This is a nice touch and gives TOS that sense of previous history. I didn't care for the episode, and the whole Companion merging with Hedford thing weirds me out, but Cochrane is good, and adds to the lore, as well as is nice to see in First Contact and Enterprise.A solid episode, most notable for adding Cochrane to the show's worldbuilding (later to be seen in First Contact).
Campy, campy but not fun.Let's make these two quick, because they're not great.
Whom Gods Destroy **
For the performances and the execution of the Kirk vs Kirk fight gives this its two stars. The story isn't much, the location is boring, and another one of Kirk's hero images goes south. There's a distinct lack of energy here and the scenes of Garth and his followers being at their own two celebrations feels like they go on forever. Steve Inhat does his best and he creates a somewhat entertaining character in Garth. Blowing up Marta takes away any real sympathy for him, mostly because Yvonne Craig's character was likeable to a degree. The final fight is very well done, the best KvK in the series thanks to a decent match of Shatner and his double plus - finally - matching toupees.
Still Spock has to play dumb for this to work. He doesn't ask anything only Kirk would truly know and doesn't just stun both of them immediately. And if you watch carefully, it IS Garth who answers the "Cochran Deceleration" question correctly with a confused looking Kirk giving the lame "Every commander know this" reply - which Spock with his logic should have said, "yes but how do you know we used that maneuver at tis time? Answer the question please."
The King Solomon wise crack flops. But Garth's recovery manages to be a little touching in the end.
The Mark of Gideon *
Ouff, this one is nonsense. A good message wrapped in a poorly conceived mystery (written by Cyrano Jones himself, Stanley Adams) with some weird camera shots that feel like they ran out of time and just put this one together fast. Obviously, a full sized, perfect replica of the Enterprise on Gideon can't work. Making it a drug or technological illusion would have been a simple solution to this. Kirk meets Odonna and, like Deela, sleeps with her in the middle of an abandoned Enterprise crisis. Not to trick or maneuver his way out of a jam, just because. Oy. And like Wink of an Eye, Kirk is "missing" on an "empty (ish) Enterprise" and Spock joins him in the last few minutes to solve the problem. The second guard he tosses without a nerve pinch slides on the floor and gently takes a nap...
Spock's anti-diplomacy dialog is endless and the bridge crew mouthing off during one of the calls to Woden is off kilter for this crew.
The solution to Gideon's problem is easy. "Hey join the Federation and we can not only cure you guys but move half of you to another planet." I mean, the Federation knows about them now anyway and once done, I'm sure they would accept the Gideons' policy of isolationism. Instead, they just decide to introduce a fatal disease to the population. That's better? They are standing shoulder to shoulder. "What is it like to feel pain?" You never cut yourself? Not a single shoulder-to-shoulder person stepped on another person's foot? Maybe if they didn't take up the enormous amount of space to build a life sized replica of a starship, you could spread out a bit? How does this ecosystem even work? Where do you go to the bathroom? Or bathe? Or sleep? Or eat?
Justman would have raised alarm bells right left and center over this story. The dialog paints a grim picture but the moment you give it thought, it collapses. Get back to selling tribbles, Cyrano, writing is not in your wheelhouse. This is like bad fanfiction or a Marshak/Culbreath Trek novel.
And the Federation was really tone deaf here, and the Starfleet Admiral was inexcusably stupid. Because Spock couldn't tell him why Kirk was abducted or prove Kirk was in danger, he denied Spock permission to act - even though he accepted that Kirk was indeed abducted.
Point for the two VERY spooky scenes of the Gideons pressed against the ship and their faces on the screen and the porthole. Nightmare fuel as a child. But the editing of the shots as Kirk and Odonna leave to get some nookie is weird. Choppy. Lots of still photos of other episodes to illustrate an empty ship. The time and budget crunch was really showing here.
Awful. This is one of those episodes that would make me groan with disappointment when it came on as a kid. Only the smallest number of episodes did that!
"Journey to Babel" by D.C. Fontana
Vulcans, Andorians, and Tellarites... OH MY!
This episode is chock full of stuff - a murder, politics, a mysterious ship, emergency surgery while under attack, and...
KIRK: Mister Spock, we'll leave orbit in two hours. Would you care to beam down and visit your parents?
SPOCK: Captain, Ambassador Sarek and his wife are my parents.
MIC DROP!
There's so much here that added to our knowledge about Vulcans (they're sexist, or at least Sarek is) and about Spock in particular. The episode also introduces Andorians and Tellarites and mentions Orions.
Mark Lenard and Jane Wyatt are both excellent here, as are Nimoy, Shatner, and Kelley. This is Essential Star Trek viewing.
ETA: Did they use makeup to make Lenard and Wyatt look older? I know Mark wasn't actually much older than Nimoy. And Wyatt was a year older than I am now!
They wanted to use Star Bellied Sneeches but there were budget and legal considerations.I always thought their makeup would have been more convincing if they either had a more blended border, or if it was more irregular like cow/pinto pony patches.
But Scotty says it's just SPACE! (A lot.)and space was dangerous place
This is THE best Star Trek episode."Journey to Babel" by D.C. Fontana
From Memory Alpha: "In Dorothy Fontana's original script, Eleen sacrificed her child for her own life. Gene Roddenberry objected to this, and changed the ending to what appears in the finished episode. Fontana also envisioned Eleen as a strong woman, who rebels against a society which considers women only as mothers and homemakers.""Friday's Child" by D.C. Fontana
ETA: Did they use makeup to make Lenard and Wyatt look older? I know Mark wasn't actually much older than Nimoy. And Wyatt was a year older than I am now!
I'd say a little of this made it through in Eleen becoming regent for her son.Fontana also envisioned Eleen as a strong woman, who rebels against a society which considers women only as mothers and homemakers."
Strange. I also thought this was third season. Oh well."Friday's Child" by D.C. Fontana
A silly little episode, made better by the chemistry between Kelley and Julie Newmar. I swore this episode was from 3rd season, but that may be purely because of the costumes, which seem to have come from a drapery and upholstery store.
Kirk, Spock, McCoy (who's been there before), and a redshirt beam down to Capella IV to negotiate a mining treaty. But there's a Klingon already there, working with a Capellan named Maab. The redshirt draws on the Klingon, getting killed by the Capellans before the opening credits.
They meet the Teer (leader), Akaar, and his pregnant wife, Eleen. There's a coup and Maab becomes Teer. Under their laws, Eleen and her unborn child must die, and she is willing, but Kirk isn't, and Our Heroes fight free and flee with her into the hills. McCoy, unable to not be a doctor, tries to help her, but she slaps him (twice) because she isn't to be touched. He slaps her back and she lets him treat her. However, she doesn't want the baby because children belong to their father's and with him dead, her child belongs to no one.
Meanwhile, the Enterprise is drawn off by a fake distress call.
As the birth is imminent, McCoy tries to get Eleen to say, "the child is mine," but she responds, "Yes, the child is yours." Kirk and Spock make a rockfall to block the pursuing Capellans and make bows and arrows for defense.
Eleen konks McCoy on the head with a rock and sneaks down to Maab, claiming she has killed the child and the Federation officers. The Klingon wants proof, however, and heads into the hills with a stolen phaser, then threatens the Capellans with it. Maab, realizing the responsibility of being Teer, gives Eleen back her life and sacrifices himself so one of his men can kill the Klingon. Then the Redshirt Cavalry, led by Scotty, shows up.
The episode does have a fun finale and Nimoy's expression is priceless:
KIRK: Contact Starfleet. Inform them the Federation mining rights on Capella have been secured by treaty, documents signed by the young high chief's regent. Report follows.
UHURA: Aye, aye, sir.
SPOCK: The child's regent?
KIRK: Yes, Eleen. Remarkable young lady.
MCCOY: Representing the high teer, Leonard James Akaar.
SPOCK: The child was named Leonard James Akaar?
MCCOY: Has a kind of a ring to it, don't you think, James?
KIRK: Yes. I think it's a name destined to go down in galactic history, Leonard. What do you think, Spock?
SPOCK: I think you're both going to be insufferably pleased with yourselves for at least a month, sir.
Dorothy hated this ending, IIRC. She wanted to show that woman does not automatically equal good mother any more than man automatically equaled good father.I'd say a little of this made it through in Eleen becoming regent for her son.
I may be watching quite a few eps this week. My mom is in the hospital and my husband is out of town. I swiped quite a bit from Wikipedia as my brain is mush.
"Metamorphosis" by Gene L. Coon
I know I must've seen this, but I only really remembered the actor playing Commissioner Hedford. I don't think I've seen it as many times as other episodes.
Kirk, Spock, and McCoy are in the Galileo shuttle with Commissioner Hedford, who is ill and will die without treatment on the Enterprise. (By the way, did we ever see any other shuttles in TOS besides Galileo?) A glowing energy field appears and pulls the shuttle down to a nearby planetoid. All communications are blocked and the shuttlecraft is inoperable.
Zephram Cochrane appears. Cochrane calls the energy being "the Companion", and explains that as an old man, he took one last flight, intending to die in space, but his ship was intercepted and rescued by the Companion, which restored him to youth and has been keeping him alive. He is the inventor of warp drive and was thought to have died 150 years ago. Cochrane told the Companion that he would die without the company of his own kind, believing it would release him. Instead, the Companion hijacked the shuttle.
When the Companion attacks Spock as he works on the shuttle, Spock deduces that the entity is largely composed of electrical energy. Kirk and Spock attempt to disable the Companion with an improvised electrical disruptor, but the Companion retaliates violently, and only Cochrane's intervention saves Kirk and Spock from being killed.
Spock modifies the shuttle's universal translator to communicate with the Companion. Kirk discovers it has a female personality and is in love with Cochrane. Cochrane is horrified that an alien being is in love with him, showing an attitude that Spock calls "parochial." Hedford doesn't understand his attitude, as she wishes she could've loved and been loved.
Cochrane summons the Companion again, and Kirk explains that it and Cochrane are too different for true love. The Companion hypothesizes about being human and disappears. Moments later, Hedford appears outside the shelter, completely restored to health, and they realize that the Companion has merged with her. Zeph changes his tune now that the alien looks like a beautiful woman. He dreams of exploring space with her, but she cannot leave the planetoid. Cochrane chooses to remain with her and asks Kirk not to tell anyone about them. They will both age and die now.
This is very much a Love Story tied up in a science fiction premise. I could see this being in one of the 50s pulp magazines. Glenn Corbett's and Elinor Donahue's performances elevate the episode. There are also some nice bits on the Enterprise with Scotty and Uhura searching for Our Heroes. A solid episode, most notable for adding Cochrane to the show's worldbuilding (later to be seen in First Contact).
Agreed! Wallace was boring.You know, looking back Janet Wallace doesn't hold a candle to Carol Marcus.
It felt like that!Yeah, going from 35 to 55 overnight
Good point. However, he definitely wasn't expecting it and the lights came on suddenly, so I give him a break.I never bought into the idea that Chekov would be so shocked and frightened at seeing a dead body (even if it suddenly appeared in the dark) that his adrenaline level would shoot sky-high. Sure, Chekov is young, but he's already an experienced officer. You'd think he would have seen one or two corpses by now.
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