Fan response, while a factor, can hardly be the only thing, when the reviews I read are so mixed.
The show also came at the wrong time. It should've come after DS9, like Berman wanted.
TOS got by with only 3 Central characters. Other shows like Xena and Hercules got by with 2 leads. VOY could've worked with a smaller main cast.Yes, a smaller crew might have made things better, but it still means you need characters the audience cares about.
They shot themselves in the foot with their "No Support" part of the premise too.VOY could have been more unique in that it was cut off from the Federation, but could make allies along the way, or find resources, or make adjustments. It could have shown real drama in the crew making decisions that matter, things that could be mistakes, and consequences.
To be fair, all Meyer did was transplant his Horatio Hornblower stuff to space. And Wrath of Khan had plenty of plot holes in it that ruin the plot if you think about it, but the audience was willing to overlook its many flaws.It's true in any product. Creativity works well in the face of challenges, if you allow it to be so. Just look at Nick Meyers and Wrath of Khan.
Sure, Wrath of Khan has its flaws, but the characters are what make the flaws so easy to gloss over. I have a similar feeling with Abrams Trek, and several other films that I enjoy. I think TWOK is a fine film, with a running theme all the way through it that carries to film in a remarkable way. However, to my point was what Meyer was given to work with-8 drafts, all unrelated, a slashed budget, due to overages of TMP, limited effects, and sets, and costuming, and some serious negotiating with Nimoy to get him back.
My point is that fact that he had limits, and he is frank and honest about them in his book. He broke rules, was an inexperienced in Hollywood and had executive pressures, as well as maintaining production schedule. But, TWOK excels, even under those limits and with plot holes, because of the characters, because of the creativity that was forced through that difficulty.
Now, it is not fair to compare VOY to TWOK due to difference of circumstance and audience attitude. However, the point is, creative hurdles can be overcome with the right attitude and team. VOY lacked a consistent team and theme to carry through the difficult patches. Yes, I am aware of all the troubles that have been pointed out. Yes, I am aware of all the difficulties that VOY faced, such as being out during DS9's run and stretching the franchise too thin. I got that. However, it is clear that the creative staff was unwilling to go beyond the formulaic approach that had worked so well for TNG, but was ill suited for a changing audience.
Also, it was brought up that VOY had "no support" yet it was also brought up that they could have "friendly aliens." VOY did not have a consistent support system of starbases, like TNG or DS9, to justify the reset to the ship on a weekly basis, when the premise is "no support." Again, it strains credibility for the audience when you say the ship is lost, but then treat it like it's not a big deal.
So, again, it is not the fault of the audience that the creativity on VOY was rote and formulaic. I can accept the hurdles they faced and understand them, but at some point in time they should have been overcome. Occasionally, they were, which means it didn't have to be that way. I don't give any show or film a free pass because of production hurdles or limits.
As for a smaller crew, sure, that could work. But, then what do you do with that crew? You still need characters who go through changes, and you are willing to let make mistakes. Give them chances to succeed and fail, and let the consequences matter. That is the type of show VOY could have been. That is why it is so frustrating to me because it could have been something that grew out from under TNG's shadow.
I don't fault the fans. They responded to what they were given, some good and some bad.