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Spoilers Superman (2025) Grade and Discussion

How would you rate Superman?

  • You'll believe a man can fly

    Votes: 24 31.6%
  • A

    Votes: 11 14.5%
  • A-

    Votes: 12 15.8%
  • B+

    Votes: 14 18.4%
  • B

    Votes: 7 9.2%
  • B-

    Votes: 0 0.0%
  • C+

    Votes: 3 3.9%
  • C

    Votes: 1 1.3%
  • C-

    Votes: 0 0.0%
  • D+

    Votes: 0 0.0%
  • D

    Votes: 1 1.3%
  • D-

    Votes: 0 0.0%
  • F+

    Votes: 0 0.0%
  • F

    Votes: 1 1.3%
  • A pocket full of Kryptonite

    Votes: 2 2.6%

  • Total voters
    76
I’ve always thought that prior to Casino Royale there was a sort of soft reboot element to the James Bond series every time there was a change of actor. OHMSS admittedly has a sequence where Lazenby looks at gadgets that Connery used, presumably to stress that, his “this never happened to the other fellow” line notwithstanding, he’s the same fellow. DAF, in which Connery returns, pretty much ignores OHMSS. LALD, Moore’s debut, eschews Q and a lot of the tropes. Dalton is clearly not meant to be the same fellow as Moore, I terms of age, attitude and delivery. Brosnan mixed elements of all his predecessors but is clearly enjoying being an agent much more than Dalton did. But for all that, there’s consistency of Lois Maxwell as Moneypenny for 20 plus years, Q returned after LALD & assisted 2 more Bonds and there were nods to the ending of OHMSS a few times, while DAD (which ended up being the last pre-full reboot film) has another sequence acknowledging old gadgets etc
 
It felt a bit odd. James Gunn seemed to be holding back on the disturbing images he’s accustomed to. And I was bracing myself for discomfort throughout the film instead of enjoying the thrilling fights and flights. And the dog was too much for my liking.

After watching this new movie, I revisited the 2005 version, which I actually preferred. It felt more fitting to the concept of a comic book world that is at least somewhat grounded in reality but has that underlying mythical/legendary/fairy tale feel.
 
I’ve always thought that prior to Casino Royale there was a sort of soft reboot element to the James Bond series every time there was a change of actor. OHMSS admittedly has a sequence where Lazenby looks at gadgets that Connery used, presumably to stress that, his “this never happened to the other fellow” line notwithstanding, he’s the same fellow. DAF, in which Connery returns, pretty much ignores OHMSS. LALD, Moore’s debut, eschews Q and a lot of the tropes. Dalton is clearly not meant to be the same fellow as Moore, I terms of age, attitude and delivery. Brosnan mixed elements of all his predecessors but is clearly enjoying being an agent much more than Dalton did. But for all that, there’s consistency of Lois Maxwell as Moneypenny for 20 plus years, Q returned after LALD & assisted 2 more Bonds and there were nods to the ending of OHMSS a few times, while DAD (which ended up being the last pre-full reboot film) has another sequence acknowledging old gadgets etc
I was thinking the same thing. Which is why when some fans saw Superman Returns being a soft reboot as a bad thing misunderstanding it had been done before. It used to be that continuity between sequels in most movies was very loose. Even with the same actors. Cliffhanger endings that were picked up in sequel but often ignoring the specific details, etc.
 
The DC Universe has been in a rolling reboot since 1939. Superman himself has been through multiple soft reboots and one complete, hard restart by John Byrne ("Birthright" started taking on water so quickly it's hard to know what to call it).

Marvel's continuity seems to parallel that of soap operas - "after enough years, we just stop talking about that storyline."

It's all loose and subject to revision at any instant,which after decades of suffering with Trekkie "canon" obsessions is really relaxing. :lol:
 
The DC Universe has been in a rolling reboot since 1939. Superman himself has been through multiple soft reboots and one complete, hard restart by John Byrne ("Birthright" started taking on water so quickly it's hard to know what to call it).

Marvel's continuity seems to parallel that of soap operas - "after enough years, we just stop talking about that storyline."

It's all loose and subject to revision at any instant,which after decades of suffering with Trekkie "canon" obsessions is really relaxing. :lol:
Exactly! Or Star Wars fans…
Reading comics is one of the reasons I never took canon or continuity very seriously anywhere. I have had more enjoyment because it it. I started reading new comics in 1989. So I somewhat informed by John Byrne’s reboot of Superman… BUT at same time I was reading older comics from Half Price Books and later real comic book shops. Liking the older mythology too. Not to mention various tv shows, movies, serials, cartoons, etc.
 
The DC Universe has been in a rolling reboot since 1939. Superman himself has been through multiple soft reboots and one complete, hard restart by John Byrne ("Birthright" started taking on water so quickly it's hard to know what to call it).

Marvel's continuity seems to parallel that of soap operas - "after enough years, we just stop talking about that storyline."

It's all loose and subject to revision at any instant,which after decades of suffering with Trekkie "canon" obsessions is really relaxing. :lol:
And yet hardcore comics fans will still rage if a new entry is not slavishly beholden to some obscure line from Long-Johned Goober Tales #167, June-July 1964. :lol:

See also, “Supergirl would never do that!” (Except she just did.)

Those guys can give Trek fans a run for their money for prioritizing the trivia of continuity over all other considerations.
Exactly! Or Star Wars fans…
Reading comics is one of the reasons I never took canon or continuity very seriously anywhere. I have had more enjoyment because it it. I started reading new comics in 1989. So I somewhat informed by John Byrne’s reboot of Superman… BUT at same time I was reading older comics from Half Price Books and later real comic book shops. Liking the older mythology too. Not to mention various tv shows, movies, serials, cartoons, etc.
Would that all comics readers took such lessons of perspective and proportion.
 
("Birthright" started taking on water so quickly it's hard to know what to call it).
As someone who considers "Birthright" their favorite Superman origin story, a big part of that was the hugely miscommunicating marketing. It was not presented as "This is the new canon", but "this is a book we're doing, kind of like what Marvel is doing with their Ultimate line, or what we did with For All Seasons". It wasn't until about issue #8 of 12 that the main ongoing books made that continuity shift to match what was happening in "Birthright", and even that just happened without being advertised.

I think there were a lot of people who never realized "Birthright" was supposed to be canon.
 
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