Catching up to Supergirl, I'm up to the episode where Alex gets the Martian transforming She-Ra weapon and please someone tell me it turns into a sword at some point!![]()
Well....Really? You think I go around beating on trans people?
After seeing you say something like this, and the attitudes you've shown in the past, I would not be not be entirely surprised if you did.These writers don't know what to do if they didn't have a soap box to preach on. Now if they want to do something, maybe take on instances where trans people are dead wrong, like when they steal victories in girls/womens' sports.
It's a fact of life that transgender people are around, and it's best to introduce kids to that fact early so it's not as much of a shock later.
For my part, I didn't like to see Nia's character being weakened by her lack of self-control
for me Supergirl is an action show, not the one where social issues must be treated, because too often, there is rarely something good that came out of it and worst, they ruined some favourite characters by the way, like James in s4, Lena in s5 and lately, Kara and Nia). In short producers/writers don't know how to do to treat sensitive issues so, that they just stop to do it
It remains 4 episodes to be released: next sunday, will be the about Alex dreaming to be a Super and William/Kelly investigating on Lex Luthor and the following one, will focus on Luthors family (and the one having been directed by Benoist). I don't expect a lot on terms of storylines development. Then a new pause after which we should we should finally move on with the Leviathan and Lex storylines. And of course, a so expected reconcilation between Lena and Kara!
She tried to murder the man, then threatened to wait for him when he's released. There's nothing heroic about that. Compare that to Jennifer Pierce from Black Lightning, who was arguing with her father over his non-lethal force philosophy, only to regret it once Odell manipulated her into killing (as she's pointed out to Jefferson, Khalil, Brandon and others). Nia had no remorse at all, and that's largely due to the writers/showrunners having no problem with Nia's position / desire to kill to protect it. Indeed that does weaken the character.
I don't mind them using this series to deliver social messages; it's one of the reasons why I watch it, I like the message of optimism and hope the series delivers. It's just that I feel they've lost a lot of that charm from the earlier seasons.The problem is that Berlanti, et al., created this series with the intent of being a socio-political soapbox above all else (most of the time), and its always been a screaming brick through the window. In the case of James Olsen, they revealed how he was only there to be a token for "flavor"/points, since he was never written by anyone who would have him act in life as a black male dealing with issues (on the street or as Guardian) unique to his world view, and that no one other character would have a clue about--much like the writers. It was easier to give him a Very Special Episode that was utterly devoid of substance about his position/perspective in life, then sweep him under the carpet, since he never represented the issues they really care about.
It seems highly likely to me that Lex will be written off SG and transferred to the new Superman and Lois series as the primary villain there.Yes, it seems like a bit of filler will be what drives the remaining handful of episodes, only to have the Leviathans and /or Lex meet their end (prison more than the chance Lex will be bumped off) probably thanks to some "making a stand" scene involving SG, Rojas and Lena. then its back to grinning.
She tried to murder the man, then threatened to wait for him when he's released. There's nothing heroic about that. Compare that to Jennifer Pierce from Black Lightning, who was arguing with her father over his non-lethal force philosophy, only to regret it once Odell manipulated her into killing (as she's pointed out to Jefferson, Khalil, Brandon and others). Nia had no remorse at all, and that's largely due to the writers/showrunners having no problem with Nia's position / desire to kill to protect it. Indeed that does weaken the character.
TVline jut gave ratings.
Supergirl did 651K / 0.2. Steady in the demp but the show matched its smallest audience ever.
IF I was one of CW's big bosses, I would wonder some explanations. to producers about the ratings of the current season and will force them to do a hell of cleaning in writers room, without forgetting to hire competent one and there are many.
Come on more we advance in the season, more ratings decline. And don't tell me that CW doesn't care there!![]()
I was surprised to see that this was such a Supergirl-light episode. I would've thought we'd be past the episodes whose production overlapped with Crisis.
Melissa Benoist directed the next episode, so that's what they were freeing up her time to work on.
It makes sense, from a logistical standpoint. I'm sure they've probably wanted to write off Dean Cain for good for a while, and an opportunity for an unusually Alex-heavy and Supergirl-light episode gave them a good window to burn off that plotline.
To make it worse, believe I saw SG is one that hadn’t finished filming before the CoVid19 shutdown, so the finale isn’t even finished filming. Season is either going to stop cold, or they’ll just try and rework what footage they have to a less than planned finale. And Melissa’s pregnancy makes it even harder to knock out a couple scenes quickly later on if there’s a window to do so. Gonna be tough to land this plane
Melissa Benoist directed the next episode, so that's what they were freeing up her time to work on.
SG was nearly finished; I believe they had literally a single day left on their shooting schedule when everything was postponed. Most of the main characters had finished shooting, including Melissa and David. The scenes that were left were with more minor characters like Nia and Brainy. What could be difficult though is finishing off CGI and editing.
I've been thinking they should mail everyone greenscreens and costumes and have them act out shows on virtual sets.
In fact, I gather than The Mandalorian is making a ton of use of a computer game rendering engine to create realistic interactive sets in real time for their rear-projected backdrops. I wonder if a game engine could be used to help create virtual sets for actors to participate in remotely. Sort of like an MMORPG, but with real actor footage superimposed over the game characters, or something like that.
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