What do you mean by "90s vibe" having it structured like a story done in the 90s? What could they have done to make this "more 90s"?I was expecting more of a 90s vibe to the story telling. Instead, it came across as modern Trek.
Out of time is probably a better way to describe what I expected. I remember them being far more conservative in the Space Seed versus the Enterprise crew. I expected their behavior to be jarring compared to present times. What I didn't expect was the changes made to McGivers. She goes from love interest to Khan to a super progressive, independent woman whereas she was pretty submissive to Khan in Space Seed.What do you mean by "90s vibe" having it structured like a story done in the 90s? What could they have done to make this "more 90s"?
Have you watched Strange New Worlds episode Tomorrow and Tomorrow and Tomorrow?I thought it was pretty good.
In theory, Khan and his folks would have been from the 90s, right? I guess, I was expecting more of a 90s vibe to the story telling. Instead, it came across as modern Trek.
I'll give it a couple more episodes.
I thought McGivers's line about how she went along with Khan to see history made to be a bit disingenuous on her part. She went with Khan because if she didn't go with Khan, she'd have been court-martialed and imprisoned for mutiny.
What are you talking about? She was in luv and wanted to be with an old fashion guy versus what was the norm for Starfleet guys at the time. Her character fundamentally changed in the audio drama. This new version would never have gone with him in the first place or got herself into enough trouble to get a court martial. She'd still be on the Enterprise.I thought McGivers's line about how she went along with Khan to see history made to be a bit disingenuous on her part. She went with Khan because if she didn't go with Khan, she'd have been court-martialed and imprisoned for mutiny.
We all lie to salvage our pride sometimes…I thought McGivers's line about how she went along with Khan to see history made to be a bit disingenuous on her part. She went with Khan because if she didn't go with Khan, she'd have been court-martialed and imprisoned for mutiny.
Oh, absolutely. I'm not saying what she said was out of character or bad writing or anything like that. I was speaking of the character's behavior.We all lie to salvage our pride sometimes…
Maybe they can have a "Previously on Star Trek: Khan..."What do you mean by "90s vibe" having it structured like a story done in the 90s? What could they have done to make this "more 90s"?
The only one with any significant screen time or dialog is Khan. Glancing through the transcript the only other one with dialog is Joachim and it's one line. So the book is pretty open on their attitudes, behaviors and beliefs.Out of time is probably a better way to describe what I expected. I remember them being far more conservative in the Space Seed versus the Enterprise crew. I expected their behavior to be jarring compared to present times. What I didn't expect was the changes made to McGivers. She goes from love interest to Khan to a super progressive, independent woman whereas she was pretty submissive to Khan in Space Seed.
I'll listen to some more.
Khan lamenting never finding out if Arnold and Helga got together in Hey, Arnold!What do you mean by "90s vibe" having it structured like a story done in the 90s? What could they have done to make this "more 90s"?
Oh, I thought this was going to be a one-off thing telling the entire story from beginning to end in a handful of episodes, not multiple seasons. So does this mean this season might even end on some kind of cliffhanger?Sounds like this season mostly or entirely covers the period before the disaster, but I could just be misinterpreting an attempt to not give any spoilers.
Maybe some of Khan’s followers should be into grunge, wearing Flannel shirts, ripped jeans and band t-shirts.What do you mean by "90s vibe" having it structured like a story done in the 90s? What could they have done to make this "more 90s"?
No, you're right. In the TrekCore interview, Kirsten says that "It has a distinctive end. It gets you from “Space Seed” to Wrath," so I misinterpreted the part of the podcast interview where she talked about how, right up to the end, there's a chance for Khan to make it work.Oh, I thought this was going to be a one-off thing telling the entire story from beginning to end in a handful of episodes, not multiple seasons. So does this mean this season might even end on some kind of cliffhanger?
Thanks so much for looking it up and clarifying. I have to say, though, I already like the idea of more of these podcasts. This one is done really well, so I hope they‘ll be able to come back and do another story for us.No, you're right. In the TrekCore interview, Kirsten says that "It has a distinctive end. It gets you from “Space Seed” to Wrath," so I misinterpreted the part of the podcast interview where she talked about how, right up to the end, there's a chance for Khan to make it work.
Not anymore, thanks to Strange New Worlds episode Tomorrow and Tomorrow and Tomorrow the Eugenics Wars are now in the mid or late 20somethings. The episode established that Temporal Cold War changed the timeline and pushed the Eugenics Wars forward in time and shows Khan as a kid in modern day Vancourver.I thought it was pretty good.
In theory, Khan and his folks would have been from the 90s, right? I guess, I was expecting more of a 90s vibe to the story telling. Instead, it came across as modern Trek.
I'll give it a couple more episodes.
Not anymore, thanks to Strange New Worlds episode Tomorrow and Tomorrow and Tomorrow the Eugenics Wars are now in the mid or late 20somethings. The episode established that Temporal Cold War changed the timeline and pushed the Eugenics Wars forward in time and shows Khan as a kid in modern day Vancourver.
This was my exact feeling as well. And I found it odd that they decided to place such an emphasis that she was a 'great historian'. Like, just really so, so good at her job. Maybe that was to support the retcon that she chose to join Khan in exile so that she could be a chronicler, rather than a lover? But it felt odd how strongly the episode emphasized how great she was.I hope this doesn't come off the wrong way but the sudden "strong, independent" Marla characterization pulled me out of the story just because of how jarring it was following from Space Seed. Yes, I get it, I agree that Marla's characterization in TOS was blatantly sexist. That being said, that's how she was written and deviating too much from it makes it even more obvious that real world concerns are affecting the natural flow of characterization--just leave Marla as is and introduce another strong independent female character like an augment or even that researcher woman on the Excelsior.
Indeed. And while this is seen as sexist to.modern viewers, it does strike me as very quintessential to Gene Roddenberry's conception of the future pre-TNG. It's the same 'rough and rugged qualities have been bred out of enlightened humanity, but maybe there are still some uses for them' mentality that we got in the TMP novelization. It was an idea that seemed to fascinate Roddenberry- in a way, he seemed to share Marla's views on the value of qualities of previous generations that were perhaps lost as a side-effect of 'progress'.What are you talking about? She was in luv and wanted to be with an old fashion guy versus what was the norm for Starfleet guys at the time. Her character fundamentally changed in the audio drama. This new version would never have gone with him in the first place or got herself into enough trouble to get a court martial. She'd still be on the Enterprise.
Toronto [/nitpicking Canadian]a kid in modern day Vancourver
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