They don't. The look SIMILAR because they cut similar profiles from that angle. But they have far more differences than they have commonalities.Then explain why they look almost identical when flipped?
So what? Casual watchers at air shows can't tell the difference between an F-14 and an F-15. That doesn't mean the F-14 is just an F-15 with skinnier wings.You've seen pictures now and several people have chimed in to point out that casual viewers wouldn't tell them apart.
I think we all know the answer to that question.Is it really necessary to remind us how much you dislike it every time a new picture comes out? What possible addition to the discussion can this provide?
Or, you can just imagine that it always looked like whatever your preferred configuration is. If you like the updated version from DSC, then The Cage Enterprise always looked like that. If you prefer the version from The Cage, then just pretend that the DSC version looks like that in your head.Yep, which leads to the amazing idea that the Enterprise was refit, enlarged, then unrefit and shrunk between "The Cage" and "Where No Man..."![]()
I’m not talking about that.Yes. Which makes it look better than it ever did in the show.
Well yes obviously. Or, as I see it, in TOS it looks one way (or three, as time goes on) and in the DISCOverse it looks another.Or, you can just imagine that it always looked like whatever your preferred configuration is. If you like the updated version from DSC, then The Cage Enterprise always looked like that. If you prefer the version from The Cage, then just pretend that the DSC version looks like that in your head.
My headcanon is and shall forever remain that the TMP Enterprise is the way the ship always looked and the refit was just a replacement of its old weapons, drive core and equipment.Well yes obviously. Or, as I see it, in TOS it looks one way (or three, as time goes on) and in the DISCOverse it looks another.
Its just the thread has been so full of refit theories, and since the rescaling was revealed it's gotten even funnier.
Or, of course, the show could have kept it consistent, and then viewers wouldn't have to imagine something different from what their own eyes are showing them. (Having to do that kinda undercuts the point of it being a visual medium, after all...)Or, you can just imagine that it always looked like whatever your preferred configuration is. If you like the updated version from DSC, then The Cage Enterprise always looked like that. If you prefer the version from The Cage, then just pretend that the DSC version looks like that in your head.
You're right, it's a much more reasonable expectation that nothing should change between TV episodes separated by over fifty years than to ask people to use their imagination a bit.
You're right, it's a much more reasonable expectation that nothing should change between TV episodes separated by over fifty years than to ask people to use their imagination a bit.
A more reasonable expectation might have been that a new Star Trek series made over 50 years after the original shouldn't go back and revisit the setting of the original. They should have just left that time alone and moved on.
Indeed. If you want to revisit the original (even if just to bank on audience familiarity), be true to it. If you want to go in all kinds of new creative directions, do it in uncharted territory. The frustrating thing about DSC, as seems clear to all except its most ardent defenders, is that it wants to do both of those things at the same time, and then asks audiences to pretend they're not at odds.A more reasonable expectation might have been that a new Star Trek series made over 50 years after the original shouldn't go back and revisit the setting of the original. They should have just left that time alone and moved on.
Yeah, that's his style, in a nutshell. Ugh.It's like the TOSprise with a typical eaves facelift. He squishes it, slaps on some wings, fins, etc, and sweeps the engines back a bit.
Don't put it past this show to come up with approaches that leave everyone unhappy!...If the Discofans are complaining that it's too retro, or too "atomic age," then shouldn't the purist fans be comfortable with it, maybe be pleased?
In the wider scheme of thing. It's all (at least in large part)about brand recognition. "Ten years before.. KIRK (flash) SPOCK (flash) and the ENTERPRISE!"Indeed. If you want to revisit the original (even if just to bank on audience familiarity), be true to it. If you want to go in all kinds of new creative directions, do it in uncharted territory. The frustrating thing about DSC, as seems clear to all except its most ardent defenders, is that it wants to do both of those things at the same time, and then asks audiences to pretend they're not at odds.
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