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Star Trek TOS Re-Watch

A solid episode, most notable for adding Cochrane to the show's worldbuilding (later to be seen in First Contact).
This is a nice touch and gives TOS that sense of previous history. I didn't care for the episode, and the whole Companion merging with Hedford thing weirds me out, but Cochrane is good, and adds to the lore, as well as is nice to see in First Contact and Enterprise.
 
"Journey to Babel" by D.C. Fontana

Vulcans, Andorians, and Tellarites... OH MY!

This episode is chock full of stuff - a murder, politics, a mysterious ship, emergency surgery while under attack, and...

KIRK: Mister Spock, we'll leave orbit in two hours. Would you care to beam down and visit your parents?
SPOCK: Captain, Ambassador Sarek and his wife are my parents.
MIC DROP!

There's so much here that added to our knowledge about Vulcans (they're sexist, or at least Sarek is) and about Spock in particular. The episode also introduces Andorians and Tellarites and mentions Orions.

Mark Lenard and Jane Wyatt are both excellent here, as are Nimoy, Shatner, and Kelley. This is Essential Star Trek viewing.

ETA: Did they use makeup to make Lenard and Wyatt look older? I know Mark wasn't actually much older than Nimoy. And Wyatt was a year older than I am now!
 
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lights-of-zetar-br-777.jpg

KIRK: Do you know the penalty for littering, Bones?
MCCOY: Uh, no...
KIRK: Explain it to him, Spock
MCCOY: <gulp>
 
"Friday's Child" by D.C. Fontana

A silly little episode, made better by the chemistry between Kelley and Julie Newmar. I swore this episode was from 3rd season, but that may be purely because of the costumes, which seem to have come from a drapery and upholstery store.

Kirk, Spock, McCoy (who's been there before), and a redshirt beam down to Capella IV to negotiate a mining treaty. But there's a Klingon already there, working with a Capellan named Maab. The redshirt draws on the Klingon, getting killed by the Capellans before the opening credits.

They meet the Teer (leader), Akaar, and his pregnant wife, Eleen. There's a coup and Maab becomes Teer. Under their laws, Eleen and her unborn child must die, and she is willing, but Kirk isn't, and Our Heroes fight free and flee with her into the hills. McCoy, unable to not be a doctor, tries to help her, but she slaps him (twice) because she isn't to be touched. He slaps her back and she lets him treat her. However, she doesn't want the baby because children belong to their father's and with him dead, her child belongs to no one.

Meanwhile, the Enterprise is drawn off by a fake distress call.

As the birth is imminent, McCoy tries to get Eleen to say, "the child is mine," but she responds, "Yes, the child is yours." Kirk and Spock make a rockfall to block the pursuing Capellans and make bows and arrows for defense.

Eleen konks McCoy on the head with a rock and sneaks down to Maab, claiming she has killed the child and the Federation officers. The Klingon wants proof, however, and heads into the hills with a stolen phaser, then threatens the Capellans with it. Maab, realizing the responsibility of being Teer, gives Eleen back her life and sacrifices himself so one of his men can kill the Klingon. Then the Redshirt Cavalry, led by Scotty, shows up.

The episode does have a fun finale and Nimoy's expression is priceless:

KIRK: Contact Starfleet. Inform them the Federation mining rights on Capella have been secured by treaty, documents signed by the young high chief's regent. Report follows.
UHURA: Aye, aye, sir.
SPOCK: The child's regent?
KIRK: Yes, Eleen. Remarkable young lady.
MCCOY: Representing the high teer, Leonard James Akaar.
SPOCK: The child was named Leonard James Akaar?
MCCOY: Has a kind of a ring to it, don't you think, James?
KIRK: Yes. I think it's a name destined to go down in galactic history, Leonard. What do you think, Spock?
SPOCK: I think you're both going to be insufferably pleased with yourselves for at least a month, sir.
 
Let's make these two quick, because they're not great.

Whom Gods Destroy **

For the performances and the execution of the Kirk vs Kirk fight gives this its two stars. The story isn't much, the location is boring, and another one of Kirk's hero images goes south. There's a distinct lack of energy here and the scenes of Garth and his followers being at their own two celebrations feels like they go on forever. Steve Inhat does his best and he creates a somewhat entertaining character in Garth. Blowing up Marta takes away any real sympathy for him, mostly because Yvonne Craig's character was likeable to a degree. The final fight is very well done, the best KvK in the series thanks to a decent match of Shatner and his double plus - finally - matching toupees.

Still Spock has to play dumb for this to work. He doesn't ask anything only Kirk would truly know and doesn't just stun both of them immediately. And if you watch carefully, it IS Garth who answers the "Cochran Deceleration" question correctly with a confused looking Kirk giving the lame "Every commander know this" reply - which Spock with his logic should have said, "yes but how do you know we used that maneuver at tis time? Answer the question please."

The King Solomon wise crack flops. But Garth's recovery manages to be a little touching in the end.

The Mark of Gideon *

Ouff, this one is nonsense. A good message wrapped in a poorly conceived mystery (written by Cyrano Jones himself, Stanley Adams) with some weird camera shots that feel like they ran out of time and just put this one together fast. Obviously, a full sized, perfect replica of the Enterprise on Gideon can't work. Making it a drug or technological illusion would have been a simple solution to this. Kirk meets Odonna and, like Deela, sleeps with her in the middle of an abandoned Enterprise crisis. Not to trick or maneuver his way out of a jam, just because. Oy. And like Wink of an Eye, Kirk is "missing" on an "empty (ish) Enterprise" and Spock joins him in the last few minutes to solve the problem. The second guard he tosses without a nerve pinch slides on the floor and gently takes a nap...

Spock's anti-diplomacy dialog is endless and the bridge crew mouthing off during one of the calls to Woden is off kilter for this crew.

The solution to Gideon's problem is easy. "Hey join the Federation and we can not only cure you guys but move half of you to another planet." I mean, the Federation knows about them now anyway and once done, I'm sure they would accept the Gideons' policy of isolationism. Instead, they just decide to introduce a fatal disease to the population. That's better? They are standing shoulder to shoulder. "What is it like to feel pain?" You never cut yourself? Not a single shoulder-to-shoulder person stepped on another person's foot? Maybe if they didn't take up the enormous amount of space to build a life sized replica of a starship, you could spread out a bit? How does this ecosystem even work? Where do you go to the bathroom? Or bathe? Or sleep? Or eat?

Justman would have raised alarm bells right left and center over this story. The dialog paints a grim picture but the moment you give it thought, it collapses. Get back to selling tribbles, Cyrano, writing is not in your wheelhouse. This is like bad fanfiction or a Marshak/Culbreath Trek novel.

And the Federation was really tone deaf here, and the Starfleet Admiral was inexcusably stupid. Because Spock couldn't tell him why Kirk was abducted or prove Kirk was in danger, he denied Spock permission to act - even though he accepted that Kirk was indeed abducted.

Point for the two VERY spooky scenes of the Gideons pressed against the ship and their faces on the screen and the porthole. Nightmare fuel as a child. But the editing of the shots as Kirk and Odonna leave to get some nookie is weird. Choppy. Lots of still photos of other episodes to illustrate an empty ship. The time and budget crunch was really showing here.

Awful. This is one of those episodes that would make me groan with disappointment when it came on as a kid. Only the smallest number of episodes did that!
Campy, campy but not fun.

Imagine bringing in a great Starfleet commander and consigning him to a plot where he's part of a bad vaudeville act. That's what this feels like.

I admire Gideon's attempt to make an early comment on overpopulation. The rest is tiresome and sad.

No ratings, I can't generate the motivation.

"Journey to Babel" by D.C. Fontana

Vulcans, Andorians, and Tellarites... OH MY!

This episode is chock full of stuff - a murder, politics, a mysterious ship, emergency surgery while under attack, and...

KIRK: Mister Spock, we'll leave orbit in two hours. Would you care to beam down and visit your parents?
SPOCK: Captain, Ambassador Sarek and his wife are my parents.
MIC DROP!

There's so much here that added to our knowledge about Vulcans (they're sexist, or at least Sarek is) and about Spock in particular. The episode also introduces Andorians and Tellarites and mentions Orions.

Mark Lenard and Jane Wyatt are both excellent here, as are Nimoy, Shatner, and Kelley. This is Essential Star Trek viewing.

ETA: Did they use makeup to make Lenard and Wyatt look older? I know Mark wasn't actually much older than Nimoy. And Wyatt was a year older than I am now!

I love this episode. It really expanded the world building of TOS. It was always a highlight of my rewatch years.
 
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I always thought their makeup would have been more convincing if they either had a more blended border, or if it was more irregular like cow/pinto pony patches.
They wanted to use Star Bellied Sneeches but there were budget and legal considerations.

and space was dangerous place
But Scotty says it's just SPACE! (A lot.)

"Journey to Babel" by D.C. Fontana
This is THE best Star Trek episode.

"Friday's Child" by D.C. Fontana
From Memory Alpha: "In Dorothy Fontana's original script, Eleen sacrificed her child for her own life. Gene Roddenberry objected to this, and changed the ending to what appears in the finished episode. Fontana also envisioned Eleen as a strong woman, who rebels against a society which considers women only as mothers and homemakers."

I believe the original ending is in the Blish adaptation.
 
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ETA: Did they use makeup to make Lenard and Wyatt look older? I know Mark wasn't actually much older than Nimoy. And Wyatt was a year older than I am now!

On Lenard, maybe a touch, but Vulcans don't age as fast. I recall Nimoy complementing Mark Lenard's ability to project the age difference and authority by acting.

Wyatt was 20 years older than Nimoy, and just fine for the part as is.
 
"Friday's Child" by D.C. Fontana

A silly little episode, made better by the chemistry between Kelley and Julie Newmar. I swore this episode was from 3rd season, but that may be purely because of the costumes, which seem to have come from a drapery and upholstery store.

Kirk, Spock, McCoy (who's been there before), and a redshirt beam down to Capella IV to negotiate a mining treaty. But there's a Klingon already there, working with a Capellan named Maab. The redshirt draws on the Klingon, getting killed by the Capellans before the opening credits.

They meet the Teer (leader), Akaar, and his pregnant wife, Eleen. There's a coup and Maab becomes Teer. Under their laws, Eleen and her unborn child must die, and she is willing, but Kirk isn't, and Our Heroes fight free and flee with her into the hills. McCoy, unable to not be a doctor, tries to help her, but she slaps him (twice) because she isn't to be touched. He slaps her back and she lets him treat her. However, she doesn't want the baby because children belong to their father's and with him dead, her child belongs to no one.

Meanwhile, the Enterprise is drawn off by a fake distress call.

As the birth is imminent, McCoy tries to get Eleen to say, "the child is mine," but she responds, "Yes, the child is yours." Kirk and Spock make a rockfall to block the pursuing Capellans and make bows and arrows for defense.

Eleen konks McCoy on the head with a rock and sneaks down to Maab, claiming she has killed the child and the Federation officers. The Klingon wants proof, however, and heads into the hills with a stolen phaser, then threatens the Capellans with it. Maab, realizing the responsibility of being Teer, gives Eleen back her life and sacrifices himself so one of his men can kill the Klingon. Then the Redshirt Cavalry, led by Scotty, shows up.

The episode does have a fun finale and Nimoy's expression is priceless:

KIRK: Contact Starfleet. Inform them the Federation mining rights on Capella have been secured by treaty, documents signed by the young high chief's regent. Report follows.
UHURA: Aye, aye, sir.
SPOCK: The child's regent?
KIRK: Yes, Eleen. Remarkable young lady.
MCCOY: Representing the high teer, Leonard James Akaar.
SPOCK: The child was named Leonard James Akaar?
MCCOY: Has a kind of a ring to it, don't you think, James?
KIRK: Yes. I think it's a name destined to go down in galactic history, Leonard. What do you think, Spock?
SPOCK: I think you're both going to be insufferably pleased with yourselves for at least a month, sir.
Strange. I also thought this was third season. Oh well.

In my opinion, a very strong episode. I think it shows the tension between the Klingons and the Federation, even if the Klingon actor is not great. Maab is a fascinating character for his view on honor, compared to how the Klingon conducts himself.

Definitely one of my favorite episodes, especially with that ending.
 
I'd say a little of this made it through in Eleen becoming regent for her son.
Dorothy hated this ending, IIRC. She wanted to show that woman does not automatically equal good mother any more than man automatically equaled good father.

EDIT: And I will take Fried's score for Friday's Child over Amok Time. Other than his Spock theme. His Spock theme is just the best thing.
 
I may be watching quite a few eps this week. My mom is in the hospital and my husband is out of town. I swiped quite a bit from Wikipedia as my brain is mush.

"Metamorphosis" by Gene L. Coon

I know I must've seen this, but I only really remembered the actor playing Commissioner Hedford. I don't think I've seen it as many times as other episodes.

Kirk, Spock, and McCoy are in the Galileo shuttle with Commissioner Hedford, who is ill and will die without treatment on the Enterprise. (By the way, did we ever see any other shuttles in TOS besides Galileo?) A glowing energy field appears and pulls the shuttle down to a nearby planetoid. All communications are blocked and the shuttlecraft is inoperable.

Zephram Cochrane appears. Cochrane calls the energy being "the Companion", and explains that as an old man, he took one last flight, intending to die in space, but his ship was intercepted and rescued by the Companion, which restored him to youth and has been keeping him alive. He is the inventor of warp drive and was thought to have died 150 years ago. Cochrane told the Companion that he would die without the company of his own kind, believing it would release him. Instead, the Companion hijacked the shuttle.

When the Companion attacks Spock as he works on the shuttle, Spock deduces that the entity is largely composed of electrical energy. Kirk and Spock attempt to disable the Companion with an improvised electrical disruptor, but the Companion retaliates violently, and only Cochrane's intervention saves Kirk and Spock from being killed.

Spock modifies the shuttle's universal translator to communicate with the Companion. Kirk discovers it has a female personality and is in love with Cochrane. Cochrane is horrified that an alien being is in love with him, showing an attitude that Spock calls "parochial." Hedford doesn't understand his attitude, as she wishes she could've loved and been loved.

Cochrane summons the Companion again, and Kirk explains that it and Cochrane are too different for true love. The Companion hypothesizes about being human and disappears. Moments later, Hedford appears outside the shelter, completely restored to health, and they realize that the Companion has merged with her. Zeph changes his tune now that the alien looks like a beautiful woman. He dreams of exploring space with her, but she cannot leave the planetoid. Cochrane chooses to remain with her and asks Kirk not to tell anyone about them. They will both age and die now.

This is very much a Love Story tied up in a science fiction premise. I could see this being in one of the 50s pulp magazines. Glenn Corbett's and Elinor Donahue's performances elevate the episode. There are also some nice bits on the Enterprise with Scotty and Uhura searching for Our Heroes. A solid episode, most notable for adding Cochrane to the show's worldbuilding (later to be seen in First Contact).

I always felt that a few of the later stories would have been stronger with more of a female perspective. Headford is portrayed as someone who has sacrificed social skills, a love life, and even friendships for a career. She can't have both so she acquires a gentle, loving personality and gives up her career. It's a trope they slather over a few of their female characters. Palamis, Dehner, McGyvers, and Jones are other examples. It would have been nice to have Headford talk to another woman so she wasn't always being patronised.
 
"The Deadly Years" by David P. Harmon

The Enterprise is doing a resupply of the research station on Gamma Hydra IV. Kirk, McCoy, Spock, Scotty, Chekov, and Lt. Galway beam down and find a man dead of apparent old age and 2 colonists who look very elderly but say they're in their 20s. They die on the ship. The landing party - with the exception of Chekov - start to age rapidly. Spock works with Dr. Janet Wallace, an endocrinologist and ex-girlfriend of Kirk's, to determine what's causing it. They determine that a comet passed by recently, with unusual radiation that seems to be the cause. Regular radiation treatments do nothing.

Commodore Stocker, who the Enterprise was taking to Starbase 10, grows increasingly concerned with Kirk's behavior and apparent mental deterioration and has Spock convene a competency hearing. It does not go well. I liked how each of the witnesses was reluctant to say anything against Kirk. Since Spock and Scotty are also afflicted, Stocker, who's never commanded a ship, takes over and takes the Enterprise into the Neutral Zone, where it's attacked by Romulans.

"Remembering Chekov's fright at the discovery of the dead body, McCoy surmises that Chekov's increased adrenaline levels may have had some effect, and recalls that adrenaline had once shown promise as a treatment for radiation sickness. Mr. Spock and Dr. Wallace, assisted by Nurse Chapel, begin work on an adrenaline-based compound to test on the landing party." Kirk demands the first dose and, when it works, rushes to the bridge to take back command. He bluffs the Romulans (using the "corbomite device") and gets them out of the NZ.

What's really interesting about this episode to me, at my age, is the incredibly negative view of aging in general and the things we considered "normal" then that now aren't. Everyone pities Kirk for his failing memory. Scotty is practically non-responsive. Lt. Galway shows horror at her face in the mirror and also dies (even though she's youngest or next-to after Chekov). Kirk is a little freaked by getting older too. McCoy *does* say everyone ages differently, which was a nice bit of accuracy. But it's definitely a very different viewpoint based in a time when people retired at 55 and died in their 60s. As Wikipedia notes, "Zack Handlen of The A.V. Club gave the episode a B− rating, noting the focus on the physical aspects of aging, saying, 'Nobody learns a valuable lesson about how getting old is just a natural part of life.'"

It is a tightly executed episode and the makeup was quite impressive for the time, especially the subtler makeup used on Spock (since Vulcans live longer). Shatner was very impressive with moving like an older, slower person with aches and pains. Sadly, Dr. Wallace appears to be there just to moon over Kirk.
 
^^ Aging gradually over years is very different than aging at an accelerated rate over a matter of days. Over years you adapt to the changes. It would be very different over only a few days where you have next to no time to adapt to your increasing limitations.
 
You know, looking back Janet Wallace doesn't hold a candle to Carol Marcus. This episode also gives us Gama Hydra being next to The Neutral Zone.

Yeah, going from 35 to 55 overnight, let alone 35 to 80 would be traumatic to say the least.

Then you add to the fact that Shatner in real life has aged miraculously well.
 
I never bought into the idea that Chekov would be so shocked and frightened at seeing a dead body (even if it suddenly appeared in the dark) that his adrenaline level would shoot sky-high. Sure, Chekov is young, but he's already an experienced officer. You'd think he would have seen one or two corpses by now.
 
You know, looking back Janet Wallace doesn't hold a candle to Carol Marcus.
Agreed! Wallace was boring.

Yeah, going from 35 to 55 overnight
It felt like that! :lol: I swear I was in my 30s yesterday...

I never bought into the idea that Chekov would be so shocked and frightened at seeing a dead body (even if it suddenly appeared in the dark) that his adrenaline level would shoot sky-high. Sure, Chekov is young, but he's already an experienced officer. You'd think he would have seen one or two corpses by now.
Good point. However, he definitely wasn't expecting it and the lights came on suddenly, so I give him a break.
 
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