I didn't like Masks, it struck me as another chance for Spiner to act like s complete nutcase to show off his "talents."
I didn't like Masks, it struck me as another chance for Spiner to act like s complete nutcase to show off his "talents."
In "Booby Trap" while the Enterprise is hours or minutes away from being destroyed from radiation, Geordi is flirting with a fake woman in holodeck 3. With only 12 minutes left before absolute destruction, Captain Picard is presented with a plan, and he says, "Have you analyzed the risk factor?" Geordi then makes a brief speech about the human factor, Picard takes additional time to ponder, makes more petty comments, and courteously dismisses Wesley before engaging in the final plan to redeem the ship.
The casuality of the urgent situation is strange. Imagine that your life is in immediate danger of ending in ten minutes. Your first course of action is to spend the first 5 minutes microwaving and eating a burrito. Your second course of action is to spend a couple minutes checking out a girly magazine. You do all of this before getting around in the last three minutes to the actual business of saving your life.
Star Trek is heavy on the philosophy. Sometimes in its zeal to make a point about the human factor, it portrays humans as being a little more cool and composed in the face of danger than would be realistic in any century.
In "Booby Trap" while the Enterprise is hours or minutes away from being destroyed from radiation, Geordi is flirting with a fake woman in holodeck 3. With only 12 minutes left before absolute destruction, Captain Picard is presented with a plan, and he says, "Have you analyzed the risk factor?" Geordi then makes a brief speech about the human factor, Picard takes additional time to ponder, makes more petty comments, and courteously dismisses Wesley before engaging in the final plan to redeem the ship.
The casuality of the urgent situation is strange. Imagine that your life is in immediate danger of ending in ten minutes. Your first course of action is to spend the first 5 minutes microwaving and eating a burrito. Your second course of action is to spend a couple minutes checking out a girly magazine. You do all of this before getting around in the last three minutes to the actual business of saving your life.
Star Trek is heavy on the philosophy. Sometimes in its zeal to make a point about the human factor, it portrays humans as being a little more cool and composed in the face of danger than would be realistic in any century.
What bug me is, if you're going to violate the Prime Directive then go ahead and tell the villager what happening to them. Maybe skip some of the detail, but tell them that a disaster is coming and that Nicolai and his friends are going to move them to a distant land, none of the walking through the tunnel thing. Beam them onto the holodeck, with comfortable surroundings, then beam them down again. Be open about it and treat them like adults.Homeward, where everyone acts like a dick towards Nicolai for doing the decent thing and saving people.
The black blob Armus, from Skin Of Evil, wasn't well executed either. I really do understand that there's a budget involved, but come on.The amber blob that was supposed to be the shapeshifter in "Aquiel."
This does not always work. Was not there an alien who was shown outside the scope of his world and who could not get past this and took his own life? So there is a sensitivity that must be considered. One could also view this as a forced evolution whereby those who can grasp learning beyond the scope of their world will survive and the others that do not will die. The hope is that the majority lives and will continue.What bug me is, if you're going to violate the Prime Directive then go ahead and tell the villager what happening to them. Maybe skip some of the detail, but tell them that a disaster is coming and that Nicolai and his friends are going to move them to a distant land, none of the walking through the tunnel thing. Beam them onto the holodeck, with comfortable surroundings, then beam them down again. Be open about it and treat them like adults.Homeward, where everyone acts like a dick towards Nicolai for doing the decent thing and saving people.
The amber blob that was supposed to be the shapeshifter in "Aquiel."
The black blob Armus, from Skin Of Evil, wasn't well executed either. I really do understand that there's a budget involved, but come on.
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The amber blob that was supposed to be the shapeshifter in "Aquiel."
The black blob Armus, from Skin Of Evil, wasn't well executed either. I really do understand that there's a budget involved, but come on.
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TNG clearly employed too many blobs and blob-like forms throughout the series--this observation proves it beyond a doubt.
That wasn't Vorin difficulty. Picard gave the boy the choice of only two options. To be permanently separated from his people, or to lie to his people for the rest of his life. The option of simply returning and telling everyone the truth was a choice Picard denied the boy. Unable to choose from the two options, the boy committed suicide.Was not there an alien who was shown outside the scope of his world and who could not get past this and took his own life?
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