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Sulu -- the forgotten lover and racism of the times?

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As to the Samurai, Sulu was not originally Japanese, right? I've read that here, I think, that he was kinda pan-Asian, with "Sulu" actually being a sea near the Philippines. Later an author (V. McIntyre?) named him Hikaru and Japan-i-fied him, IIRC. My apologies if this has been covered. I do keep coming back to this thread to see if the train has totally wrecked yet, but I haven't read all posts.

(And do NOT argue with me, even reasonably, or you are a hater and I will take my keyboard and leave this board. I will!)

Not originally Japanese, no. In the Naked Time, Sulu was originally supposed to threaten the crew with a samurai sword, but it was changed to a rapier so that the weapon wouldn't be so stereotypical nor such a strong ethnic identifier.
 
Not originally Japanese, no. In the Naked Time, Sulu was originally supposed to threaten the crew with a samurai sword, but it was changed to a rapier so that the weapon wouldn't be so stereotypical nor such a strong ethnic identifier.

Where did you get that information?
 
. . .

The next two points are subtler. Takei and Nichelle Nichols were the only two of the key seven in THE WRATH OF KHAN to lack significant scenes or moments. And, if were George Takei, I might even wonder why of all the six major male players, I/he alone was never temporarily killed in TOS.:cool:

I'd rather pilot and command a Starship than being temporarily killed any day.

But would you rather command a Starship or get it on with the ladies?;););)



I think I remember Sulu temporarily dying in TAS.
Perhaps they were trying to make it up to him there.

And while he had a clear field for the ladies with Chekov out of the picture I can't recall if he got any 'romance' in TAS.

Not originally Japanese, no. In the Naked Time, Sulu was originally supposed to threaten the crew with a samurai sword, but it was changed to a rapier so that the weapon wouldn't be so stereotypical nor such a strong ethnic identifier.

Where did you get that information?

From the man himself: (Sorry if you wanted to answer yourself Cyke101)
http://blogs.dallasobserver.com/mixmaster/2014/01/oh_myyy_we_talked_with_george.php
 
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Not originally Japanese, no. In the Naked Time, Sulu was originally supposed to threaten the crew with a samurai sword, but it was changed to a rapier so that the weapon wouldn't be so stereotypical nor such a strong ethnic identifier.

Where did you get that information?

From the man himself: (Sorry if you wanted to answer yourself Cyke101)
http://blogs.dallasobserver.com/mixmaster/2014/01/oh_myyy_we_talked_with_george.php

Thanks, but Cyke is paraphrasing a little liberally there. :)
 
Didn't STAR TREK get a lot of fan mail from kids? Maybe they didn't want to see a lot of boys and girls kissing, anyway? In effect, not having a Love Interest may have actually increased George Takei's Fan Mail ... in theory.
 
Didn't STAR TREK get a lot of fan mail from kids? Maybe they didn't want to see a lot of boys and girls kissing, anyway? In effect, not having a Love Interest may have actually increased George Takei's Fan Mail ... in theory.

That's non-sense.
 
Why there must be all these sex and relationship issues everywhere?

I turned the tv on to watch a science fiction adventure series, not a soap opera.
+1. That sums up my feelings on this thread.
The issue of rascism aside for a moment: The mindset expressed in these posts – which is one oftentimes expressed by men, it seems to me – really grates on me. Just because TV fiction involves relationships doesn't make it a soap opera. "Science-Fiction adventure stories" and "stories about relationships" are not mutually exclusive!

What is it that bothers guys when it comes to plots about relationship stuff? Is it not manly enough? Sex and partnerships are part of being human. The why the hell shouldn't they be part of science-fiction, regardless of its form?
 
What is it that bothers guys when it comes to plots about relationship stuff? Is it not manly enough? Sex and partnerships are part of being human. The why the hell shouldn't they be part of science-fiction, regardless of its form?

I can't speak for anyone else, but when I read/watch sci-fi, I'm looking for stories that can't be told anywhere else and relationship stuff is something that can and is done in pretty much every other genre. Plus, being married for twenty-plus years, I have enough relationship stuff in the real world.
 
re. the memo: Trying to give the Asian a better role. Yup, racist.

Though I will grant you a bit stereotyped, as in, "all-Japanese-guys-dig-Bonsai-trees."

DeSalle never had a romance. I am 1/4 French. I am offended. Kyle? No love for a while. Boma? Loner. M'Benga? No ringa on HIS finga. Go figure.

I'm quite a mongrel, but almost half Irish. So . . . cousin Kevin O'Riley? Not unless you count "Kathleen."

The most bigoted production on television! I agree with upthread, start a letter campaign and get this garbage off the air!

:lol::bolian:

You forgot to mention how all whites are automatically evil wiether they were involved or not.
 
You'd think that Trek BBS members would understand by now that the failure to produce evidence of existence is not proof that something does not exist.

After all, no evidence has been produced for the existence of Big Foot or extraterrestrial life, but the lack of evidence does not prove that they do not exist.

So, in 100% absence of evidence, we should believe wild charges not grounded in TOS's historical fact?

Steering away from evidence-based history is the very reason people who believe in your Bigfoot reference are justifiably dismissed. After centuries of whispers, campfire tales, men in gorilla (later faux Chewbacca / Grodd) suits, and the expected foot imprints (of limited artistic skill), no reputable body has reached a firm conclusion that Bigfoot existed in the past, or present.

For strong reasons.

Similarly, a charge of racism regarding Sulu on a series that was one of the landmark productions to break ground with its casting of non-white actors in prominent, regular or semi-regular roles, and featured a scene of an asian male flirting with a white woman on (important) race-minded, region-sensitive 1960s TV holds as much water as men stomping around in ape suits. In other words, one can pretend as much as they desire, but that does not push make-believe even an inch closer to fact.

Again, the glaring part of all of this pointless exercise is that at no point do we see anything at all suggesting NBC, Roddenberry and Desilu committed any subtle or overt racism in the handling of Sulu in relation to women.


Hypothesis: Sulu was not given opportunities for romance, perhaps in a similar way to how other Asian men were often neutered, made into clowns, or seen only as asexual wise men or exotics in 20th century popular culture.

Since Sulu (and 1960s TV) is the subject, you are saying 1960s TV featured no Asian men in any sort of romantic role? Were they all--as you say--neutered, clowns, or asexual wise men or exotics?
 
Why there must be all these sex and relationship issues everywhere?

I turned the tv on to watch a science fiction adventure series, not a soap opera.
+1. That sums up my feelings on this thread.
The issue of rascism aside for a moment: The mindset expressed in these posts – which is one oftentimes expressed by men, it seems to me – really grates on me. Just because TV fiction involves relationships doesn't make it a soap opera. "Science-Fiction adventure stories" and "stories about relationships" are not mutually exclusive!

What is it that bothers guys when it comes to plots about relationship stuff? Is it not manly enough? Sex and partnerships are part of being human. The why the hell shouldn't they be part of science-fiction, regardless of its form?

I don't mind it as long as it's done believably and doesn't detract from the plot. I mean let's face it, Kirk losing control in "Requiem", falling for Rayna beyond all hope in a matter of hours was ridiculous. Scotty in "Lights of Zetar" was downright embarrassing and a relationship should have been avoided at all costs.

Besides the big ones, "City .. " and "Paradise Syndrome", I thought the best relationships are Mr. Spock's, that thing he does with his fingers, his "flirting" with Droxine.
 
Why there must be all these sex and relationship issues everywhere?

I turned the tv on to watch a science fiction adventure series, not a soap opera.
+1. That sums up my feelings on this thread.
The issue of rascism aside for a moment: The mindset expressed in these posts – which is one oftentimes expressed by men, it seems to me – really grates on me. Just because TV fiction involves relationships doesn't make it a soap opera. "Science-Fiction adventure stories" and "stories about relationships" are not mutually exclusive!

What is it that bothers guys when it comes to plots about relationship stuff? Is it not manly enough? Sex and partnerships are part of being human. The why the hell shouldn't they be part of science-fiction, regardless of its form?

I don't mind it as long as it's done believably and doesn't detract from the plot. I mean let's face it, Kirk losing control in "Requiem", falling for Rayna beyond all hope in a matter of hours was ridiculous. Scotty in "Lights of Zetar" was downright embarrassing and a relationship should have been avoided at all costs.

Besides the big ones, "City .. " and "Paradise Syndrome", I thought the best relationships are Mr. Spock's, that thing he does with his fingers, his "flirting" with Droxine.

I hate Droxine with Spock.
OK lets ban them all. :lol:
 
The outright dismissal of even the possibility of racism in Star Trek -- and against Asian Americans in general -- is itself an indicator of how people may form opinions about a group that is driven more by societal perception than individual knowledge. Even in the face of great evidence that Asian Americans face barriers, there will be those who swear it couldn't possibly be true. Even if Asian American male actors at the time and now face great barriers, and write about it, speak about it, and are conspicuously absent from certain kinds of roles, people whose worldview says Asian Americans can't possibly face barriers, or face barriers that are "less than" other groups may silence the discussion, if there are enough of them and they speak often and loud enough. And someone like Takei might reason out that it's still better not to ruffle feathers in Star Trek circles, to which he owes and depends on so much, and only talk about situations outside of the show.

I see, but if your first post was worded that way, I wouldn't have been so flip with a response. I've seen so many accusations that even potentially true one are buried in an avalanche of false ones.

Predjudice against Asian people is a fact and, for whatever reason, seems not to bother "the public" as a whole as predjudice against other groups, like Blacks. So it could be true. Just because it could be true doesn't mean it is, but doesn't mean it isn't because of lack of evidence.

My best answer is I don't know.


Not originally Japanese, no. In the Naked Time, Sulu was originally supposed to threaten the crew with a samurai sword, but it was changed to a rapier so that the weapon wouldn't be so stereotypical nor such a strong ethnic identifier.

Where did you get that information?

I saw George Takei himself say that he suggested not using the Samurai sword because he was from California and he played Robin Hood when he was young not Samurai. Although in the episode he was playing Musketeer. It was on a special feature of my Star Trek dvd set season 1.



And Plynch, please don't go!
 
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Where did you get that information?

From the man himself: (Sorry if you wanted to answer yourself Cyke101)
http://blogs.dallasobserver.com/mixmaster/2014/01/oh_myyy_we_talked_with_george.php

Thanks, but Cyke is paraphrasing a little liberally there. :)

It's a combination of seeing Takei speak at a lecture (he came to campus a few years ago for Asian Pacific American Heritage Month, and so his talk had that particular focus), his documentary, and Takei here: https://www.youtube.com/watch?v=QpQidddBIa4 (around the :45 mark).
 
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So, in 100% absence of evidence, we should believe wild charges not grounded in TOS's historical fact?

If you never ask questions, no matter how likely/unlikely a situation is, how can you come away with a complete historical fact for TOS?

We should never be opposed to people asking questions? The only reason to be opposed to it would be that we are afraid of the answer.

I simply still don't know. Perhaps Harvey could chime in if he's ran into anything from the Rodenberry Archive that could shed light on the subject one way or the other?
 
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