This is where a complete reboot or retirement would be appropriate
I've been voting reboot for about fifteen years now. Though I have no issue treating Discovery as one.

This is where a complete reboot or retirement would be appropriate
So you have said...several times...I've been voting reboot for about fifteen years now. Though I have no issue treating Discovery as one.![]()
The most implausible thing about any generation of Star Trek is the frequent encountering of aliens (humanoid and otherwise) who speak American English. This tendency goes all the way back to "The Corbomite Maneuver." All of the technological and scientific implausibilities listed above pale by comparison.
(Yes, the occasional episode mentions or shows a translation device, but this only serves to highlight the majority of such episodes that don't.)
Even more jarring is that's exactly what he wanted to do in the Cage.That stuff about him fixing his fate in the future is a load of nonsense. What’s to stop him quitting Starfleet and moving back to Earth?
Funny thing here is, the TOS episode with Romans ("Bread And Circuses") goes out of its way to emphasize that they really are speaking English—in order to maintain the "Sun"/"Son" twist at the end—and this is explained only as "an amazing example of Hodgkins's Law of Parallel Planet Development"! (Not really trying to 'prove' anything here with that, I just couldn't pass it up.)They're not really speaking English any more than ancient Romans in a period piece are...
In all honesty, not just trying to be contrary here...I find Okrand's Klingon language as spoken in the films and DSC to be quite beautiful and lyrical. Never had any issues with hearing whole scenes of it, personally....it is just not worthwhile to make long scenes in a language the audience doesn't understand, especially if that language is harsh sounding made up gibberish. It think the Klingon scenes in the last season proved that.
Always liked that, too. IIRC, Meyer took inspiration from The Hunt For Red October (released the preceding year) for that. DSC did it earlier this season in "Point Of Light" as well! (They've also used Beyond-type transitions, such as for Saru's first meeting with Georgiou in "The Brightest Star" short.)This is what I loved about the Klingon-only scene in TUC: They start out speaking in Klingon with subtitles, and suddenly Christopher Plummer switches to English. That was artfully done, although I realize that scene length in TV episodes often doesn't allow for that sort of thing.
I feel exactly the same way. Orbs are silly now? No, that's silly. Orbs were an interesting premise and an effective device on DS9, as were the Prophets/Wormhole Aliens who created them (or did they?). And part of the very reason why is that we always tended to learn more about them through the perspective of the Bajoran faith than we ever did through Starfleet's clinical rationalism. (Yet we learned enough by the latter to keep us aware that the former couldn't necessarily be taken blindly at face value, either. There was a balance, a push and pull between the two that made us question both, and dismiss neither. Damn, that was a good show! One might even say, though perhaps it's an unfortunate turn of phrase in context of this discussion...magical?)If so many people find those elements silly and unacceptable, how are they even Star Trek fans? Some of the very fabric of what the franchise is based upon is represented there.
My point isn't whether any of these things, including time crystals, are stupid fantasy or not. My point is that this is a fundamental part of Star Trek mythology.
His nature.That stuff about him fixing his fate in the future is a load of nonsense. What’s to stop him quitting Starfleet and moving back to Earth?
Seems like you missed the whole point of that story, which was that by its end he had firmly rededicated himself to, and reconfirmed himself in, the role of Starfleet captain. As Spock says of Kirk in TWOK, it's his "first, best destiny."Even more jarring is that's exactly what he wanted to do in the Cage.
IIRC, Meyer took inspiration from The Hunt For Red October (released the preceding year) for that.
Ah yes! Great film. I'll have to do some digging to see if I can confirm, but that does seem likelier to have been Meyer's initial inspiration, given the courtroom setting, etc.IIRC, "Judgement at Nuremberg" is the most famous example of the language switch technique.
The Cage was years prior.Even more jarring is that's exactly what he wanted to do in the Cage.
Pike was basically a fantasy hero rescuing a princess from an ogre in that one.![]()
Glory to their House. (Except Alexander)Of course, this idea fell apart when it was revealed the Enterprise was not in the Klingon War, but in my head canon, that ogre, "the Kalar," was a more human looking Klingon (thanks, Augment virus!) from (really stretching here) House K'eylar, defending an occupied fortress on Rigel.
Trek characters relapse all the time. Picard realized he couldn't commit genocide on the Borg after he met Hugh, but he's back to his vengeful self by First Contact.Seems like you missed the whole point of that story, which was that by its end he had firmly rededicated himself to, and reconfirmed himself in, the role of Starfleet captain. As Spock says of Kirk in TWOK, it's his "first, best destiny."
-MMoM![]()
Make of it what you will, but I have to say that everything involving the Orbs, the Prophets, and Bajoran religion were by far my least favorite aspects of DS9. Episodes involving those elements were invariably tedious, and the show would have been far better without them.Orbs were an interesting premise and an effective device on DS9, as were the Prophets/Wormhole Aliens who created them (or did they?). And part of the very reason why is that we always tended to learn more about them through the perspective of the Bajoran faith than we ever did through Starfleet's clinical rationalism.
Even more jarring is that's exactly what he wanted to do in the Cage.
What a great flash forward scene showing Pike’s ultimate sacrifice. The more this season develops, the more I see a direct connection to the abandoned Discovery in “Calypso”. That is going to end up being anything but some random Short Trek story. Perhaps the auto destruct will be blocked by Control to prevent the orb data destruction, and somehow the presence of the time crystal on the ship will with propel it, abandoned, into the future or maybe Burnham/her mother will send it there beyond control’s reach.
Ouch, I hope I can edit my posts after the probationary period-- the dangers of phoneposting, folks!he's seems
isn't in entirely in your hands
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