One of the very first issue of Amazing Spider-Man has him trying to get the Fantastic Four to let him join them, so he's been crossing over with other characters since the very beginning.
Because he felt that was a necessary way to support himself and his aunt, not because he wanted the glory of being on the team.
None of this has anything to do with my post, all I was doing was pointing out that Spidey was already interacting other superheroes in his second appearance.Exactly. Anyone who read that story cannot use that as a parallel to the behavior of the "I wanna be recognized/sidekick, Mr. Stark" MCU Spider-Man. The comic version always saw joining a team as a practical matter to find some kind of support, but not only did it fail to work out (in the Silver Age), but he always decided to back away as the conditions were not to his liking, such as his (ultimately) not wanting to join the Avengers (after they sent him to capture the Hulk) and wanting to remain independent as seen in Amazing Spider-Man Annual #3 (1966).
The current movies are not approaching things they way Raimi did on purpose, they are trying to do something different with the character than what the previous movies did. Their approach is just as accurate to the comics, it' just emphasizing different elements of the comics from the ones that Raimi did.All so true. Others are talking about what worked in the comics, what defined and made the character memorable / important to that fictional universe, not just grab whatever crap was published and toss in on screen.
..and that's nowhere to be found with MCU / "You're my hero, Mister Stark" Spider-Man.
Well, that's what happened when the filmmaker was a real, longtime fan of the character, and his greatest published stories. He respected that, and put the best of what the character could be on screen.
Yes--as a stating point for the character, MCU Spider-Man is far removed from where he needed to be emotionally and how he related to the world.