Okay, but why is it a problem if two females characters are sweet and gentle and care about other people professionally?
"Stereotypes"...so what? Do we try to avoid stereotypes by making sure that fifty percent of the female characters be overtly aggressive and hard to get along with? (And if so, how come Nerys copped such major shit for so many years?)
If Beverly was a hairdresser and Deanna was a florist I could see the problem, but they are the chief medical officer of the ship and a mental health counselor. Skilled professionals in their chosen fields. And it's not their fault that the head of security/33% of the female cast took a header into some tar and ruined the ratio.
Excellent points. Including "avoiding stereotypes" as I took pause for thought. WIth so many different types and stereotypes and opposite of stereotypes where does one begin to put in as much as possible, all while feeling authentic and not phony or cheap in feel (e.g. the writing)? There are plenty of lamely scripted shows that are all white and hetero and so on as well. I'm a bi guy. I don't care to see a cheap stereotype (especially when written by non-hetero people as being said stereotype) because plenty of us find that demeaning and unrealistic. Ironically. That's also why just keeping "bedroom behind closed doors personal lives" out of the show regardless of who is attracted to whom. All these petty arguments are bypassed and viewers can think for themselves which character is gay, straight, bi, does it with sheep, hot dog toasters, or whatever else. In sci-fi, a creative genre, why does it need to have to rely on something so common as sexuality?
Also, why play into them for cheap ratings when one can sell the fact that people are more than just stereotypes, never mind "representation" being another biggie? There are a few examples, but some have already been posted by others. If bisexual men are stereotyped for "getting busy" with everything that moves or can't/won't do monogamy, or "it's a choice", or any form of fidelitous marriage - and many of us can and even want to despite that other stereotype of "waaah, marriage is outdated and antiquated" - why not show more than something so boringly predictable?
Yes, it was less progressive, but I still like it better. As another poster mentioned, it was a product of the Reagan era, where things were a little more buttoned up compared to the 60's, you had the moral majority making a lot of noise, etc. No question, TNG could have gone in a bolder direction, but they chose to play it a little safer. Again, I don't condemn them for it, but I believe the answer to the OP's question is yes.
Could the excesses of the 1960s and the resultant issues led to the 80s? For example, "free love" - of which I'm not sure was ever and really free since people will turn down others they're not interested in for whatever reason(s) - led to a rise in (among other things) STDs, which now have drug-resistant strains, meaning treating them is harder to do - on top of everything else, like people who knowing they have it will spread it stealthily anyway... and in the 80s the abstinence groups were getting louder as a result. Never mind HIV, heartache, and other issues.
But that's not a good example. Since the 1960s, we saw more and more of people of all persuasions get into careers and being treated as first class citizens like everyone else. This is not a bad thing. By the 1980s, was it needed? (A previous response did bring up stereotypes still being around, so - yeah - it was still needed. )
TOS had a quite a few limitations and embarrassing spots. But in a strange way, it could be argued that TNG was more reluctant to take risks than TOS did.
Despite the biggest one in trying to redo Star Trek (albeit as a distant sequel).
When it became popular and a massive mainstream hit, it had to worry about sponsors, fan backlash on certain ideas, and producers and studios looking over their shoulders. At least, that's the sense you get.
^^true
There was some criticism for the ending of The Host where Beverly rejects Odan at the end. I know, she has a right to her choices without being accused of a being homophobic. Which she wasn't.
10,000% agreed. Not being sexually attracted to someone of the same sex isn't homophobia (but a few genuinely believe that and the whole world isn't going to become a gestalt of Kinsey 3.5 types. Most are between 0 and 1.)
Forget about the perception of homophobia for a moment -- the episode does beg the question of how love is more intertwined with sex and vice versa. Bev was hugely reluctant to bang Riker once sluggo was plopped inside of him. (Of course, platonic love and familial love and how people who live together as families don't have to be banging each other... The Golden Girls also had Blanche and her pals telling the one guy they were a family even though they were not married (and weren't doing each other). I believe it involved the episode where she put the house in all their names.)
But the criticism was that it was the "normal" thing to do, because there was no way they were going to have Beverly in a relationship with another woman. Or even have her consider it. In the early 90's in a popular mainstream show.
Not until Marcy D'Arcy did we see more mainstream characters come out, though the first was in that late-70s adult sitcom "SOAP". FWIW.
It was like the show still relied on tropes and stereotypes without realizing how obvious it was.
Like Troi was a competent, ranking professional, a psychologist, but she still wore a plunging outfit that revealed a lot of her figure. She was beautiful, maybe it worked. But it also just looked too obvious whenever you watch some of the episodes.
Geordi was the tech geek who was awkward with women, but Burton suggested it was based on stereotypes and discomfort with his character's sexuality.
Oi, I resemble that remark!

Then again, I prefer shows with a wide array of personality archetypes... given the jokes lobbed at TNG at the time, where Data was the only one who had emotions, it's amazing they were characters at all...
...and LeVar was quite correct. Gay or straight, it still fits. And it's refreshing to see more than everyone getting it on with ease. Good grief, even that 1979 movie "Meatballs" has Spazz hooking up with a girlfriend much like how everyone on The Big Bang Theory eventually had as well. Which now brings up a great point involving revolving around circular logic... is it always really stereotypes or just how charatcers are used to create a feel that complements or detracts from a show? Many people prefer groups like "Friends". Some prefer completely oddball groupings of personality types and even conflict (a la Ensign Ro and Barclay).
Yeah, it is how characters ultimately work in complementing the show... There's a bi character who's a walking stereotype but he's certainly well-acted and fun to watch regardless of the cringey moments...
You get a sense that because the show "inherited" the idea that all our social ills have been solved, it sidestepped concepts without ever showing them, like same sex relationships.
Which, if one wanted to think into it, could think up lots of things. All I know is, going back to that marriage argument and how it's "outdated", that falls in line and plays right into what you just said. But even I have seen people of all persuasions commit in relationships. This goes back to the previous point of representing all viewpoints - those who hate relationships and wanting only one-night stands versus committing (either to monogamy or a mutually shared situation of several). And there are always people who say any of those paradigms is outdated. In reality, none is outdated or antiquated. Just different - and up to those in those situations to deal with in their own ways as it is about personal lives.
Or even acknowledging why Starfleet seems so mono cultural -why is it so human-centric when it is 150 member league?
Because the show is an allegory by, or, and for humans. Right now, every sentient alien species theoretically known to exist is precisely 0.00000000000000000000000000000000% of the population on planet Earth. There's nobody to cater to in that regard. From the start, Trek was always an allegory to the human condition. Imperfect as it is.
I don't think TNG lost its roots exactly, it just got a little comfortable . And also cautious because it was successful.
Can't really blame them to a certain extent.
For its time, TNG wasn't progressive at all.
TOS wasn't all that progressive either, for its time.
Given how far network programming had come in the 20 years since TOS, I'd say that on balance TNG was more behind the curve than TOS was.
Early TOS has Kirk spouting "bleeding heart" as a pejorative too. To Professor Carter if I recall correctly. Kirk was pretty harsh (and exactly as expected for a military-based job) a number of times in season one as well... Spock wasn't the only character to have changed in that first year.