation is very knowledgable about the Romulans, when in fact this is their second face-to-face encounter and the first one was where they have learned what the Romulans looked like. "Balance of Terror" (TOS) is explicit that the Federation learned almost nothing about the Romulans during their war. Spock, therefore, has no reason to believe that the Romulans have a similar culture to the Vulcans. In fact, multiple Star Trek episodes prove that that is not the case.

- Kirk's promotion from cadet to captain and assignment to Starfleet's flagship still doesn’t make any sense to me in regards to what we know about Starfleet from the rest of the franchise, but that’s been discussed to death already.

Into Darkness mistakes

- The movie starts with the Enterprise crew breaking the Prime Directive by not only letting the Nibiru population see their starship, but also by stopping the volcano from erupting. Now, throughout Star Trek, it varies if comparable situation to the latter are considered violations of the Prime Directive or not, but Pike and Starfleet clearly considered to be so in this case. This fits with a 24th century version of it, but not a 23rd century one ("A Taste of Armageddon" [TOS], "Flashback" [VGR]).

(Also, Pike's dressing down of them -- and indeed, the whole point of those scenes -- works since Spock is completely inflexible to violating the Prime Directive under any circumstances. The problem is, in that case, he would not have helped defuse the volcano in the first place!)

- Khan's usage of Scotty's confiscated transwarp beaming formula to transport himself from Earth to Qo'noS is impossible. In Star Trek (2009), Scotty said that the formula would allow beaming to planets in adjacent solar systems, which Earth and Qo'noS are not in. Also, if the formula worked as presented in the movie, then starships are practically obsolete except for specific circumstances.

- Marcus's plan to eliminate Khan depends on Qo'noS being located precisely on the edge of their border with the Federation, which wouldn't be the case, given the Klingon's imperialism due to a resource-poor homeworld (“Day of the Dove" [TOS]), and confirmed in the extended versions of Star Trek VI: The Undiscovered Country.

- As her cover, Carol Marcus passes herself off as a science officer (probably an in-joke reference to her original career in Star Trek II), therefore wearing a blue uniform. However, she was, in fact, a weapons expert. As such, when she was assigned to the Enterprise for real at the end of the movie, she should have been wearing a red uniform.

- Scotty's warning that firing a missile of unknown properties could cause problems and destroy the ship does not make sense in comparison to all the other Star Trek stories I've seen, although I will grant that I can't cite a specific source to prove it. Also, why is the chief engineer, not the tactical officer, signing for them anyways? And, when Scotty resigns, Kirk's decision to give Chekov the job is very wrong. The assistant chief engineer, or the highest ranking engineering officer would be promoted.

- When examining the Augments in the torpedos, McCoy notes that the stasis tubes they're in are "ancient." That implication, that the Augments are in the original tubes that they were frozen in when they left Earth back in 1996, is reinforced by Khan's claim that he was the only one thawed out by Section 31. Unfortunately, the Botany Bay's stasis chambers were shelves built into the wall, not free-standing units ("Space Seed" [TOS]), and, as their freezing predates the timeline divergence, this is the same in this movie. It's possible that the Augment "popsicles" were moved to different portable units by Khan or Section 31during their brief collaboration, but that would conflict with the fact that the tubes were ancient (and why didn't Khan let his people thaw out and collaborate on their escape together?).

One explanation would be that the Botany Bay had extra stasis tubes in storage, but that raises the question why the crew would pack extra units that would be unnecessary after they reached whatever destination they originally had in mind.

(A related gaffe is that McCoy notes that cryogenic freezing was common before warp drive, which is not only a little at odds with facts from "The Neutral Zone" [TNG] and "11:59" [VOY], but also with the fact that sleeper ships were rendered obsolete decades before warp drive was invented ["Space Seed," First Contact]. The Star Trek Chronology states that the advance was in sublight propulsion.)

- The movie asserts that Section 31 found Khan, got him to work for them, designed the new torpedoes and the Vengeance, and actually built that monstrosity all within the year between Into Darkness and Star Trek (2009). The latter detail is hard to believe; Enterprise NX-01 took years to build ("First Flight" [ENT]) and the alternate reality Enterprise was built in more than three (in Star Trek [2009], we see the mostly complete ship under construction three years before it was launched). And those ships were substantially smaller than the Vengeance. There's no way that the Vengeance could have been built in such a short amount of time (and remember that there were no replicators in the twenty-third century ["Flashback" (VOY)]). I would also love to know how Section 31 keep their shipyard near Jupiter secret from whatever version of Jupiter Station (from Silent Enemy" [ENT], "Doctor Bashir, I Presume" [DS9], “Life Line” [VGR], et al) was active at the time.

- Khan's repeated comparison of his followers to his family doesn't really mesh up with the original Khan, who, while generally taking their well-being into consideration (and even respecting the one in Wrath of Khan who kept naysaying the whole revenge business out of loyalty), nevertheless considered them subjects who had sword to live and die by his orders.

- When Khan demands that Spock beams his popsicle crew to the Vengeance, the Augment comments that he and the crew will "Continue the work we were doing before [they] were banished." Spock retorts: "Which, as I would understand it, involves the mass genocide of any being you find to be less than superior." The writers of the movie clearly didn't understand the Khan character, since Spock's statement flies in the face of what "Space Seed" (TOS) established about Khan's "work" on 20th century Earth (my emphasis):

Scotty: "I must confess, gentlemen. I've always held a sneaking admiration for this one."
Kirk: "He was the best of the tyrants and the most dangerous. They were supermen, in a sense. Stronger, braver, certainly more ambitious, more daring."
Spock: "Gentlemen, this romanticism about a ruthless dictator is..."
Kirk: "Mister Spock, we humans have a streak of barbarism in us. Appalling, but there, nevertheless."
Scotty: "There were no massacres under his rule."
Spock: "And as little freedom."
McCoy: "No wars until he was attacked."
Spock: "Gentlemen."
Kirk: "Mister Spock, you misunderstand us. We can be against him and admire him all at the same time."

So, was Kahn a dictator with many crimes to his name who needed to be brought to justice? Yes. Was he campaigning the mass genocide of any being he found to be less than superior? No.

- When bargaining with Spock for his frozen crew, Khan warns him that if Spock doesn't cooperate, he'll "target [their] life support systems located behind the aft nacelle…" (my emphasis). The Enterprise has two nacelles and both are located aft, so Khan's speech is meaningless. I'm not even sure if life support is located there, anyway, given that the aft of the Enterprise is where the shuttlebay is located.

- Scotty's complaint that everything’s a mess after he’s gone one day would appear to indicate that the Enterprise went to Qo'noS from Earth, waited around, and was chased back to Earth again by the Vengeance all within twenty-four hours. Bear in mind that it took Enterprise NX-01 four days to go from Earth to Qo'noS without any detours, which is considered to be too little travel time as it is (see the entry on "Broken Bow" [ENT]). Granted, that was a century ago and alternate reality Starfleet may have far more advanced warp technology than its prime universe counterpart, but there's still no way that the entire mission to capture Khan and subsequent conflict with the Vengeance took place in a single day; there's far too much happening (there's also the problem of why the Klingons didn't find the Enterprise during the period of time it was stuck near their borders, but that's another story).

- During the climax, where Spock persues Khan through San Francisco, the idea that they can't beam up Khan because he's on the move conflicts with the fact that the Vengeance was able to beam Carol Marcus off the Enterprise even when she moved. Even more glaringly, in Star Trek (2009), Kirk and Sulu were beamed up in the middle of a free-fall and were moving much faster than Khan was. Finally, if they couldn't beam Khan up, they shouldn't have been able to beam Uhura onto the flying craft where the fight was (and if they could, they should have just beamed Khan back into his cell via a site-to-site transport).

- Whenever the Enterprise is seen in subspace, it looks like it's traveling through an energy tunnel. That visual is inconsistent with everything we known about subspace and warp travel from every other piece of non-J.J. Abrams-made Star Trek (I strongly suspect that Abrams' rather foolishly aped the hyperspace effect from Star Wars, not realizing that the tunnel effect means slipstream drive – from "Hope and Fear" and "Timeless" [VOY] – or transwarp drive conduits – from "Descent, Parts I and II" [TNG], et al. – both of which are way beyond twenty-third century Federation science).

Even worse, whenever the Enterprise jumps to warp, we see it streaking away with no tunnel effect, thus making the movie inconstant with itself and the (already-incorrect) warp effect from Star Trek (2009)! (Also Kirk would know better than to think that the Vengeance couldn't catch up to them while they were at warp; that's Star Wars-style thinking again.)

- When Kirk ends his speech by talking about the captain's oath, he concludes with: "And now those words [of the Oath]," but the next lines are a modified version of the "Space the Final Frontier" monologue from TOS, not an oath.

(Some fans my counter-argue that the monologue is the oath, since "Equinox, Part I" [VOY] mentions that the captain's oath includes promising to "seek out new life" – a part of the monologue – but I'll remind you that the monologue makes no sense as an oath. Anyways, aside from circumstantial evidence in "Broken Bow" (ENT), there's no evidence that the monologue actually exists as a real speech in the Star Trek universe; it may be purely non-diegetic.)

- Before setting off on their five year mission, Spock notes that no other starship has gone on so long a mission. That statement is in error, since not only were mission of that length common enough in this time frame (per background material in the Star Trek Chronology), but Enterprise NX-01 was in space for ten years ("These Are the Voyages…" [ENT]), albeit over at least two missions with a refit in-between ("The Expanse" [ENT]).
 
The movie starts with the Enterprise crew breaking the Prime Directive by not only letting the Nibiru population see their starship, but also by stopping the volcano from erupting. Now, throughout Star Trek, it varies if comparable situation to the latter are considered violations of the Prime Directive or not, but Pike and Starfleet clearly considered to be so in this case. This fits with a 24th century version of it, but not a 23rd century one ("A Taste of Armageddon" [TOS], "Flashback" [VGR]).

(Also, Pike's dressing down of them -- and indeed, the whole point of those scenes -- works since Spock is completely inflexible to violating the Prime Directive under any circumstances. The problem is, in that case, he would not have helped defuse the volcano in the first place!)

Out of all the mistakes you listed this one always made perfect sense to me. In the 09 movie we had a young crew try their hardest to save the planet Vulcan and ultimately fail in doing so. They are then faced with Nibiru shortly thereafter, which will be destroyed if nothing is done. It made perfect sense to me that they would then try to save this planet because they couldn't save Vulcan. It is human nature. And it especially made sense to me that Spock would be on board with trying as long as they could do so without alerting the Nibirians to their presence. He tried to save his planet and his mother and failed at both. I can completely understand his choice here after that, Spock is after all half human.
 
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