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So The Best of Both Worlds 1&2 is supposed to be two of the finest eps

Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

I've yet to read anyone bother to explain why BOBW is so great. Only that it is and if you don't get it... well, TNG is too intelligent and sophisticated for you to get.
The Best of Both Worlds-

This has withstood the test of time becoming a part of television history. It is an absolute stunning classic even 19 years later.

I loved it when I was 13 and I love it as much now always making sure I would catch it whenever it was on in reruns over the years and I always knew when I happened upon it because of the instantly recognizable teaser with the establishing shot of the Enterprise entering orbit of Jouret IV overlaid with Picard’s log followed by the away team beaming down to New Providence colony to learn the fate of its inhabitants only to discover in a shocking visual- the colony was gone all that was left was a massive crater. What an ominous note to launch the episode on.

This was one of those fortunate instances where writer Michael Piller was able to come up with a storyline that resonated on every level with the viewer. I think a large part of its appeal of course is depicting a near Armageddon by taking it as far as he could allowing the audience to believe the worst case scenario could happen. He conceived in my opinion the ideal portrayal of a doomsday-level event and thankfully its presentation came across perfectly incorporating all the necessary and desired elements one would hope to see in such a dire situation. That of course includes a worthy enemy capable of upping the stakes to epic proportions.

And that leads to the second reason for its popularity owing in no small part to the presence of the Borg, who fans had been hoping to see ever since “Q Who?” ominously hinted at an inevitable confrontation.

The Borg are just one of those instances of writers catching lightning in a bottle by creating an alien race that catches on like wildfire with the fans and that captures their imagination. I mean how many races have that kind of impact after only one brief appearance. Sure they might not be the first cybernetic race in science fiction but Hurley must be applauded for doing something original with them making them such a fascinating group with quite intriguing characteristics and unique behavior. They weren’t quite like anything I personally had seen before. Their appeal for me and I suspect a great many others is the idea of a race of beings that communicate on every level that they are alien. Their society is so fundamentally different in every way..

Also making BoBW just that more effective, Piller knew full well that the audience would be clamoring for the Borg right away but he wisely didn’t cave into that pressure choosing instead to wisely postpone the confrontation with the Borg for just a while longer to allow our anticipation of the encounter to build as we patiently waited through the crew’s careful and sensible investigation into the destruction of New Providence colony then subsequently their preparations for engagement once confirmation of the Borg as the mysterious attackers was determined. This allowed for the inclusion of some nice scenes showing the characters possibly for the last time before all hell breaks loose--the crew playing poker and Riker contemplating his future. Seeing Riker ponder why he can’t seem to move on and take a command given how driven he was was
particularly strong. I’ve certainly been there myself.

Atmosphere is always crucial in selling the idea that our crew is in a bleak situation and this episode fortunately has it in spades. The fatalism oozes out of every scene. Scenes like Riker informing Picard all ships are on yellow alert or the one where the admiral is briefing the senior staff on a possible contact exemplifies this perfectly. Everyone knows the Borg are out there somewhere in Federation space they are just waiting to hear about it. I love the presentation--“At nineteen hundred hours yesterday, the USS Lalo departed Zeta Alpha Two on a freight run to Sentinel Minor Four. At twenty-two hundred hours and twelve minutes, a distress signal was received at Starbase one five seven. The Lalo reported contact with an alien vessel…described as cube-shaped. The distress signal ended abruptly. She has not been heard from since.” That clearly sent chills up the staff’s spine much as it did mine.

The delayed gratification was well worth it when the moment finally arrives signaled by that unforgettable operatic music piece with the haunting voices that accompanies the dreaded moment of visual contact between the Borg and the Enterprise with the sight of the Borg vessel barely visible soon filling the screen revealing the chilling sight of the cube in all its intimidating glory. Wow, what a powerfully effecting image. At that moment it conveyed to me perfectly the sensation one would experience confronting evil incarnate as the cube itself pierced right through me.

This episode also made me appreciate TNG’s approach to using battlescenes sparingly. For it is in moments like these where we see the Enterprise throwing everything it has in its arsenal (from phasers to a whole spread of photon torpedoes to high energy bursts from the deflector dish to Borg beams slicing into the engineering section to Geordi having to evacuate and seal it off) at the Borg cube that makes it all the more special. I know it isn’t as impressive as what can be done these days with FX but for me at that time I got a real kick out of it and even all these years later I think it still is pretty cool. I don't know how many times as a kid I would recreate those battles with my Galoob die cast Enterprise-D.

Loved the Guinan/Picard interactions. The references I thought were quite appropriate given the circumstances putting this bleak situation in effective historical perspective. I also love how Guinan always shows up in earth-shattering moments dispensing some interesting words of wisdom. Here her pep talk to Picard is interesting and perfectly Guinan in that it is both reassuring and optimistic in one way in that she gives some hope that whatever happens humanity will survive in some form but troubling in that she can't promise him he’ll prevail and that any rebuilding of the human race would be difficult. I’m sure at that moment Picard would have loved nothing more than to hear from such a wise soul that everything will be alright but in typical Guinan fashion she is pragmatic knowing from personal experience the worst might be before them.

Then Picard is kidnapped and Worf delivers further bad news—the Borg are now on a direct course to Sector 0-0-1—Earth. Then it comes-- the scene as the Borg escort Picard to the central chamber of the cube revealing in a great matte shot the endless rows upon rows upon rows of Borg. The Federation was facing for all intents and purposes a force of nature devoid of any malice or pride directed at their victims, with seemingly no apparent weaknesses, no burden from morality, possessing superior technology, and having a psychology that couldn’t grasp the idea of diplomacy.

What follows is a chilling dialogue that perfectly captures the essence of the Borg by demonstrating just how incompatible the Borg are.
“Strength is irrelevant. Resistance is futile. We wish to improve ourselves. We will add your biological and technological distinctiveness to our own. Your culture will adapt to service ours.” But more than that the exchange reveals a society where a fundamental part of humanity-death- doesn’t exist and therefore is incomprehensible. That is why Piller’s decision to add the disturbing element of assimilation to the Borg mythology is so brilliant and terrifying. The idea that the Borg would even deny death as a release from the horrors of assimilation is just a downright disturbing prospect to consider and Stewart's reaction says it all.

Then when you think things couldn't get any worse--Picard is assimiliated--their leader has become the enemy.

I truly believed the man I knew was gone forever. And finally the cliffhanger ending was perfect. I wasn’t happy having to wait until the fall. It was a long summer. I was pretty young then and the ending held so many possibilities. I had no awareness of Usenet and didn't participate in any speculation or generating scenarios. I just anxiously awaited the premiere.

One can debate whether the Borg over the years became a pale shadow of themselves but here they were at their zenith. They were an unstoppable lethal juggernaut who acted with impunity.

And I’ll always have fond memories of this episode because it made me take note of the writer and this is where my respect for Michael Piller started.

These two hours are just so wonderfully written with all the details you'd want, a fair amount of battles, tension, suspense as well as intelligent and reflective dialogue. This is perfection. Both parts.
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

^^^

You touched up on one of the big things that made BoBW so awesome. It didn't just come out of no where. It was something that was being hinted at since season one, with little seeds of information being placed in a couple of information. They were building up to something, yet if you weren't paying attention you wouldn't really notice it or pay it much mind. In alot of ways it laid the groundwork for what they would do with DS9 and the Dominon
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

Alrighty, I'll give my opinion.I think BoBW is a great episode because of the amount of drama and tension they were able to cram into the episode.The Borg were a menacing threat. They destroyed an entire fleet of Federation ships and were advancing on earth for the soul purpose of destroying earth. Yes, there were threats made to the earth in previous movies but it was never from an actual enemy hell bent on wiping out humanity. There was a sense in the episode that the heroes were actualy at risk of losing and that was just multiplied by the fact that the shows lead was not only captured by the enemy but successfuly made into one of the enemy. Thats alot of firsts for Star Trek all rolled into one two parter.
I actually agree with you. But Star Trek to me isn't about unstoppable bad guys and battle scenes. Not that I think they should be excluded for no reason, but the best of Trek are the character-focused episodes. To declare to a fan that if he doesn't think BOBW is the best thing since diced bread (Alien Nation reference, sorry...) then he simply doesn't get it is nothing short of a little pompous.

I get BOBW. It's like the Wrath of Khan. In WoK, Kirk stands up against an unstoppable enemy, totally superior to him both physically and mentally. In a fair fight, Kirk cannot possibly win against him. The viewer is left wondering how Kirk can possibly prevail. The answer is in how he beat the Kobiashi Maru test: he cheated. He tricked his way out of winning. And with that we have the key to Kirk's character and the solution to the movie. But at the end of the film he comes face to face with realization that he can't cheat his way out of death.

That's why WoK is such a great film. It's not the battle scenes. It's not Khan's grandiose soliloquies. It's because the movie is a character story; all the battle scenes and going up against Kahn and the sacrifices all highlight the character story, Kirk's character development. If the movie was simply about a starfleet captain going after a madman, even with all the same space battles, would we still care about what happens? I wouldn't.

There's nothing like that in BoBW. Or rather, there are b-stories than are introduced that are never followed up on in the episodes. The Riker b-story is there, and somewhat interesting, until it's totally and unapologetically reset at the end of part 2. The only reason it could have been reset is that it wasn't integral to the story the way Kirk's story was to WoK. It isn't possible to reset Kirk's character development at the end of WoK; that's a properly developed story. Furthermore, Kirk is an active protagonist. He has a life and death decision to make, he makes them, and then faces consequences for them. For Kirk, there's no turning back. Riker is passive in his story. His decision -- whether or not to be a captain -- is made for him. At the end of the story, Riker goes right back to where he was.

BOBW1 is without a doubt in my mind the best season-ending Trek cliffhanger, but there are still many flaws when you break it down. The ending is particularly anti-climatic.

Thank you guys for your thoughts, though. I'm enjoying reading them.
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

The one thing that ABSOLUTELY would have secured BoBWs place as the all time GREATEST TNG eps would have been to go ahead and kill Picard (or leave him hopelessly assimilated).
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

I actually agree with you. But Star Trek to me isn't about unstoppable bad guys and battle scenes. Not that I think they should be excluded for no reason, but the best of Trek are the character-focused episodes. To declare to a fan that if he doesn't think BOBW is the best thing since diced bread (Alien Nation reference, sorry...) then he simply doesn't get it is nothing short of a little pompous.
I dont think that Trek has to limit itself by only focusing on certain types of episodes. Star Trek can be about many things, why not have an episode or two about a dangerous threat? That being said, what made the episode truly great is that not only were they able to work in this threat while also including some great character development. This development mostly comes from the character interactions between Shelby and Riker. If anything, the character drama and interplay between these two is even more interesting than the borg threat itself. Thats not even taping into the focus placed on Picard's character, though you don't see most of that until the episode Family. Honestly, BoBW and Family should really be considered a three parter

Also I would add that I don;t think any less of someone who doesnt like BoBW. But when someone says that they dislike BoBW, Yesterday's Enterprise, and The Defector and as a whole finds the third season forgettable then I am definetly inclined to say that TNG is not for that individual. It turns out that the OP enjoys season 4 more, and for that I am happy but I still stand by my belief that season 3 is a very good indicator for what TNG is all about, and if you dislike it than chances are you arent going to be that fond of the rest of the show

I get BOBW. It's like the Wrath of Khan. In WoK, Kirk stands up against an unstoppable enemy, totally superior to him both physically and mentally. In a fair fight, Kirk cannot possibly win against him. The viewer is left wondering how Kirk can possibly prevail. The answer is in how he beat the Kobiashi Maru test: he cheated. He tricked his way out of winning. And with that we have the key to Kirk's character and the solution to the movie. But at the end of the film he comes face to face with realization that he can't cheat his way out of death.

That's why WoK is such a great film. It's not the battle scenes. It's not Khan's grandiose soliloquies. It's because the movie is a character story; all the battle scenes and going up against Kahn and the sacrifices all highlight the character story, Kirk's character development. If the movie was simply about a starfleet captain going after a madman, even with all the same space battles, would we still care about what happens? I wouldn't.

There's nothing like that in BoBW. Or rather, there are b-stories than are introduced that are never followed up on in the episodes. The Riker b-story is there, and somewhat interesting, until it's totally and unapologetically reset at the end of part 2. The only reason it could have been reset is that it wasn't integral to the story the way Kirk's story was to WoK. It isn't possible to reset Kirk's character development at the end of WoK; that's a properly developed story. Furthermore, Kirk is an active protagonist. He has a life and death decision to make, he makes them, and then faces consequences for them. For Kirk, there's no turning back. Riker is passive in his story. His decision -- whether or not to be a captain -- is made for him. At the end of the story, Riker goes right back to where he was.
From this statment, I'm really getting the impression that you neither watched Family, the episode following BoBW or watched First Contact...which I would find hard to believe to be honest. Remember, BoBW was a two parter of a television series. By the end of the second episode they had just beaten back the borg. There wouldnt be enough time in that episode to handle all the emotional stuff, that was saved for the episode Family where Picard had to deal with the demons of his assimilation. If the scene of Picard crying in his brothers arms saying "they made me do such horrible things and I was powerless to stop them" doesnt count as a character moment then I don't know what does. We see more of that in First Contact when Picard is clearly still struggling with what happened and actualy shows signs of PTSD several years after the event...which is to be expected as a result of such horrific treatment.

In regards to Riker, the decision wasn't made for him at all. On at least 3 occasions he was offered the command of his own ship (possibly more). One was the episode in which he comes to terms with his father, one was in BoBW, and the final one that I can think of was in Nemesis. He simply did not want the command. In the beginning of the episode he turned down the chance of having his own ship because the Enterprise was where he felt he belonged. The decision was not made for him, he made it himself.

BOBW1 is without a doubt in my mind the best season-ending Trek cliffhanger, but there are still many flaws when you break it down. The ending is particularly anti-climatic.

Thank you guys for your thoughts, though. I'm enjoying reading them.
I will agree with you on this, the way they killed off the Borg wasn't that great. I never really considered it the end of the story however, but the beginning of something bigger
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

The one thing that ABSOLUTELY would have secured BoBWs place as the all time GREATEST TNG eps would have been to go ahead and kill Picard (or leave him hopelessly assimilated).

I felt that leaving Picard assimilated would have provided an excellent opportunity for a story arc, lasting perhaps an entire season. Every episode wouldn't have had to deal with Picard, but perhaps we could re-visit the Borg every few episodes to see what was up with them...then have the season finale be the big rescue attempt.

Captain Riker with Commander Shelby as his Number One.

It would also have given the chance for the ancillary characters to "move up" a step and be featured a little more.

Patrick Stewart probably wouldn't have liked the idea of putting on the Borg getup that often...as well as losing his "star" status. Could Frakes have carried the series for a season?
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

The one thing that ABSOLUTELY would have secured BoBWs place as the all time GREATEST TNG eps would have been to go ahead and kill Picard (or leave him hopelessly assimilated).

I felt that leaving Picard assimilated would have provided an excellent opportunity for a story arc, lasting perhaps an entire season. Every episode wouldn't have had to deal with Picard, but perhaps we could re-visit the Borg every few episodes to see what was up with them...then have the season finale be the big rescue attempt.

Captain Riker with Commander Shelby as his Number One.

It would also have given the chance for the ancillary characters to "move up" a step and be featured a little more.

Patrick Stewart probably wouldn't have liked the idea of putting on the Borg getup that often...as well as losing his "star" status. Could Frakes have carried the series for a season?

That's an interesting question. Frakes' Riker always came off as a bit of a stodge. He makes a good "loyal XO", but stepping up to the big chair? Hmmm....

What I think leaving Picard Borged (or worse) would have really done is break the "script immunity" zone around the cast. Yes, Tasha died, but the actress was leaving anyways and people knew it was coming, so the shock value was lessened.

This is one area where movies may have the edge on a series. You have to sign a series actor for at least a full season if he's a regular, and that generates "script immunity".

With movies, at least in theory, you can off ANY cast member you want, since they're signed to do the one film.
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

darkwing_duck1 said:
That's an interesting question. Frakes' Riker always came off as a bit of a stodge. He makes a good "loyal XO", but stepping up to the big chair? Hmmm....

There is no way Frakes could have carried the show for...well, any amount of time. He is a likeable person and his character is likeable, too, but neither the character nor the actor would have held my interest long-term, I can promise you that, and I am pretty sure I'm not alone. There's a reason Patrick Stewart was the star.

Aside from that, I just don't like the idea of such a long arc with Picard as Borg. Not that it wasn't great, but part of its greatness was the...the shock, the disorienting weirdness of seeing Captain Jean-Luc Picard! Our hero! As a bad guy! As a tool of the bad guys!

But the shock wouldn't last forever, and it wouldn't last a season, either. I agree that it could have been effective for longer than two episodes, but really, what would have been the point in carrying it on much longer than that? The episode is great as a two-parter. More ain't necessarily better.
 
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Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

I really really liked these 2 shows. I don't know if they are my favorites yet though. I also really liked the show right after the 2nd part of this episode (I think it was called family?).
The part where JLP is "fighting" with his brother in the mud out in the vinyard and then he broke down and started crying really effected me. I was sitting on the couch with tears in my eye and I thought to myself (darn! 44 yrs old guy and still a softy) LOL
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

This is one area where movies may have the edge on a series. You have to sign a series actor for at least a full season if he's a regular, and that generates "script immunity".

Does it really? I'm not expert in contracts, but it would seem to me that they could buy out the contract (pay the actor for the episodes for the he would have been in, or negotiate a lump sum payment to close out the contract)?
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

I just watched BoBW 1&2 again to get a fresh take on it. Probably only the 3rd or 4th time I've seen it.

It's a good, solid 2-parter, with the mother of all cliffhangers, seguing into "Family" nicely. But I wouldn't say its TNG's best. Probably in the lower end of my Top 10.
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

BOBW IS STNG's best episode, though there are a few that rival it. Its a story that combined STNG's first real enemy adversary with any real menace, with some really good personal moments for the crew, especially RIker, Shelby, and of course Picard. One thing that set it apart at the time was the cliffhanger aspect, and what made it more powerful was the fact that Stewart's contract was up and many people thought he'd leave the show. Picard could have DIED!

RAMA
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

This is one area where movies may have the edge on a series. You have to sign a series actor for at least a full season if he's a regular, and that generates "script immunity".

Does it really? I'm not expert in contracts, but it would seem to me that they could buy out the contract (pay the actor for the episodes for the he would have been in, or negotiate a lump sum payment to close out the contract)?

They can, but they don't like to, since that means they pay for performances they don't get.
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

The only thing that's ever bothered me about "The Best of Both Worlds" was how anti-climactic I found Picard's rescue in part two. I still think it's a great two-parter overall (I can't decide which is my favourite episode between part 1 and "Yesterday's Enterprise"), but after how masterfully part one and the beginning of part two built up the dangerousness of the Borg and the seriousness of the situation, I couldn't help but feel that Picard's eventual rescue and restoration seemed a bit too...easy.

What I think shines most in these episodes is the dialogue. I love all the tension between the characters created by dialogue in both parts. There's the delicious antagonism between Riker and Shelby, the fear and disdain towards the Borg, and everyone's worrying over Picard. Riker saying, "how do we stop someone who knows us better than we know ourselves?" was such a 'holy shit' moment for me (as was his "fire!", of course),

I enjoyed Worf talking about the Borg having no honour (although I didn't really buy it as a legitimate analysis of them so much as something that just sounded cool for Worf to say), and Guinan's heart-to-hearts with Picard and Riker turned up the tension and sold the magnitude of the problem at hand beautifully.

I think this episode generated suspense and intrigue through nothing more than conversation between the characters better than any other...it's just that their final solution was a little disappointing (not that I could come up with a better one). Dialogue-wise, I think it's flawless, but the plot resolution is a little disappointing.

It might have worked better dramatically if the dilemma had been extended a little longer (as has been suggested), but not for the whole season...maybe just three or four episodes, although Star Trek was never 'bold' enough to go 'serialized' until DS9. Worf and Data basically beaming over and grabbing Picard without much of a struggle just seemed too pat for me.
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

The only thing that's ever bothered me about "The Best of Both Worlds" was how anti-climactic I found Picard's rescue in part two. I still think it's a great two-parter overall (I can't decide which is my favourite episode between part 1 and "Yesterday's Enterprise"), but after how masterfully part one and the beginning of part two built up the dangerousness of the Borg and the seriousness of the situation, I couldn't help but feel that Picard's eventual rescue and restoration seemed a bit too...easy.

What I think shines most in these episodes is the dialogue. I love all the tension between the characters created by dialogue in both parts. There's the delicious antagonism between Riker and Shelby, the fear and disdain towards the Borg, and everyone's worrying over Picard. Riker saying, "how do we stop someone who knows us better than we know ourselves?" was such a 'holy shit' moment for me (as was his "fire!", of course),

I enjoyed Worf talking about the Borg having no honour (although I didn't really buy it as a legitimate analysis of them so much as something that just sounded cool for Worf to say), and Guinan's heart-to-hearts with Picard and Riker turned up the tension and sold the magnitude of the problem at hand beautifully.

I think this episode generated suspense and intrigue through nothing more than conversation between the characters better than any other...it's just that their final solution was a little disappointing (not that I could come up with a better one). Dialogue-wise, I think it's flawless, but the plot resolution is a little disappointing.

It might have worked better dramatically if the dilemma had been extended a little longer (as has been suggested), but not for the whole season...maybe just three or four episodes, although Star Trek was never 'bold' enough to go 'serialized' until DS9. Worf and Data basically beaming over and grabbing Picard without much of a struggle just seemed too pat for me.

Ya it would have been cool to have 3 or 4 episodes devoted to trying to get Picard back and fighting the Borg! I was happy that of least that they did not just ignore the events of BOBW and actually showed how much it effected him by having the episode "Family" right after. It almost makes it a three part episode since it shows the emotional impact of the BOBW two parter on Picard.
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

Ya it would have been cool to have 3 or 4 episodes devoted to trying to get Picard back and fighting the Borg! I was happy that of least that they did not just ignore the events of BOBW and actually showed how much it effected him by having the episode "Family" right after. It almost makes it a three part episode since it shows the emotional impact of the BOBW two parter on Picard.
They were originally going to do just that -- ignore the events of BOBW and have everything nice and reset for the next episode. Piller insisted a guy who was basically raped (Piller's word) had to deal with it in the next episode. Unfortunately, "Family" got a low rating, convincing Piller and the others that the crew has to be out in space and the ship must be in some kind of jeopardy in every episode.
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

The only thing that's ever bothered me about "The Best of Both Worlds" was how anti-climactic I found Picard's rescue in part two. I still think it's a great two-parter overall (I can't decide which is my favourite episode between part 1 and "Yesterday's Enterprise"), but after how masterfully part one and the beginning of part two built up the dangerousness of the Borg and the seriousness of the situation, I couldn't help but feel that Picard's eventual rescue and restoration seemed a bit too...easy.
That aspect never bothered me the way it did some. I actually found everything appropriately tense.

The wonderfully choreographed assault on the cube with the Enterprise separating off into the saucer and drive sections unleashing the anti-matter spread was not only a visually stunning sight to behold.

By the time Riker is within a second of ordering Wesley to warp into the cube I was drained and on the edge of my seat I was so viscerally engaged in everything that was happening.

The solution was clever. It was just different enough but still keeping with Borg parameters to make sense and played well off the theme of the best of both worlds ie the Borg using Picard to see Federation weaknesses and now the Federation using the Borg part of Picard to see their weakness. Personally for a weak cop-out ending I look to First Contact where by destroying the Queen all the Borg on the E-E self-destruct. That's an easy tidy way to wrap up a major threat.

But even then the suspense wasn’t over since the very real possibility existed Picard could die when his link was severed. I can honestly say I wasn’t expecting him to survive and return to the series but the way in which it was done was extraordinarily satisfying. Picard being salvaged actually was nicely set-up in hindsight. Afterall the Collective wanted some of Picard's individuality to remain intact so I could buy him being more easily recovered. Also in this version of assimilation it occrred over a series of days so that I could see his body not totally altered.

Patrick captured the sense of wariness just as I would have imagined after his ordeal. Then we had that haunting epilogue with the accompanying music capturing the emotional release with its hopeful tonde as though one was emerging from darkness as the Enterprise is in orbit of Earth.

And the final scene as Picard looks with the reflection of Earth framing him as that wonderful little piece of music plays we know the worst is still ahead of him as he begins the process of healing emotionally.
What I think shines most in these episodes is the dialogue. I love all the tension between the characters created by dialogue in both parts. There's the delicious antagonism between Riker and Shelby, the fear and disdain towards the Borg, and everyone's worrying over Picard. Riker saying, "how do we stop someone who knows us better than we know ourselves?" was such a 'holy shit' moment for me (as was his "fire!", of course)
I enjoyed Worf talking about the Borg having no honour (although I didn't really buy it as a legitimate analysis of them so much as something that just sounded cool for Worf to say)
Yes I thought that was such a perfect line Piller came up for Worf to deliver. It captured nicely the Klingon perspective on the Borg in much the same way Worf's response to Locutus' threat later in sickbay.
and Guinan's heart-to-hearts with Picard and Riker turned up the tension and sold the magnitude of the problem at hand beautifully.
Agreed. I'd also add Locutus’ exchange with Worf in sickbay which was elegant in its simplistic way that really provided insight into the Borg mindset. Admiral Hanson recalling how he met Picard was another nice moment of humanity, the Shelby/Riker conflict, Riker having to make the call that would kill his friend and captain. What I found interesting is how these two episodes capture the humanity of this crew in these little moments while they are possibly facing the loss of it to assimilation. Even a scene set entirely on the cube manages to be about humanity as well as providing a scene I have always found as disturbing as the torture scene un "Chain of Command".

Much like in “Chain of Command”, this is a trauma that Picard must endure alone on his own and one that no one else can even begin to fathom and for which no one can take his place for him. In an agonizing scene to watch, we witness the indignity Picard is subjected to as he is treated like an inanimate object as further alterations are made to him as part of the ongoing assimilation process. We get the first indication that a part of the man is still alive struggling to break free, aware but trapped in his own body helpless to do anything—the Borg not even affording him an opportunity to at least fight back.

It also worked so well because it continues to show how alien the Borg are. They aren't doing this as punishment or torture but that is the effect nonetheless--they have no empathy. They see it as nothing more than a normal part of how they exist and they can’t even begin to understand the mental torture they are inflicting upon him as they leave Picard as not much more than a neutered silent observer passively watching as he is compelled to assist the Borg in the systematic deconstructing of his humanity as he raises his arm to receive an armature or as a device implants technology into his brain and drains the color from his face.
Picard can only shed a single tear that falls from his cheek. I loved that subtle touch. This scene is so powerful because it doesn’t use graphic violence or conventional torture but is just as unnerving in that it takes place in such a cold environment with a sterile medical process that facilitates the transformation. This is why I find the portrayal of surgical assimilation to be a thousand times more effective than the instant assimilation facilitated by nanoprobes in demonstrating effectively the horrors of assimilation. The Borg cube is the equivalent of a 24th century house of horrors where unspeakable acts are committed.

I also thought what made these two episodes so amazing was how Piller managed to have a story be about so many different interesting subjects--an alien threat that is like a force of nature, battles, individuality vs collectivism, Riker's professional career, Guinan's history, historical perspectives. I also forgot to mention how Stewart gave a chilling performance as Locutus.

I also really have to give kudos to Piller for also giving the episode the weight it deserved made even more impressive by the fact that this was on the smallscreen.
Ya it would have been cool to have 3 or 4 episodes devoted to trying to get Picard back and fighting the Borg! I was happy that of least that they did not just ignore the events of BOBW and actually showed how much it effected him by having the episode "Family" right after. It almost makes it a three part episode since it shows the emotional impact of the BOBW two parter on Picard.
They were originally going to do just that -- ignore the events of BOBW and have everything nice and reset for the next episode. Piller insisted a guy who was basically raped (Piller's word) had to deal with it in the next episode. Unfortunately, "Family" got a low rating, convincing Piller and the others that the crew has to be out in space and the ship must be in some kind of jeopardy in every episode.
I remember reading that Michael Piller wanted to do another episode and make "The Best of BOth Worlds" a trilogy but decided against it for whatever reason.

I would have loved it to continue for another episode or two but I accepted the Borg saga couldn't go on forever as much as I might have liked. That said, Michael Piller must be congratulated on getting the most out of the Borg’s one major appearance. I can't think of one thing he missed out on including that I would have wanted. In fact, he came up with a few things I hadn't even considered.

I figured the Borg were just a one shot wonder and we’d never see them again. I even felt the episode hinted that it might be the whole of the Hive—the entire Borg race—on that one cube and so I felt he did everything he could have using them to full effect that their presence afforded.

Michael Piller took every opportunity to keep upping the stakes and portraying events so devastating in their unpredictability realizing the Borg invasion was the one chance to really pull out all the stops. The Borg steamrolled through 39 starships leaving what we later learn is 11000 deaths in its wake. Nothing comes close to the dramatic impact of this scene until years later with DS9 and the Dominion War. I suspect some might have been disappointed in not seeing the actual battle but I preferred this creatively just seeing the aftermath. (First Contact was the time when a full scale Borg battle sequence could have been done justice and been a thrill. In fact I was expecting that but I wasn’t particularly satisfied with it).

Just when you think the Borg threat could not get any more dangerous- they have assimilated an entire colony, kidnapped and assimilated Picard, absorbed all his knowledge now they have just crippled the Federation fleet and are proceeding unimpeded straight to Earth undaunted. The scale of devastation was hard-hitting. The Borg truly seemed unstoppable.
 
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Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

One unfortunate trend caused by BOBW was that because Piller was so happy with how part 2 turned out, and since the writing staff had ended the third season with no clue how BOBW was going to end, Piller decided that from then on the staff would go home at the end of each season with no idea how to wrap up the cliffhanger. It made for some not-so-great two-parters.

BOBW probably isn't in my top ten episodes, but one thing I love is the music.

"Mr. Worf... fire!"

DUN DUN DUN! (dadadadadada) DUN DUN DUN! (dadadadadada) DUN DUN DUN!
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

One unfortunate trend caused by BOBW was that because Piller was so happy with how part 2 turned out, and since the writing staff had ended the third season with no clue how BOBW was going to end, Piller decided that from then on the staff would go home at the end of each season with no idea how to wrap up the cliffhanger.
Well one thing that made me even more impressed with Part II was the fact Michael Piller wrote this months later with very little idea how he was going to wrap up Part I yet you couldn’t tell that from watching this masterpiece. I thought it was every bit as solid as Part I and was permeating with the same off-the-scale tension. The show amazingly managed to maintain the momentum built up three months earlier without skipping a beat picking up right where it left off.

I thought it demonstrated how great a writer he was with the way he was keen enough to seize on details he probably didn't even include in Part I with the express intent of exploiting in the second half. He just took what was there and creatively pulled it all together. It shows that "seat-of-your-pants" writing can work in the right gifted hands.

Some writers plan ahead and intentionally go out of their way to put in place plot points that they know they’ll use to get out of a seemingly impossible situation in Part I therefore allowing for an exit from the corner they backed themselves into storywise. That tends to make things feel contrived rather than feeling like a naturl evolution. I never got that feeling here. This seemed more of an instance of a good writer being creative. I just loved the brilliant simplicity of how Michael resolved this.
It made for some not-so-great two-parters.
I think the issue I had more often than not with the two-parters had less to do with the fact that they were written months later was the fact that the writers were required to wrap it up in the season premiere.

I mean Moore wrote both parts of "Redemption" at the same time but I found Part II rather average mainly because it was wrapped up too quickly. The ideas were all good in "Redemption", "Times Arrow" and "Descent" but they never got off the ground in terms of really mining the storylines and opening them up in more epic ways in what should have been over a series of episodes. For instance, I could definitely see the Klingon civil war and Romulan intrigue playing out over several episodes like the Occupation arc on DS9.
 
Re: So The Best of Both Worlds 1&2 is supposed to be two of the finest

Michael Piller truly was one of the greats of Trek. He's up there with Gene Coon and DC Fontana.
 
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