Did they ever actually say they were married?
In the first episode of Picard, they hold hands and are wearing matching wedding bands. But I don't think it's states explicitly on screen.
Did they ever actually say they were married?
^ They bicker like an old married couple.
WHEN SFX catches up with the cast and crew ofStar Trek: Picard, production has resumed on the final two episodes ofseason three. Announced at 2021’s Star Trek Day, filming took place consecutively with season two. Akiva Goldsman says there was always a plan for three seasons, but with “an opportunity for us to have spectacularly failed after one, and that would have been one and done.” As for more? “God knows what the future will bring.’ But for the moment, Goldsman and fellow executive producer and co-showrunner Terry Matalas are still very much entrenched in the final throes of season three as season two finally beams down. “My inner fanboy is kind ofon fire with the stuffthat I’ve been able to do,” Matalas grins. “There’s a lot ofthings that I can’t talk about yet that I’m just bursting at the seams to talk about. There’s beenalot of absolutely legendary moments that have happened in the last year with no press yet.
“There are starship designs and things for the next two seasons that I’m really excited about...” He references Star Trek design veterans Jon Eaves and Doug Drexler joining forces with production designer Dave Blass to “take another look at starship nacelles”. He smiles: “It’s exciting.”
As with so much of Star Trek, it comes from a place of love - and specifically that the showrunners are lifelong fans. “A lot of what we were doing was making the show that 12-year-old us would have been just delighted by. It was, in large part, a kind of dice roll that there were enough folks like us out there that would also like it,” Goldsman laughs when asked about the response to Picard’s first season.
“We didn’t know if it would land and iffolks would enjoy it. If not... well, you know, we had given him a new body, thanks for playing.” On that note: with Jean-Luc Picard now reborn in a synthetic “golem” body, fans need not worry that it changes the character they know and love.
“No, it really doesn’t,’ Goldsman says. “It really was about rebirth and renewal. It’s not about Super Picard, he has no powers, there’s no enhancement that comes with being a synthetic, it’s a virtually non-material event. Moving forward, it really was about closure, solving some ghosts ofNext Gen past and starting fresh. So no ‘faster than a speeding bullet’ or super powers.”
FRIENDS REUNITED
Someone who does very much have powers, however, is the almost omnipotent super-being Q, once more played by John de Lancie and back to wreak havoc with the life of “Mon capitaine”. And he’s not the only returning character from The Next Generation lined up to cross Picard’s path. However, it’s never a “sreatest hits” model when it comes to bringing characters back.
“In season one, we really didn’t plan on having Jonathan [Frakes, as Riker],’ Goldsman reveals. “We were building a story. And then we have this moment where we needed a best friend, and that evolved into quite a beautiful moment where the story requires Jonathan to come back as an actor. He’s always with us as a director. So, season one: rebirth and renewal. _ Season two then became an exploration of the heart.
“When you're telling stories of folks who are in the last chapter oftheir life, the storytelling is different than if you’re writing about folks in _ their 20s, 30s, 40s, which is what we all typically do. What was kind of wonderful is, what remains unexpressed at the end of a life? And how do you manage some connectedness to those issues without being glib?
“Because you're not 20 and you’re having your character resolution in your arc, it’s not the origin of anything,” he continues. “So we looked into what remained outstanding for Jean-Luc Picard, because we’re historians... how could we not be when it comes to the character? We discovered that looking inward and looking backward became the direction we wanted to take.
“So from our palette, we chose colours _ that allowed us to do that, and so you have two things that are canonically interesting. One is Q and his ability to manoeuvre us through time and space and this very interesting relationship that he has with Picard, one that one might say has always been left unresolved.”
“He’s the first relationship on Star Trek: The Next Generation, really, that Picard had,” Matalas adds. “It was about how you tell a story about Q that’s unexpected, and not the same Loki-esque shenanigans that we are used to. How does it have real dramatic weight? And that was our jumping-off point.
“You will definitely see a side of Q you’ve never seen before. There’s some things going on with Q that are definitely surprising, considering the kind ofbeing he is. And how that would reflect on Jean-Luc Picard and what’s going on with his life at the moment. The first two episodes are a pretty wild ride,” he reveals.
“And you have Guinan,” Goldsman says, “who I won’t talk about much, but enough to say that no one has ever been more aware of divergences in time than she has. So as we start to talk about time and we start to talk about that which is the past, both objectively and internally, those two characters were these _ great gifts to us. So we keep trying to let the story pull in the folks that it wants.”
"1 can't talk too much about Guinan," Matalas adds, "but you might see a certain hat again..."
Guinan's not the only mysterious and seemingly eternal woman in Picard's life; there's also the return of the Borg Queen.
"I'm a very big fan of the Borg, and there was a time travel element to the season," Matalas explains. "One of the components was that the Borg have quite a bit of experience with time travel... This particular Borg Queen is unlike one we've seen in canon before. So a lot is going on with this Borg Queen that is very different There's lots of interesting Borg storytelling coming up. She's definitely not Alice Krige's Borg Queen. This Borg Queen has a very different history to her."
The number of returning characters is racking up between the first two seasons - so it would be remiss of SFX to not at least enquire about the chances of seeing more familiar faces in future...
Goldman grins. "I'm not going to give you any more spoilers, but I am going to say that by the time these three years are done, those that you know are coming will not be the last."
With a Star Trek legacy spanning 55 Earth years, while taking in thousands of years into the future, is the weight of canon a pressure on making a show like Picard?
"Not so much in season two," Matalas offers. "Definitely in season three, there are some game-changing Star Trek Universe ideas. Season two, as epic in scope as it is, is an intimate story."
Details for season three are firmly under wraps, but Matalas gives a little hint at what could be in store. "There are a few nods to the Kirk movies," he reveals. "I grew up with the original series and the Kirk movies. That's my Star Trek. So you'll see a few of those things kind of tie some Star Trek together. And I think Akiva has constructed a really fascinating and heartbreaking psychological exploration of Picard that no one is expecting?'
Goldsman laughs. "I have no words for you about season three except to say you should watch it."
In the meantime, fans have 10 new episodes of Picard to look forward to when season two launches in March. What would Goldsman and Matalas consider to be at the heart of the "difficult second album"?
"It's a time-travel story and all good time-travel tales are emotional at their core, and speak to something that's happening with your main character," Matalas explains.
"So we started by asking ourselves the question of season one: how do we deconstruct Captain Picard? What don't we know about him? Why is he on a vineyard by himself with a dog? Why did he never marry Beverly Crusher and have a family of 10? Those are jumping-off points to answer some of those personal mysteries"
"It will sound extraordinarily facile," Goldsman volunteers, "but the idea of season two of Picard is that the only thing that actually transcends time - and I don't mean time travel alone, I also mean emotional time, the kind of stuck in time that comes from trauma - the only thing that transcends time and which heals is love."
FUTURE NOSTALGIA
Their time on season three of Picard is shortly coming to an end, but the Star Trek Universe continues to expand - not least with Goldsman's Strange New Worlds due later this year. But where, if they could do anything at all, would they set a course for a future Star Trek series?
"I can't really say because I'm doing the one thing right now that I always wanted to do," Matalas says, cryptically. "Which is crazy, but I can't talk about it. I would do Star Trek forever under the right circumstances, and there's plenty."
Goldsman has a whole idea mapped out. "There's something that I like, which I think Robert Kirkman is doing right now with The Walking Dead, which is a kind of... I'll call it Tales Of The Federation, where you would just do one-offs, right? So you could bring George Takei back for an hour, and do a show about Sulu as an older man, or find Jonathan Archer having now retired from his Enterprise and being on Earth, just do these certain really interesting ones.
"You could grab anybody, from all the shows, because it's really hard to find enough for a series, but there are an endless amount of episodes, as anthology series are finding their way back. They were sort of a staple when I was a boy. A Star Trek-based one of those I. think would be super fun."
But what of the future for Picard or the characters in the series?
"Are there things in Picard that could be their own storytelling arc? Or their own storytelling spines?" Goldsman asks. "Yeah, for sure. Is that the direction of the expansion of the Star Trek Universe? That turns out to be above my pay grade:'
"What more is coming in that story?" Matalas ponders. "It's definitely my favourite time period. lb me, Star Trek: Picard is the present day of Star D-ek. And what's going on in that particular world is very important to me. So stay tuned, that's what I'll say."
Don't worry, we will....
What was the first conversation you had with Terry Matalas about returning as Q?
The first thing he said was, “I'm sure you expected this to take place.” | said, “Well, no, actually | didn't, Terry. There were many other opportunities along the way, with the movies and what have you, for this to take place, and it didn't. So | wasn't expecting It.” He said, “Well, we would like you to reprise your role.” | said, “Do you Nave any Intention of putting me in tights? Because that’s a game-stopper right there. | will not go back in tights.” He laughed and we just talked for a little bit of time. | wanted to explain to him what | thought was an important commodity of the characteristics. It was a character that was not intended to go any further than that first episode. It was, quite frankly, an afterthought. It was not intended actually even to be In the first episode of Next Generation. So why that character had become popular sort of eluded all of us.
What was it like stepping back into the shoes of Q?
It feels like light years. It wasn't very difficult. I’m playing sort of an arrogant jerk asshole, I’m a lot like that, | dare say. [Laughs] My discussion about the tights - although we never really wore tights, but it was that suit - that was a little bit of an oblique way of really asking, “How do you perceive this?” There’s something very dangerous, fraught with failure, in trying to recreate. That was one of the things in which | was particularly interested to hear what it was that they had in mina, because if it was to recreate, | was going to be concerned - but that’s not what they had in mind. So this is a different, yet another facet to this character. He’s just not quite as effervescent and as, dare | say, silly as he has been In the past. This is much more mature... he clearly has an agenda.
Clearly something is up, he doesn't have too much time to screw around. Perhaps he has something to deliver. So hopefully we have threaded that needle, and still provided the storytelling that's necessary and the catalyst, which is essentially what I am in this season.
What was your first scene opposite Patrick Stewart like?
[Laughs] It was fun. Within the confines of this show, it was an important moment, an important couple of moments. People came down to see it, in the same way for the last scene a lot of people did. When they said cut, I looked out and I went, "Oh my God." The place was filled with people who had drifted in to essentially watch this last scene. It was the same for the first scene. I did nine episodes of Star Trek. in the three shows. In some people's minds, it's 29. Rick
Berman told me, not particularly happily either, "About a fifth to a quarter of the submissions that we get for new story ideas are Q ideas." I said. "Well, that's not my fault." [Laughs]
Did you have any input Into how O would be now?
I really appreciated this because this was very different than Next Gen where you were hired to say the words and not differentiate.
I was really pleased - all of us. the older cast as it were, have mentioned this, I was talking to Brent [Spiner] and Jonathan [Frakes]. They were very open to our suggestions. That didn't mean, "Well, let's get rid of the scene and do it a completely different way." They were very open to that. which I think is good, because in the end, it makes the material better. You have to create something that's new. But you also have to honour certain parts of what was - because we're now at a point where there's a tradition. there's a core. That is important. That is reflected mostly, as far as I'm concerned, by the audience. I'm not a Star Trek aficionado at alt. Obviously I know my character, but that's very limited. Everybody is trying to add to this continuum. [Grins] How's that?
Whatever happens, Q will never leave you as a character.
No. I am constantly reminded of a thing that Roddenberry said - which for a person who knows Star Trek will know I've said a bazillion times. About the third day of shooting, I was just standing there watching them setting up for another scene and this voice behind me said. "You have no idea what you've gotten yourself into." I turned around, and it was Gene Roddenberry, and I said, "Gene. what are you saying? What do you mean?" He goes, "Oh. you will find out. you will find out." So I understood it in the moment as being a compliment. He was giving me a compliment that they liked what they saw, I guess, on the dailies. But I have often thought about that. And here I am, 34 years later. talking about this character.
How did you feel about the first season of Picard?
Oh, I was very, very pleased. Even though there had been a lot of preparation for season one, which included two long meetings between myself and the producers, in which I explained to them in detail why I was turning down their offer. Then I went away and thought about some of the things they said and said, “Could we have a second meeting? This may just be to reinforce my decision to turn you down. But let’s have another talk.” We did, and by the time I finished talking with [the producers] I was persuaded that there was enough new, and quite revolutionary, thinking about Star Trek which would, in many respects, detach us from The Next Generation and bring in other elements. That’s what I’ve always liked about, well, series in particular, when you can bring surprises in as often as possible. I thought that all in all, each episode was exactly what we wanted it to be, which was novel and new and unexpected.
How does season two raise the bar and continue to interest you in reprising the character?
[Laughs] Here’s the problem. Right now, when we go back to work on Monday, I will be shooting episode eight of season three, with only two more episodes to go. So we are weeks away from wrapping the series.
I have spent the last six months with my head immersed in season three. So now here I am talking about season two, which has all been pushed into the background. It’s going to be a little bit challenging. But I know that I am permitted to talk about... well, at least two of our guest artists, and some things that happen.
I enjoyed season two a great deal. It was actually quite different from season one. There have been cast changes and things moving about quite a lot. Some of which I was a little disappointed to see, losing the teamwork and the sense of continuity and the lovely people we had on the show in season one. Well, things changed in season two and that’s all I’m allowed to say, I’m afraid, otherwise I can get my knuckles wrapped severely.
But I enjoyed it immensely. But when we wrapped season two, we started season three the next morning. With Next Generation I think we had a 10-week gap. I had one night’s sleep [laughs]. That was it and we were into _ season three. So I have to admit that while I am healthy, I’m a little bit weary, too.
There’s almost nothing I can tell you about season three. And there’s very little I can talk about, about season two. [Laughs] But I know that you wanted to talk about the time with de Lancie and with Whoopi, which I am more than happy to do because I adore them both and admire them both so much for the work they do.
What was it like being back opposite them?
I kind of feel as if I have a love affair with both of them. So it was like coming back together again after you’ve broken up with someone, and realising that you were still good friends and the relationship wasn’t really damaged.
When I first saw Whoopi, she just opened her arms and I fell into them, and we embraced and hugged - and it was the same with John.
They’re both extraordinary performers, and they have similarities too. They have a way of balancing a very vivid naturalism in their work with heightened language sometimes and heightened responses. I kind of group the two of them together in that respect. We got into situations that were quite novel for the three of us. And that’s what I was looking for when I first met with Alex and Akiva and Kirsten. I didn’t want to just repeat Next Generation with all of those elements. The writers, in every way, respected that wish on my part.
So I found myself saying things and allowing feelings to come out of Jean-Luc that I had never done in that way before. Not during the seven years of shooting TNG and the, what, six years of filming, and the four movies following that. Also, I got to put my hands in my pockets as well from time to time. [Laughs]
In fact, in season one, I was so excited about having pockets in my clothing that I put my hands in my pockets way too much and it looked like I was kind of not that interested and just strolling around the sets. When I saw it I was horrified, so I’ve stopped putting my hands in my pockets. [Laughs] Unless it was a very, very good reason to do it.
So I am hoping that our followers, our fans, our audience worldwide, will open their arms to the new developments that are happening in season two. There are some extraordinary scenes in it. I’ve only seen one episode of season two so far. But it was so exciting to see my character and other characters expressing themselves in ways that were unique and original to the show and I hope that that is going to excite our audience, stimulate them and make them want to see more.
Did the time-travel aspects give you new options with Jean-Luc?
Yes. The time travel, which at some point becomes a big journey, a big jump in years,
I really enjoyed. To be on the streets, the recognisable streets of Los Angeles, shooting Star Trek was a real boost for all of us. I did enjoy that. It’s not just novelty that I’m looking for, it’s a different kind of originality in the work that we do. The unexpected, the surprises. Picard goes through guite a number of them in season one. And that number is, I think, magnified in season two and three, which I have certainly enjoyed. My hope is that it’s not just giving me pleasure, that it will be giving pleasure to our audience as well.
Did you ever consider when you first took the role that it would become one that many would associate with you forever?
[Laughs] The timing of that question is extraordinary, because I am writing an autobiography. It’s a memoir. I actually finished page 280 last night. This is how, until we went back to work six months ago, I have been spending my lockdown time. I was reluctant and truculent to begin with, because I’m not a writer. I mean, I’ve written 300-word introductions, that kind of thing. But the idea of a book was a little bit intimidating. Some of the happiest times I’ve spent as an adult have been spent in the last year/18 months, just sitting right where I’m sitting now, tap, tap, tap tap, tap, tapping away.
So I have just completed my section on the first season of The Next Generation. That’s where I’m at. I’m in 1987/88. I also, of course, wrote about my [laughs] somewhat legendary auditions for Gene, and how Robert Justman supported me and Gene said that he never wanted to hear my name mentioned again in the office. Gene Roddenberry is quoted as saying that.
Then finding myself actually cast, or at least offered the role. It was not what I had planned for my career. I only wanted to be a stage actor. I did little bits of television, and I did little appearances in movies. Famously, which I was just so excited to write about, my first time ever in front of a film camera was to play a scene in the back of a car with Rod Steiger.
That was my first ever film experience. This wasn’t, to me, that important. So to be offered a whopping great historic American, Hollywood TV series was totally unexpected.
I never took it seriously until my agent called me up and said, “It’s you, they want you.”
I simply couldn’t believe it. It was so improbable. I think, actually, that was a good way to go into playing Jean-Luc Picard because I was open to everything.
I watched the opening episode quite | recently, two or three weeks ago. I didn’t
intend to watch the whole episode, I was just going to watch the first five minutes [laughs] and I ended up watching it all. How grim and grumpy I was as Jean-Luc Picard in the early parts of that episode. Stern! And not warm, not friendly. I think, actually, that was me being scared, and the fear that I had about having taken on this job made me act differently.
However, that passed and I became more and more comfortable, more and more comfortable and realised I was working with a group of absolutely extraordinary people.
I’m not just talking about the actors, but the producers, the cinematographers, the designers, the costume designers and so forth, and then the realisation which came only after about two years, that this was a phenomenon that went further than Hollywood and Vine, and further than London.
It was a world project that we were involved in, thanks to Bill Shatner, and Leonard Nimoy and DeForest Kelley and all those guys who... to say they did the groundwork would seem patronising, but they launched us and that was something that I’ve expressed to them that I was always grateful for.
If there was a prequel series, who would you like to play a younger Picard?
Benedict Cumberbatch. Benedict is so good and I’d love to see him with a shaved head. I knew him originally when he was a stage actor, which I’m sure he will be again. He’s wonderful. He looks pretty youthful. But maybe it should be somebody younger. Because we know enough about Picard, his time at Starfleet and a little before that.
And, of course, we have done — and I must be careful what I say about this —- explored Picard’s [REDACTED] (Spoilers! - Ed) We’ve done a lot of that. And it’s going to be very, very startling, I think. So I would be intrigued by that. I might make a request to put in a guest appearance. [Laughs] If we can somehow move ourselves
about 60 or 70 years it would be good.
Do you have any desire to follow William Shatner into space for real?
I have reflected on this quite a lot, actually. Because I was at first astonished that Bill was going to do this. And then delighted and proud of him, of the way he handled it all. I thought, “Well, maybe next time they’ll ask me.” I think I would settle for what I have is enough.
I don’t want to retire. Slow it down a little bit, maybe. So the idea of sitting on top of a rocket and shooting out into space... I think I will leave that for my life on Star Trek.
Best parts:SFX Magazine feature and interviews:
Feature with Akiva Golsman and Terry Matalas, Exec Producers and Co-Showrunners of Season Two, talk time travel and what the future holds:
"There are a few nods to the Kirk movies," he reveals. "I grew up with the original series and the Kirk movies. That's my Star Trek. So you'll see a few of those things kind of tie some Star Trek together.
People came down to see it, in the same way for the last scene a lot of people did. When they said cut, I looked out and I went, "Oh my God." The place was filled with people who had drifted in to essentially watch this last scene. It was the same for the first scene. I did nine episodes of Star Trek. in the three shows. In some people's minds, it's 29.
I watched the opening episode quite | recently, two or three weeks ago. I didn’t intend to watch the whole episode, I was just going to watch the first five minutes [laughs] and I ended up watching it all. How grim and grumpy I was as Jean-Luc Picard in the early parts of that episode. Stern! And not warm, not friendly. I think, actually, that was me being scared, and the fear that I had about having taken on this job made me act differently. However, that passed and I became more and more comfortable, more and more comfortable and realised I was working with a group of absolutely extraordinary people.
If there was a prequel series, who would you like to play a younger Picard?
Benedict Cumberbatch. Benedict is so good and I’d love to see him with a shaved head. I knew him originally when he was a stage actor, which I’m sure he will be again. He’s wonderful. He looks pretty youthful. But maybe it should be somebody younger. Because we know enough about Picard, his time at Starfleet and a little before that. And, of course, we have done — and I must be careful what I say about this —- explored Picard’s [REDACTED] (Spoilers! - Ed) We’ve done a lot of that. And it’s going to be very, very startling, I think. So I would be intrigued by that. I might make a request to put in a guest appearance. [Laughs] If we can somehow move ourselves about 60 or 70 years it would be good.
By the time PIC rolls around, people will have forgotten about Goldberg’s comments. Outrage like this always only lasts a few days at best. Attention spans are short nowadays.
And it's Whoopi on The View. Let's be honest, even progressives don't go to The View for nuanced, intelligent political discussion.
My favourite thing was the pockets![]()
Yeah, this will end up being a Nothingburger.
Whoopi Goldberg said something stupid. She apologized. There was no evil intent to her dumb comments.
Whoopie Goldberg is getting a lot of negative press right now for her comments on The View about the holocaust. As much as I love her as an actress, she has said some other really dumb shit over the years on that show. She isn't exactly the most popular person right now.
I wonder if Picard season 2 is going to suffer negative press as well since she's reprising her role as Guinan on it. I also wonder what Paramount is going to do if that happens.
I guess it depends how you define anti-Semitism or accept its structural systemic aspects that are widespread in society. That is something that is hard to deconstruct and prove intent on, and I don't know much of Goldberg's wider opus to know if she's ever presented such misinformation about the Holocaust or anti-Semitism before.
In terms of her statement, it is silly, misinformed and offensive, and she's rightly apologised publicly, but it may also open up wider conversations on racialisation which clearly need to occur. It wasn't a "nothingburger" because it does tap into much more systemic issues, which do thrive on the internet, around Judaism and Jewish ethnicity. We shouldn't damn someone for saying that, per se - especially if they do seem to understand their offense - but whatever the situation we should use it address the wider underlying misinformation or misunderstanding. That definitely needs to occur!
There's been a sort of redefinition of the term racism"in some circles in America to refer to the specific system of racial hierarchy which grew out of colonialism in the West in the early modern period, rather than seeing it as a natural outgrowth of human xenophobia and a tendency towards bigotry. Thus people far enough in the past (like in ancient Rome) weren't racist, even if they believed stereotypes about different ethnicities. And racism didn't exist outside of the West until it was introduced by Europeans. It's really not a big step to jump past this to say that inter-European bigotry cannot be racist, which is why I'm guessing Whoopi said what she did.
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