Not that I'm aware of,but others may have a different opinion on that. The biggest problem I see with western adaptations of eastern concepts is that western audiences generally don't understand the eastern mindset. Especially in the Japanese culture, everything has a spirit within it. From the smallest pebble to the largest tree. The anime movie "Spirited Away" is an excellent movie to show this concept. The Yamato herself, to the Japanese is a living, breathing entity. "Yamato" is the ancient name of the Japanese nation before the name "Nippon" was used, so there is an inherent spiritual tie between the Japanese and Yamato.
In the movie Final Yamato, we see the crew incapacitated and the ship adrift. All of a sudden, for no reason, Yamato comes to life and delivers the crew safely out of harm's way following an attack by the Deingil. Even Analyzer (IQ-9) freaks out exclaiming "Yamato's Alive?!?" before falling to pieces on the floor. Occasionally, when Yamato was breaking down after an exceptionally brutal firefight, either the narrator or one of the crew would speak the words roughly translated, "Stand up, Yamato!"
The persistent loss of the "third bridge" (that ridiculous dangly bit on the keel that keeps getting destroyed in EVERY series and EVERY movie at least once) always miraculously reappears for no apparent reason. This was especially silly in the first series where Yamato was on her own with no dry dock repair facilities - it would inevitably reappear one episode after it was lost. Western audiences chalk this up to bad editing, poor attention to continuity and/or a limited production budget. I believe this was the producers' early attempts at hinting to the audience that Yamato was alive and healing herself after every engagement, with the occasional help of the crew.
In the American version of "Star Blazers", the "Star Force" was created to represent the crew. That was invented by the translators to take much of the attention away from the ship and place it more on the characters - also the reasoning behind renaming it to the "Argo". In the original Japanese, the crew and the ship were always synonymously referred to as "Yamato" - the living spirit of the Japanese people (and in this case, the people of Earth) embodied in an inanimate object and the crew who serves and protects it. Westerners likely wouldn't want to wrap their brains around those concepts and whatever product emerges by western film companies wouldn't risk it.
At least, that's how I see it, anyways.
Although, for some reason, I've noticed that movies based on Chinese mysticism and mythology seem to do well in America, like "Crouching Tiger, Hidden Dragon"-type movies. Americans don't seem to have a problem with ancient warrior monks bouncing off bamboo trees, engaging in massive sword fights. So, I guess I just don't get it.
