It's good that episode 2 focused more on Lois, who is supposed to be an equal title character, and gave her a reason of her own for leaving the Planet rather than just having it be an extension of Clark's decision. It's also good to see the brothers sticking together, rather than turning on each other over the issues between them.
It's an interesting choice to name the Smallville newspaper editor Chrissy Beppo, sharing a name with Beppo the Super-Monkey from the Silver Age Superman Family. That's probably the most revisionist use of a DC character name since early Arrow.
If Captain Luthor's version of Superman was evil and his side was fighting him, why do they have dog tags in the shape of the S-shield? Maybe it's like Superman: TAS's "Brave New Metropolis" where Superman turned dictator, and they were initially his enforcers but then he turned on them.
I still have trouble with how un-Arrowverse-like this show feels. I get that the Crisis was a chance to make some adjustments as needed, but everything here is changed from what we've seen on Supergirl, except for Hoechlin and Tulloch themselves. Sam Lane is different. Morgan Edge is totally different -- he's even English now. Kal-El's ship is different. The Fortress of Solitude is different. Even Krypton's history seems different. I just don't get why they've kept nothing.
I mean, the Fortress is surely a mostly digital set, right? It's too big not to be. So even if COVID restrictions preclude different shows mixing crews and shooting on each other's sets, you'd think that S&L could borrow the files for the digital Fortress from the SG team, and that it would be less expensive than building a whole new virtual Fortress. Just as it would be less expensive to reuse the original Kryptonian pod design. So they're going to more trouble than they have to in order to change everything, and I just don't get that.
It's an interesting choice to name the Smallville newspaper editor Chrissy Beppo, sharing a name with Beppo the Super-Monkey from the Silver Age Superman Family. That's probably the most revisionist use of a DC character name since early Arrow.
If Captain Luthor's version of Superman was evil and his side was fighting him, why do they have dog tags in the shape of the S-shield? Maybe it's like Superman: TAS's "Brave New Metropolis" where Superman turned dictator, and they were initially his enforcers but then he turned on them.
I still have trouble with how un-Arrowverse-like this show feels. I get that the Crisis was a chance to make some adjustments as needed, but everything here is changed from what we've seen on Supergirl, except for Hoechlin and Tulloch themselves. Sam Lane is different. Morgan Edge is totally different -- he's even English now. Kal-El's ship is different. The Fortress of Solitude is different. Even Krypton's history seems different. I just don't get why they've kept nothing.
I mean, the Fortress is surely a mostly digital set, right? It's too big not to be. So even if COVID restrictions preclude different shows mixing crews and shooting on each other's sets, you'd think that S&L could borrow the files for the digital Fortress from the SG team, and that it would be less expensive than building a whole new virtual Fortress. Just as it would be less expensive to reuse the original Kryptonian pod design. So they're going to more trouble than they have to in order to change everything, and I just don't get that.