It's weird how Americans think a children's show respecting its audience is somehow a surprise.
I've said this many times before, and I'll probably say it again:
The whole premise of
Mister Rogers' Neighborhood, and the biggest single reason for its success, is that Fred Rogers
respected his audience completely, and refused to compromise on that respect. That's why he had an on-set jazz trio (Johnny Costa on piano, celesta, various synths and keyboards, and occasionally the accordion; Bob Rawsthorne on drums, and Carl McVicker on bass, all respected jazz musicians in their own right). Why he didn't have a live audience. Why, although he always kept his word choice completely understandable to a preschooler, he never "dumbed-down" anything, and never talked down to the audience. Why he was completely frank about serious subjects from day one. And why adults can enjoy the show, too.
I didn't discover the show until I was a junior in high school, and yet I quickly became hooked.
I grew up on the original
Captain Kangaroo -- I go all the way back to the original Treasure House -- (and will note that Fred Rogers and Bob Keeshan made guest appearances on each others shows), and that, too, had a creator/host/star who completely respected his young audience, and refused to talk down to them.
Really good children's television is, at its core,
really good television. And given a choice, I'd gladly take a really well-made children's show -- like MRN, CK, or ST:PRO -- instead of most of the adult-audience shows currently on the air.