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Spoilers "Superman & Lois" Season 1 spoiler discussion!

Hey, I could turn that into "The same people who want us to pay attention to an unused scene from an unreleased version of a forty year old movie seem to be the ones who want to ignore the actual climax to the last Superman film."

Touché.
 
I'll take your word for it. Kind of.

Hey, I could turn that into "The same people who want us to pay attention to an unused scene from an unreleased version of a forty year old movie seem to be the ones who want to ignore the actual climax to the last Superman film."

If you're talking about Man of Steel, I'm happy to ignore most of it.

In fact that's exactly what you're doing. :)

But to me.
 
No, he was talking about a cut scene from Superman II, which has no bearing on the intent of the theatrical version--the only official version where Superman killed Zod. No accident, no, "I just dropped him on a ledge, and i'll get him later". He killed him because the movie repeatedly informed the audience that Zod was too dangerous to live, so Superman performed his usual heroic act, whether some wish that part of Superman did not exist or not.
 
And then he did a mindwipe on Lois without her consent. I'm not sure that it was the most ethical thing.
 
And then he did a mindwipe on Lois without her consent. I'm not sure that it was the most ethical thing.

Let's just say that Superman II was far from the best portrayal of Superman and should not be taken as an exemplar for how to depict him. Whereas Superman & Lois is one of the best portrayals of both its title characters that I've ever seen.
 
And then he did a mindwipe on Lois without her consent. I'm not sure that it was the most ethical thing.
Let's just say that Superman II was far from the best portrayal of Superman and should not be taken as an exemplar for how to depict him. Whereas Superman & Lois is one of the best portrayals of both its title characters that I've ever seen.

Taken as a whole: He gives UP his powers to be with an utter nutbag like the Donner Lois, knowing full well all the people he could help are now helpless, once he gets those powers back he tortures Zod before "disposing" of him, goes back to clobber that now helpless trucker and then violates Lois' mind because he decides he can't trust her. And despite this, he still wants to romance her afterwards.
 
Taken as a whole: He gives UP his powers to be with an utter nutbag like the Donner Lois, knowing full well all the people he could help are now helpless, once he gets those powers back he tortures Zod before "disposing" of him, goes back to clobber that now helpless trucker and then violates Lois' mind because he decides he can't trust her. And despite this, he still wants to romance her afterwards.

Sounds like dating in the 80's.
 
So this show is going on ANOTHER hiatus - this time for the Olympics... Last time ratings were not hurt, will they be this time?
 
It certainly is strange. I agree with that. I just think it's too literal-minded to think it means the show is in a separate universe. It just means that they're not taking advantage of the shared universe that the show nominally belongs to. That will surely change in the future when we get more crossovers again. The big crossovers have been popular and successful, so I can't believe Berlanti Productions or The CW would be okay with isolating Superman & Lois from the rest of the shared universe on a permanent basis.
Yeah, I guess you're right.
At most, I think they're trying to make the show feel like a standalone to those new viewers it's brought in who haven't watched any of the other Arrowverse shows. After all, it does strike a very different tone from the rest of the Arrowverse, and Superman is the biggest, most famous character to have an Arrowverse series to date. So the show probably has a fair percentage of viewers who only watch it and none of the other shows. So it's logical to make the show work as if it's a standalone so as not to make those viewers confused or excluded by a lot of continuity references they don't understand.
I have to admit, I hadn't really thought about the fact that Superman is a big enough character to draw in people who might not watch Supergirl or the other Arrowverse shows.
 
BTW serious drop in demo viewership for the last episode (44.4%). Young people were watching the NBA Finals I guess.

No way to assess the drop--other than to compare the viewership of the next episodes post NBA finals (if the finals pulled any of this series' viewers at all).
 
At most, I think they're trying to make the show feel like a standalone to those new viewers it's brought in who haven't watched any of the other Arrowverse shows. After all, it does strike a very different tone from the rest of the Arrowverse, and Superman is the biggest, most famous character to have an Arrowverse series to date. So the show probably has a fair percentage of viewers who only watch it and none of the other shows. So it's logical to make the show work as if it's a standalone so as not to make those viewers confused or excluded by a lot of continuity references they don't understand.

That's a lot of beating around the bush, just to admit that it's a standalone show.

"A difference that makes no difference is no difference."
 
Come again?

The Margot Kidder Lois was an near-illiterate, chain smoking scatterbrain who did stuff like jumping out a window so that Superman will save her, pointing a gun (albeit loaded with blanks) to elicit a reaction from Clark (and throwing herself over Niagara Falls in the original Lester cut to make Clark out himself as Superman), essentially actions that no sane or rational person would attempt.

Lana in Superman 3, Lacy in Superman 4 and the Amy Adams versions were are far more believable as love interests and just characters on their own.
 
Kidder’s Lois was a little ... shall we say, heightened for comedic effect. (The “near-illiterate” thing, which I assume refers to her spelling challenges, was actually a great running gag.) As I’ve said elsewhere, I do prefer the more grounded modern Loises (Tulloch, Adams), but Kidder’s version is a classic portrayal that works perfectly with the tone and style of those films.
 
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