Most people who complain about the aesthetics / tech not matching pre-TOS aren't really concerned with the aesthetics / tech not matching pre-TOS. They're people who desperately wanted a post-Nemesis timeframe setting, and use that complaint to either overtly or covertly poo-poo the current series with hopes that they will someday get what they want.
Interesting proposition. I'm not sure what you're generalizing from here, but it's certainly not the case for me. I think the novels are doing a fine job with the post-Nemesis 24th century setting, and I'd be perfectly content if we never see it on screen again. OTOH, the 23rd century — what I think of as the real heart and soul of Trek — is something we haven't seen on screen for
26 years now. I
like the idea of a return to it, fleshing out some details and perspectives we never got in TOS and the original-crew movies.
And yes, all else equal, I'd prefer that the aesthetics were as close a match to what we know of the era as modern production value would allow — which is to say, similar designs and color palettes, but better construction, lighting, and effects. (IMHO
Enterprise did a solid job with that in "In A Mirror, Darkly," where it encountered the lost Defiant, and I can only imagine what a show with STD's budget could accomplish.) Sadly, that's not quite what we're getting. It's not a make-or-break thing for me, but it's not what I'd prefer.
Agreed. She was family, but she was not of the family. Plus, considering what Sybok ended up doing, Sarek was probably mortified that his bright, logical, rational, reasonable son also wanted to run away from home, to enlist with others and perhaps embrace their emotionalism as well. I think that made it worse.
Sybok? Who is this Sybok? I'm pretty sure that Spock never had a brother. ;-)
Groovy. Quote me the series, episode, and lines where Spock mentions his father's ward, Michael Burnham (who is female - something that wouldn't have been done in the '60s, btw - giving a female character a male name, since this was before the time when interchangeable names were a common thing).
And how about the episode "Turnabout Intruder" in which Kirk explains to Janice Lester that there really have been lots of good women starship captains, but she just can't be one of them?
No?
This is a reboot.
Obviously Spock never mentioned a family member who no writer at the time had ever envisioned. But what you're talking about there is a
retcon, not a
reboot. (Trust me — as a lifelong comic-book reader, this is an important distinction to grasp to retain one's sanity!)
(And the "Turnabout Intruder" thing is really just your interpretation of one line, anyway. It's just as reasonable to watch the scene and conclude that Janice wasn't speaking literally, and there's plenty of later canonical evidence — yes, retcons! — to confirm it.)
But being offended over the look of the Klingons and the fact that it looks like a future that's extrapolated from 2017 as opposed to 1964? That's your choice, I suppose. I think there are bigger things in the world to blow a gasket over.
You seem to be caricaturing what some critics are saying rather than taking it seriously. Speaking just for myself, I'm certainly not
offended that the Klingons look different... but I don't particularly
like the new look, either. I find it to be (A) aesthetically uninteresting, (B) not in service to the story being told, and (C) unnecessary in light of existing continuity.
Frankly, on the whole, I just don't care for the aesthetic sensibilities of the people who designed this show — its ships, sets, costumes, makeup, lighting. That's not a criticism of the writing, acting, or anything else. A different production team could have taken the exact same show and come up with a
very different kind of "visual reimagining." From what I've seen so far, I kinda wish they had. What we've got reminds me of the Abrams films, and not in a good way.
...For me, it really isn't the look, though I would've went in a different direction. It is the fact that the world has changed. The writers have different life experiences, the way shows are made are different, the way actors work are different, our understanding of the universe is different, society is different.
What I watched last night "felt" nothing like the 2250's/60's as presented in the original.
Lemme play devil's advocate here. The world changes all the time, often surprisingly quickly. It only seems to have continuity because we live through it in sequence. A lot can change in a decade or so. Compare the culture of WWII to the culture of the mid-1950s to the culture of the mid-'60s. Now consider that we've only ever actually seen
one on-screen story set in the 2250s ("The Cage"). Even setting aside that it was a pilot (with all the rough-around-the-edgeness that always entails), it's really not a lot to go on, and we should be cautious about extrapolating backward from what we know about Kirk's FYM era. It's
close in time, yes, and I like that... but there's still room for all kinds of interesting differences.