Remember the build up of the Shadow war in B5... so amazing... it ended with ‘Get the hell out of out galaxy!’ Or LOST... Guess it IS pretty hard to make a satifying ending..! I do agree with you on the S1 finale: it was a let-down... But ‘war without, war within’ wasn’t THAT bad was it...?
Vulcan Hello undoubtedly scored the lowest because:
1. It was freely shown on TV, meaning it had the widest U.S. audience of more causal fans.
2. A lot of people tuned out after that episode.
Does all that make her a Mary-Jane instead?One thing I'll say I liked about this episode - one of the only things - is Micheal Burnham was once again basically irrelevant to the plot. She was subject, but not object this particular week, which reinforces the message the show had been giving for the last few episodes.
I mean think about it. Georgiou was the hero this episode, given she was the one who figured out that Leland was possessed by Control and stopped the data upload. Ash and Pike played secondary roles, fighting with Leland and blowing the station up respectively. Burnham didn't do shit except blow up the containment fields which were allowing her mother to stay in this time period. And even there, she hesitated due to her personal feelings - much as was the case when she couldn't space Airiam, meaning she came close to fucking everything up.
Also, it was established the reason Spock was special was his dyslexia allowed him to communicate with Gabrielle - not that he was Michael's adopted brother. This is stupid, but it still shows that their connection wasn't the important thing here.
In addition, the episode basically shut the door on the idea that Michael might in the future ever don the Red Angel suit herself. Essentially all of the angel's onscreen appearances were name dropped, and many others were recorded in Gabrielle's logs. The suit is also now completely non-functional. Michael's mom is important here, but she herself is not.
Nah. Hate-watchers can download it via torrent.Good point, that's another thing lifting these scores -- we have to pay now. People who authentically hate it would stop paying and move on.
I know, that’s why I said proof *in a way*
Still... I don’t see episodes like ‘up the long ladder’ or ‘the dauphin’ getting mostly 8-10 votes... It does say something that the overall quality is very high, just not as high from week to week...
I attribute that to excitement. A new Star Trek series after 12 years? Yeah, I'd be all eager, too, and I was for the most part of season 1. Even episodes I disliked got a 6 or a 7, and I knew I was rating too high at that point. So I started evaluating my system.It is worth noting that our sensibilities are different now. How Trek fans would rate those episodes today is probably very different to how Trek fans rated those episodes back then when they first aired.
Also, it was established the reason Spock was special was his dyslexia allowed him to communicate with Gabrielle - not that he was Michael's adopted brother. This is stupid, but it still shows that their connection wasn't the important thing here.
There was a whole lot of stuff thrown at the screen this week that didn't really sink in for me. Why did she have to drive him crazy again? She can go back in time and move a whole church during a war but she can't leave an understandable note for Spock or Burnham?
Spock was too young and too caught up in his own problems to have understood any message sent during that time period.There was a whole lot of stuff thrown at the screen this week that didn't really sink in for me. Why did she have to drive him crazy again? She can go back in time and move a whole church during a war but she can't leave an understandable note for Spock or Burnham?
Also, it was established the reason Spock was special was his dyslexia allowed him to communicate with Gabrielle - not that he was Michael's adopted brother. This is stupid, but it still shows that their connection wasn't the important thing here.
Yeah, the whole dyslexia makes Spock able to communicate with Gabrielle, was pretty dumb IMO.
Yeah, the whole dyslexia makes Spock able to communicate with Gabrielle, was pretty dumb IMO.
But Control itself is Section 31's threat assessment AI program, and is not from the future, right? It's just trying to get the sphere's data from the future, right?I think I officially don't get this S2 plot. I had forgotten control was from the future. I'm trying and it's not sticking.
Gabrielle apparently tried on many an occasion to let Michael know, but TIME stopped her
But I think the opposite is also possible - if you're too forgiving, the plot has no boundaries in which to work and it is boundaries which create dramatic tension. It invites ass-pull Deus ex machina twists, inconsistencies which undermine tension (does Discovery's bloody transporter work or not?!), logic holes like last week, and tech the tech episodes like this one.This is what I mean about having too critical a mindset when watching a TV show.
I am really confused. I hate convoluted plots. This feels like the last SW movie (which I enjoyed ok) but they cut back to a plot and I'm like
"Ok, what now? What are they trying to do again?"
I think I officially don't get this S2 plot. I had forgotten control was from the future. I'm trying and it's not sticking.
I want joyful star trek episodes. Someone please fan edit out the dumb "humor" from Orville, and let me know when they're ready.
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