The biggest problem with Discovery is that too much of the larger narrative feels like a messy, contrived improvisation that suffers from the fact that entire scenes — possibly entire subplots — appear to be missing.
Was this the first episode of Star Trek written by a female writing duo?
It's not vanilla, I agree. It is however not feel good.So I dunno. I enjoyed this episode like I've enjoyed all the others so far. But the show itself is just...fine? It's completely fine. But vanilla, and joyless. It's neutral. It'll do.
But I still very much look forward to it every week.
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The story of DS9's "Bar Association" is credited to two women.
God, that really could be it, couldn't it?
Star Trek Discovery's first season (or half of it) is better than any previous season of every Star Trek series in my book.
I yield to your screenshot-fu. Good catch!Well he does do something naughty
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But he maybe isn't expecting the end result...
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I actually got a little bit emotional watching this one. Stamets' "I love you", Tyler's PTSD (or is it repressed memories of surgery and consensual sex coming back all twisted?) and the happy ending were awesome.
That last jump was telegraphed to go catastrophically wrong. With the mention of alternate universes, I can guess where the latter half of the season is going...
And Klingon boobs. It's a proper Netflix show, now!
That reads like a pitch-perfect description of the Kelvin universe too, to me.As always, the character work and performances were fantastic, and the visuals are stunning throughout. I'm also increasingly aware of how skilled the editors are -- every time DSC has any sort of heavy intercutting going on, the build of suspense is wonderfully done. They have such a carefully calibrated control of tone.
But, also as always, they just can't break their reliance on cheap and impossibly convenient storytelling contrivances!
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