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USS Enterprise (eventually) on Discovery?

NOTE: The post below is not meant to be antagonistic, even though tone is often hard to read.

So you know it was updated, you can't tell the difference at a casual glance

YOU CAN tell the difference at a casual glance. That was what I said. What I also said was that it's hard to explain what they are off the top of my head, which is not the same thing, and I also asked what relevance it had to the discussion.

and it was still of sufficient quality to not be laughed out of the theater. That's my point.

No, that was _my_ point. SW is different because it's not dated in the same way as TOS was, and it was never meant to look futuristic to begin with. It was retro-sci-fi whereas TOS was squarely of its time. I love the TOS designs, but they are dated. There's no issue with having both of those thoughts at once.

It is not mandatory to totally reinvent the wheel to make modern audiences approve of your throwback nostalgic science fiction production.

NO ONE said anything about it being mandatory, or natural, or automatic, or any other word you can dream up to make me say something I didn't say. I said expected. See further down.

They say it's a side story of TOS

Who's "they"? It's set ten years before TOS, so it's not a side story to it. It's a prequel.

but they don't make it look that way, and they don't write it that way.

What does that mean? It looks the way Starfleet looked ten years before Kirk. Discovery is an older ship, as indicated by its registry. And what does writing have to do with it?

So why is it not a remake or reimagining?

Well, I can't disagree with you there. I would've prefered a post-Nemesis show, as I stated before. But I don't mind visual retcons.

Why am I supposed to expect that it won't look like TOS, feel like TOS, it act like TOS when they explicitly and emphatically placed it on top of TOS, out of all the possible times and places they could've set the show?

Because it's not TOS. It's a different series with different characters set at a different time in a different place in a different situation.

As for why you'd be expected to, because as I've already explained at least twice today, designers and writers tend to do that: make the series their own both visually and narratively. Maybe I'm not explaining myself clearly, and it wouldn't be the first time, but you don't seem to be making much of an effort to understand it. You seem to want to take issue with DSC.

What do you think we're talking about? What do you expect to read people's opinions on in the thread about the redesigned Enterprise if not people's opinions on about the redesigned Enterprise? Why do you not expect me to respond by specifying my critiques after you said, "I didn't read what you said, but it was silly"?

I absolutely expect to read people's opinions. You should, however, expect me to disagree with them. In this case, as I said, I think you're focusing on trivia which is costing you enjoyment for no reason.

As a sidenote, you could do better than to both misrepresent what I post, add to my posts and respond to things I didn't say. It's annoying and adds nothing to the discussion. Please address what I actually write.

Also, while this thread is about the Enterprise specifically and not the show as a whole, it's really condescending to be told that you should relax and enjoy things even when they're bad.

There's nothing condescending about it; I'm telling you from personal experience that if you focus on pointless minutiae you're doing yourself a disservice. But if what you want is to complain about every iteration of Star Trek and make yourself feel bad about it for the rest of your life, that's your call. I'd rather enjoy myself while watching the show, which is why I ignore the fanboy, obsessive-compulsive side of me when I do.

I'm not going to gaslight myself into believing the helm console doesn't look dinky to me because you think I shouldn't have opinions about design.

It's a retcon. About a fictional TV show. You'll get over it. If you can watch Star Wars and not mind the fact that they made a new suit for Vader in Empire, or a new Star Destroyer model in the same movie, etc. you can accept larger changes that have no narrative impact.
 
As for why you'd be expected to, because as I've already explained at least twice today, designers and writers tend to do that: make the series their own both visually and narratively. Maybe I'm not explaining myself clearly, and it wouldn't be the first time, but you don't seem to be making much of an effort to understand it. You seem to want to take issue with DSC.
I think this is a part that requires some restating. If this were a historical recreation then I could follow the complaints better. However, it is an artistic recreation of a fictional world that extrapolates humanity's possible future. Of course it will be reimagined to artistic and technological knowledge.
It's a retcon. About a fictional TV show. You'll get over it. If you can watch Star Wars and not mind the fact that they made a new suit for Vader in Empire, or a new Star Destroyer model in the same movie, etc. you can accept larger changes that have no narrative impact.

Retcons in Star Wars?! Next you'll tell me that Luke and Leia were not intended to be brother and sister! :D
 
NO ONE said anything about it being mandatory, or natural, or automatic, or any other word you can dream up to make me say something I didn't say. I said expected. See further down.

Leaving aside the fact that a set made in the 60s won't cut it nowadays...

There. Right there. And that was in regard to someone suggesting just keeping the floorplan and basic shapes (which very nearly describes what they actually did denotatively, if not connotatively), not rebuilding it with authentic cardboard, cheap carpeting, and jelly-beans. They could've done something that looked a lot more like the original and still would've "cut it." This was not the minimum viable redesign.

There are two separate arguments going on here. One is, could DSC have hewed closer to the TOS mid-century modern aesthetic and still maintained an acceptable level of quality and verisimilitude for a modern TV show? I say, "yes," but it's a dead issue, though apparently one where there was behind-the-scenes debate up through post-production on the pilot.

(A related question is, if they didn't want to evoke TOS visually or dramaturgically at all, and only minimally narratively, why did they set it nearly in that period? To which the answer is, "hell if I know.")

The second argument is, is the redesign of the Enterprise bridge successful? I say, "almost, but not quite," but because I also didn't believe the style change was necessary in the first place, we've gotten distracted. There could be better versions of the bridge that look more like TOS, and better versions that look less like it, but the fact is that this version has issues, "silly" though they may be.

It's a retcon. About a fictional TV show. You'll get over it. If you can watch Star Wars and not mind the fact that they made a new suit for Vader in Empire, or a new Star Destroyer model in the same movie, etc. you can accept larger changes that have no narrative impact.

So, just so we're clear, because I accept things like the stuff I explicitly gave as examples of getting it right, I can accept things I explicitly gave as examples of getting it wrong. "theres actually zero difference between good & bad things."

You clearly don't want to talk about the redesign on the merits. Its existence apparently asserts its quality for you.

I think, in a theoretical sense, that if they were going to revisit something we've already seen, it should look like it did before, but that ship has sailed for DSC. In an actual sense, I think that if they were going to redesign the Enterprise bridge for the DSC aesthetic, they didn't go far enough, and were too wedded to trying to add details that looked '60s rather than combining their design style, such as it is, with TOS's bridge holistically, and the result is a disunified mishmash of retro touches in a modern setting.

The helm is too small and blocky compared to the rest of the room. The Burke chairs look incongruous. The closer they'd kept to the original design, the less open they would've left themselves to critique. Yes, I know, I'll die friendless and alone, my heart swollen with black bile, but I must speak my truth; the new Enterprise bridge could've been better.
 
Well, they say from the beginning they wanted to tie in with issues in TOS, Spock's family, e.g. I had thought it was just gonna be set then, but they wanted to overtly connect with TOS characters or plot elements. So that's why they set it then.
 
A related question is, if they didn't want to evoke TOS visually or dramaturgically at all, and only minimally narratively, why did they set it nearly in that period? To which the answer is, "hell if I know.")
To explore more with Sarek and his family, as well as a fairly familiar time frame to general audiences. Many people are familiar with Kirk, Spock, and the starship Enterprise, to have an idea of the general setting.

Now, obviously, DSC's development hell and BTS drama created a much different product than originally pitched by
Fuller. The focus shifted more to Burnham and the consequences of her choices.

Even more so, this is what fandom has demonstrated that they wanted, in one way or another. Between the success of the Kelvin Films and their action focus, as well as fan film productions popularity that centered on a Federation at war:
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Fans express interest in darker Star Trek then get made at darker Star Trek...
 
To explore more with Sarek and his family, as well as a fairly familiar time frame to general audiences. Many people are familiar with Kirk, Spock, and the starship Enterprise, to have an idea of the general setting.

Now, obviously, DSC's development hell and BTS drama created a much different product than originally pitched by
Fuller. The focus shifted more to Burnham and the consequences of her choices.

Even more so, this is what fandom has demonstrated that they wanted, in one way or another. Between the success of the Kelvin Films and their action focus, as well as fan film productions popularity that centered on a Federation at war:

Fair enough. And I'm especially sympathetic to the BTS problems (relevently, it seems that Fuller's solution to the "visual retcon" issue was modernize everything, but avoid first-degree TOS connections, so we'd never see Spock or the Enterprise, and it'd be up to individual fans to square the circle of how the 1960s and 2010s elements coexisted). I suspect that Fuller's original concept would've had more storyline elements that planted it firmly in the TOS timeframe, though there are also aspects that were definitely his idea that challenge it, as well, namely the Klingon revamp, the Starfleet design philosophy, and the spore drive, which goes back to my point that DSC's "mission statement" has been muddled from the start.

It's an interesting point about the fan-films. I'd argue that the KT movies should be seen more as evidence of the pop-culture penetration of the original crew than the nuances of the TOS versus TNG setting, but Axanar, Pacific 201, and the various psuedo-TOSes are an interesting potential influence or leading indicator of interest. If they did actually take any influence from them, I have a feeling they missed the forest for the trees. The 22nd and 23rd century settings have as much to do with nostalgia, gap-filling (which DSC most assuredly is not in the way things like Axanar and 201 are), broader, more theatrical midcentury storytelling styles, and the relative ease of faithful production compared to the more elaborate 24th century or movie-era looks than just "the mid 23rd century" in a theoretical sense.
 
There. Right there.

Right there what? It's still me stating that it's expected, not mandatory or automatic or natural.

Like Fireproof said above, it's entirely expected that speculative sci-fi will evolve along with the real world. That's not controversial, that's not surprising, but it's not obligatory as well. TNG, DS9 and ENT all represented the TOS bridge pretty much as it was. But those were nostalgic episodes meant for fans, specifically. Could they have stuck closer to the original and modernised it more subtlely? Sure they could've. But as I explained earlier, writers and designers will most likely want to make the series their own and that means changing stuff.

(A related question is, if they didn't want to evoke TOS visually or dramaturgically at all, and only minimally narratively, why did they set it nearly in that period? To which the answer is, "hell if I know.")

True.

The second argument is, is the redesign of the Enterprise bridge successful?

That's a question each viewer must answer individually. There's no gold standard for success. However, DSC got renewed for a third season, so it must be profitable.

So, just so we're clear, because I accept things like the stuff I explicitly gave as examples of getting it right, I can accept things I explicitly gave as examples of getting it wrong. "theres actually zero difference between good & bad things."

What is it with you and making up quotes and arguments for other people? What I said is that you can certainly overlook some changes. If the changes in DSC have no narrative impact, isn't that something you can get over?

You clearly don't want to talk about the redesign on the merits.

But you're not discussing the design on its merits. You're complaining that it's different. I'm telling you that of course it is. I'm suggesting that you take a different perspective because obviously it's preventing you from enjoying Star Trek. You can't control what CBS and Paramount do with the franchise, but you can control how you view it.

I think, in a theoretical sense, that if they were going to revisit something we've already seen, it should look like it did before

So do I, see. But the thing is that view is, and I include myself in that, selfish. We want new Trek to look and feel like old Trek because that's the one we know. But that's not thinking of the larger picture; the fact that television and culture have changed, aesthetic and sensibiliies have changed, etc. and Trek has to adapt to that if it's trying to portray our possible future, and make good ratings.
 
Big window at the front, helm/nav stations, central captain's chair, all bigger than the original... yes they do. It likely lacks the podium stations, but it's closer than, say, the TOS set.

I think you're looking through your biased-glasses instead of your unbiased ones. Might wanna switch the pair around. ;)
 
I think you're looking through your biased-glasses instead of your unbiased ones. Might wanna switch the pair around. ;)

We all have biased glasses. If King thinks it looks like the reboot bridge, so be it. I just disagree with his explanation, which is that they are bigger than TOS' and therefore similar, or something. If I misread that, he can correct me.
 
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