Before I registered at this forum, I just thought this movie (and others, as well as several of the torn-apart episodes) was perfect.
Ignorance is bliss, people.
To each his/her own. For me, bliss is seeing something done so well that I can't see significant flaws in spite of my mandatory inspection for detail. As a result, I get more out of the rare movies that meet my standards, and that more than offsets my complaints over the many movies that do not meet my standards.
Try to imagine any Trek movie working without a dramatic underscore ... but then watch CHINA SYNDROME, or many of Sidney Lumet's pictures, which do without dramatic score (CHINA has a title song and some hispanic music on a radio, but that is source music, not scoring.) The balls to be able to go without a major crutch like that, that's something to watch for and for me to admire hell out of. You can say that's comparing apples and oranges, but shoot, so is comparing a traditional dramatic score and the electronic sounds in FORBIDDEN PLANET or DARK STAR, which are a ways away from what gets done conventionally in space pics.
Or a movie that has a score and is damn near perfect (IMO), like Fincher's Se7en. There are modest goofs in 2001, but considering the number of things done right there, that's not only excuseable, it's pretty damn admirable (as is just about everything in the picture.)
One of the reasons problems in trek movies get so much play here is because a lot of them are arbitrary and fixable without slowing the story down, and are things a script doctor would have addressed if one were available and had more than 12 days to do the rewrite. Others fit the criteria of 'idiot plotting' and are done to get from here to there in the story, but at the cost of invalidating the tale's credibility (or sometimes, even more stupidly, invalidating the drama, which you'd figure they'd never do in favor of credibility.) Pretty much everything plotwise in SFS from when the Enterprise encounters the BOP till they get off the planet seems like really bad, really stupid, and really wrong story choices, arbitrary as all get out and annoying enough that I usually only watch the first half of the movie (see, I can put up with the dumb mushroom spacedock because while it may offend my scientific sensibilities, it doesn't seriously or grievously harm the story IMO. That doesn't happen till TVH, when the power goes out and the ships get stuck inside.)
Then again, I remember mis-hearing dialog in the films and getting my nose out of joint on account of that (like thinking Kirk told Spock, "I wouldn't have presumed after VGER" instead of "I wouldn't have presumed to debate you," in TWOK.) So the intense focus can backfire too, but in retrospect, I just find that incident to be funny.
When I first saw TUC, I think I caught most every objectionable thing, but the only ones that made me want to hate the movie were ones relating to character. I could blow off the dictionaries and that ilk easily enough (they're not as insignicant as the 78 level sign that everybody knocks about TFF, which I find to be so petty as to not even bother addressing anymore), but what I found to be character assassination of Kirk and Spock was infuriating.
So these are usually qualified rants.