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Spoilers Star Trek: Strange New Worlds 2x09 - "Subspace Rhapsody"

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When you found out did that news really change everything? :)
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Having spent a year with Once More with-- Er, Subspace Rhapsody I have to come clean with what I probably knew about in the beginning. The tunes are fun. The performances range from "Well that was fun to hear them sing" to "Wow, has she recorded anything else?"

But.

The lyrics are almost uniformly terrible. And by that I mean that (nearly) none of them sound like words or often even thoughts that the characters would say or have.

Status Report is actually some nice table setting with technobabble set to music.

Connect to Your Truth is just a silly little song, so whatever. And the less said about Private Conversation the better.

La'an's How Would That Feel at least gets a (slight) pass for being a song about saying things she would never say. And the visuals and the performance carry the emotion that the lyrics lack. (This is the case for all of these really.) And when she pulls out the watch... Ok, need a moment...

Then we get to Uhura's Keep Us Connected. The tune is great. The instrumentation is amazing. The lyrics are garbage. "My whole life has been fix this and save you." Sorry, what now? Who is Nyota Uhura routinely saving? But damn Gooding sounds great singing it.

We Are One is in the same spot: "Our security is only as strong as our unity" -- What? If you're not with us, you're against us? Right? With the exception of Spock ("won't miss singing!") this is mostly a mish mash of words about TEEEEAM! And MISSION! And and and STAR TREK words!

Oh, and Chapel's "I can't believe how much I'll miss this crew" hits me in the gut every single time. Because I will miss this crew so much. It will be almost as long between seasons as it was between The Wrath of Khan and The Search for Spock!

The Klingons are terrific. Fair point.

It's a fun number to cap out a fun episode. And I cannot listen to the Jeff Russo Star Trek theme from Disco without doing that little dance move that Pike and Pelia do.

There are THREE songs that actually sound like the people singing them.

Keeping Secrets sounds like Una. It's fairly generic but it also nicely reflects back on her plot lines in the past episodes. (And it suffers from the TV edit.)

I'm the X is 75% great and is a terrific companion to another song (hey, I haven't gotten to it! Spoilers!) but still has enough lyrical flailing to keep it from being perfect. "Unbending reason must bе my true north Lest I drown in this sea of pain" Yeah, that's the ecccchhhhhh.

It's otherwise really good (the play on "I'm the ex" is just clever enough), but for heaven's sake: They had the chance to write THE ode to SPOCK. And they kinda flubbed it. The melody and the instrumentation, and of course Peck's performance paper over the problem spots. I mean, it's still my second favorite song. And there are less than Keep Us Connected. Lots less.

Which leaves: I'm Ready. I can't just say that I love Bush's performance (I do) because that's not what we're talking about here. (Do I love Uhura, Ortegas, and Sam joining in? Yes, I do. Does it make it just a little more weird and cruel that they leave out Spock? Yes it does. Stupid, mean, plot driven space anomalies!)

Maybe this song's lyrics are just the one eyed man in the valley of the blind. But dammit, they should have all been at least this good!

Still love this episode. Still love this album. But man, if it had been as good as... I know you can't afford the Frozen writers and maybe Lin Manuel Miranda only does Star Wars, but for Pete's sake, go get the Phineas and Pherb people! (That's what my baby says!) (Hey, Lopez - Frozen - actually wrote a song for P&F! And he did WONDER PETS?!?)
As much as I love “Subspace Rhapsody” and its songs, you are not wrong and there really are a number of odd or cringey lines in some of the lyrics and you are listing many of them here. The lyrics are the one aspect of the songs where I feel they could have benefited from another pass and more critical revisions.

For me personally the line that feels the most off is when Uhura sings “They ruptured into a million shards of light” about here dead family. I don’t know, but “a million shards of light” weirdly sounds like trying to paint a beautiful, poetic picture of something truly horrible; and why would she do that? But then also the music sounds so cheerful or melancholic in this moment, which totally clashes with her singing about her dying family. Musically and in terms of singing this is one of the best songs, but the lyrics just don’t feel right to me.
 
I'm not sure what it says about me (on many levels) that I was listening to Sgt. Pepper's yesterday and thinking "Why didn't Subspace Rhapsody" have lyrics this good?

I get annoyed when people compare Star Wars: Rebels animation to Pixar (instead of something comparable). Not the same class in terms of talent, time, or budget. I have to remind myself to not do the same thing with SR.

OTOH, Once More with Feeling IS comparable and still had better lyrics.
 
I'm not sure what it says about me (on many levels) that I was listening to Sgt. Pepper's yesterday and thinking "Why didn't Subspace Rhapsody" have lyrics this good?

I get annoyed when people compare Star Wars: Rebels animation to Pixar (instead of something comparable). Not the same class in terms of talent, time, or budget. I have to remind myself to not do the same thing with SR.

OTOH, Once More with Feeling IS comparable and still had better lyrics.
Even Sgt Pepper can be ruined in the wrong hands. **RobertStigwood**
 
I'm not sure what it says about me (on many levels) that I was listening to Sgt. Pepper's yesterday and thinking "Why didn't Subspace Rhapsody" have lyrics this good?
Listening to Sgt. Pepper's just says you have good taste. :) But yeah, comparing nearly anything to The Beatles at the top of their game is just not fair. It's like comparing any random RomCom to Much Ado About Nothing. :lol:

Once More With Feeling worked so brilliantly because each song was integral to where the overall story and where each of the characters was going. In SR, there are some songs that move the characters' arcs forward (La'an, Spock, Chapel), and some bits in other songs, but as a whole they just aren't as necessary to the story.
 
I've only seen parts of Sgt. Pepper's. I said to a friend "I've just seen the worst movie ever made." He said "I highly doubt that." I said "I saw Sgt. Pepper's the movie." "Oh! You actually HAVE seen the worst movie ever made."

I am annoyed at how emotional La'an's song makes me. It's not a good song. But that arc stomps on all my feels.
 
For me personally the line that feels the most off is when Uhura sings “They ruptured into a million shards of light” about here dead family. I don’t know, but “a million shards of light” weirdly sounds like trying to paint a beautiful, poetic picture of something truly horrible; and why would she do that? But then also the music sounds so cheerful or melancholic in this moment, which totally clashes with her singing about her dying family. Musically and in terms of singing this is one of the best songs, but the lyrics just don’t feel right to me.
In the recent TrekMovie interview with Kay Hanley and Tom Polce, they actually talked about that line specifically.

H/T to Apple Podcast for the auto-transcription, which is also why there are typos and this is just one wall of text instead of attributing who said what:

Like all of these things, they will smartly, of course, they made us, you know, made us privy to, so that we could incorporate these things. And sometimes it was just so that we had a general feel, but other times, right, Kay, they would just be like, we want you to mention, for instance, like Hammer, and what happened, and we want to mention what happened to Uru's family. And, you know, I think the first time we hit them with a lyric, it was like, we were very on the nose with, I think instead of saying, it was something where, like, you know, instead of shards of light, it was like, you know, they blew up in the sky, you know.
Right, right, because I think, because in that specific example, the original lyric was shards of light, but then we were like, oh, that might be too, like, abstruse for like it. Because it's hard to know in television, like, you do have to be a lot more literal when you're writing for a script. When you're writing, when you're writing in the musical format, you know, you it's it's much more narrative.
And so it's sometimes it's hard to know when to like give like a really delicious metaphor, or just like say the shit, you know, yeah, sometimes it goes the other way.
 
I'm not sure what it says about me (on many levels) that I was listening to Sgt. Pepper's yesterday and thinking "Why didn't Subspace Rhapsody" have lyrics this good?

I get annoyed when people compare Star Wars: Rebels animation to Pixar (instead of something comparable). Not the same class in terms of talent, time, or budget. I have to remind myself to not do the same thing with SR.

OTOH, Once More with Feeling IS comparable and still had better lyrics. I don't think
Anyway, I don't think Subspace Rhapsody can beat the quality of the Beatles.
 
I've only seen parts of Sgt. Pepper's. I said to a friend "I've just seen the worst movie ever made." He said "I highly doubt that." I said "I saw Sgt. Pepper's the movie." "Oh! You actually HAVE seen the worst movie ever made."

I am annoyed at how emotional La'an's song makes me. It's not a good song. But that arc stomps on all my feels.
Sgt. Pepper's can at least be laughed at. The Worst Movie I sat all the way through was Ishtar. The Absolute Worst Movie I ever saw was the direct-to-video Addams Family movie with Tim Curry(!) and Darryl Hannah. I turned it off 10 minutes in. *Humor not found*

I am not annoyed with how emotional La'an's song makes me. It hits waaaaay too close to home for me. So while it may not objectively be a good song, hitting all my feels makes it good to me. Plus, Christina just nails it.

In the recent TrekMovie interview with Kay Hanley and Tom Polce, they actually talked about that line specifically.

H/T to Apple Podcast for the auto-transcription, which is also why there are typos and this is just one wall of text instead of attributing who said what:

Like all of these things, they will smartly, of course, they made us, you know, made us privy to, so that we could incorporate these things. And sometimes it was just so that we had a general feel, but other times, right, Kay, they would just be like, we want you to mention, for instance, like Hammer, and what happened, and we want to mention what happened to Uru's family. And, you know, I think the first time we hit them with a lyric, it was like, we were very on the nose with, I think instead of saying, it was something where, like, you know, instead of shards of light, it was like, you know, they blew up in the sky, you know.
Right, right, because I think, because in that specific example, the original lyric was shards of light, but then we were like, oh, that might be too, like, abstruse for like it. Because it's hard to know in television, like, you do have to be a lot more literal when you're writing for a script. When you're writing, when you're writing in the musical format, you know, you it's it's much more narrative.
And so it's sometimes it's hard to know when to like give like a really delicious metaphor, or just like say the shit, you know, yeah, sometimes it goes the other way.
At least that makes a little more sense.
 
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