I see no reason why the Impossible Missions Force shouldn’t be active in the 24th century.
Hear me out, though. The premise is that Tom Paris watches Mission: Impossible on his period tube or the holodeck after his encounter with Rain Robinson, who mentions having seen all of it. Since the franchise is public domain in the 24th century, there is nothing stopping him from reusing every bit of the concept for a new Starfleet unit supervised by Admiral Paris, who is now on much better terms with his son.
The concept is just silly enough for Season 3 of Lower Decks and can’t be carried too far or Tom Cruise would have something to say about that.
The Star Trek universe already exists in the same continuity as the MCU thanks to "Punk on the Bus" Kirk Thatcher in Spiderman: Homecoming. So that's all the crossover we need.
I'm not sure we need the IMF in Trek but I reckon Tom Cruise starring and producing a movie would be a hit. Don't get me wrong I'm not a massive Cruise fan, I tend to prefer his crapper films like Days Of Thunder, but having read about his approach I'm convinced as a starship Captain he'd be like a new Shatner
Crossovers = sucky fanwank
Usually, yes.Crossovers = sucky fanwank
Usually, yes.
In this instance they might be able to make it work. But, I see no need to do it.
Fair point.There is no percieved need to do any of this, yet we do. I would be the last person to deny the creative urge.
Star Trek and Mission: Impossible are both Westphall Universe shows.
Mission: Impossible featured Morley Cigarettes, also used (prominently) in The X-Files which featured a cameo by John Munch, of Homicide: Life on the Street, which crossed over with St. Elsewhere (AKA the Tommy Westphall show. I've never seen it).
Star Trek has the Jackson Roykirk connection with Team Knight Rider, which is a spin-off of real Knight Rider, which had another spin-off in 2008 called Knight Rider, which crossed over with Las Vegas, which also crossed over with Heroes, which featured Morley Cigarettes...
An earlier proponent of this sort of fiction was William S. Baring-Gould, who wrote a fictional biography of Sherlock Holmes entitled Sherlock Holmes of Baker Street.[8]
In 1977 C. W. Scott-Giles, an expert in heraldry who served as Fitzalan Pursuivant of Arms Extraordinary,[9] published a history of Lord Peter Wimsey's family, going back to 1066 (but describing the loss of the family tree going back to Adam and Eve); the book is based on material from Scott-Giles's correspondence with Dorothy L. Sayers, who wrote at least two of the family anecdotes in the book, one of them in mediaeval French. For details, see Duke of Denver.
Warren Ellis's comic book series Planetary has a similar premise of fitting many different superhero, science fiction, and fantasy elements into the same universe. (For the most part, constrained by the needs of the story and copyright, Ellis does not use the originals but rather his own re-interpretations of the archetypes).
Author Kim Newman has stated that his Anno Dracula series was partially inspired by the Wold Newton family.[10]
The anthology series Tales of the Shadowmen edited by Jean-Marc Lofficier is also based on the Wold Newton concept and includes characters from French literature.
Alan Moore did likewise in his The League of Extraordinary Gentlemen comic book (and its sequels), in which various Victorian-era literary characters meet and join the eponymous League (though they are not descended from a single family). Over the course of the series, the world of the League incorporates many works of fiction from many different eras – not just Victorian literature – into its universe. Moore calls the Wold Newton stories "a seminal influence upon the League".[11]
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