Yeah, that's kinda me too. Although there are a handful of shows where I've watched most of them but just can't quite muster up the interest to finish them. I've still never finished the last half-season of Battlestar Galactica. I've seen scattered episodes from the last two seasons of Buffy the Vampire Slayer but never gave them a full watch-through the way I did Seasons 1-5. I do plan on watching the final season of Community but it's pretty low on my to-do list.
I binged the first seasons of The Walking Dead and Game of Thrones. The Walking Dead just wasn't for me. I don't like zombies or post apocalyptic asssholery, so I'm done. Game of Thrones interests me but my current plan is to wait until it ends and then binge the whole thing in one go. I don't think that I can keep track of it otherwise.
"Old" and "new" are easy to determine when there are only two versions. It gets harder when you have something like 4 different versions of The Twilight Zone. I still refer to the 1987-2005 shows as "modern Star Trek" because I can't muster up enough interest to remember that Discovery exists (or to understand why it's a prequel).
How did they bully the shippers during the episode? (Keep in mind, I've never seen the show. I just think it's interesting, the relationship between creators and shippers. Lost Girl seemed to be held hostage by the militant Doccubus shippers, who, to be fair, are probably the only reason why the show lasted as long as it did. The writers seemed to be stretching to placate them in the last couple seasons even though the writers had totally lost interest in that pairing by then. The scene in the finale where it's implied that they get together is one of the most halfhearted, perfunctory things I've ever seen.)
They just made dumb comments about how people weren't moving on and stuff. It was inane and childish to be honest.
I've never seen a show where that happens. Honestly. I've seen show runners complaining about shippers (and that's the NICE term for their behavior). Basically they said that they were forced to have the characters together (this is about the X Files and Mulder and Scully), which is the biggest load full of baloney I've ever heard, since that seemed to be done since audience members were leaving the show and they had to keep people around some how, keep money flowing in.
So they went in the direction most likely to help with that. Combine it with Frank Spotnitz saying that Chris Carter never wanting the characters to grow or evolve and it says a lot. The show outgrew its creator. Nothing wrong with that.
Shippers wanted M and S together and by s10 and 11, Chris lashed out by having the characters broken up. Then in 11 they had a one night stand that meant nothing as it was shallow and insulting. It came down to the show runners behavior there along with the lack of quality in the writing.