What I want to know is, since the song from
Guys and Dolls was being sung by the three gangster dads in two different locations, did Barry and Kara only hear half of it each? That would've been confusing. Or did they somehow hear both Malcolm's part and the other two's part at the same time?
And did anyone else notice that the son of Malcolm Merlyn's character was named Tommy? Even though Mon-El was playing the part, I doubt that was a coincidence.
I don't mind that -- I just wish it hadn't been so arbitrary, that there'd been more explanation of what he was and why he was doing this. He came off more as a plot device, a deus ex machina to mend the heroes' romantic woes, than a character.
Oh, that would've been nice. Well, the Meister's still out there. And we know from the future newspaper headlines that he's going to be signing a 6-figure book deal on Earth-1 in May. So maybe he'll be back on
The Flash, at least.
I think Grant Gustin and Stephen Amell have great chemistry -- Amell is never better than when he's playing off Gustin. But Gustin and Benoist are a joy together.
"Superfriends" was a fun song, but if they hadn't been able to commission it, they could've done just as well with the Cole Porter standard "
Friendship." Indeed, the song seemed like kind of a pastiche of that one, with a similar sentiment and back-and-forth structure.
Yep -- that's the whole reason they did this episode, because they had a surprising number of singers and Broadway performers in their combined casts and wanted to show off their pipes. Same reason
Legends keeps having Martin Stein break out in song as a distraction.
In-story, though, it's a bit hard to justify. If the scenario was constructed from Barry's and Kara's minds, why would Barry cast two of the gangster dads as Stein (who's a friend) and Merlyn (whom he barely knows)? It's a little too obvious that the roles were selected based on who had singing talent in real life rather than who made sense in-story.
I had the impression that they did try but couldn't make it work; at least, one of the producers said "You're asking the right question" when asked if NPH was being considered for the role. He was probably too busy or too expensive. But since the character was so radically changed, I don't really mind.
That's right -- the character was created by Michael Jelenic. The character's only prior appearances were in the BB&B episodes "Mayhem of the Music Meister!" and "Mitefall!" (cameo), the final issue of the BB&B tie-in comic (also a cameo in a "Mitefall!"-like story), and the
Lego Batman 3 videogame, where he was played by Troy Baker.
There is a similar character in Flash history, though, a Jay Garrick adversary called the Fiddler, who could hypnotize people with his violin. And the
Justice League TV series's episode "Legends," which featured name-changed versions of Justice Society heroes and villains because they couldn't get the rights to the originals for some reason, renamed their Fiddler character the Music Master (played by Udo Kier). Interestingly, that 2-parter was written by Andrew Kreisberg, who co-wrote the story for this episode. ("Legends" is also the source of the name Black Siren for an alternate Black Canary. Interesting how much from that JL 2-parter by Kreisberg has ended up in the Arrowverse, including the name
Legends and the use of the Justice Society. It also involved a powered character creating a pocket reality out of his imagination, so there's a vague similarity to "Duet.")