The best way to handle a reboot is the come at the stories and concepts from a different perspective.
or the new Fresh Prince, which changed the sitcom into a drama.
this is exactly why they were so excruciatingly careful with the LoTR movies because they knew that deviations would invite disaster. Tom Bombadil’s scene being massaged was even enough to raise the specter of fan wrath (though I didn’t think they did too bad). Recklessly rearranging timelines and characters or miscasting them and other shenanigans are a sure way to never get another penny (or moment of viewing) from me.
It is a huge epic film and isn't perfectly faithful to the books. Both are true. There are many fans who don't enjoy it and reject it due to the deviations, especially with Aragorn and the omission of several characters. In my opinion Glorfindel, the prince of Dol Amroth, and Elrond's sons are significant omissions to my mind.It has been 10+ years since the last time I read the books, so perhaps I didn't notice them as much? But I do recall there being a whole doings about ensuring it was close enough to the novels for fans to enjoy. It's pretty much the Ben-Hur of our time.
Both have their advantages and disadvantages, which my overall point. The other side of continuity is the tendency to repeat successful or memorable moments from the past. Both Star Trek and Star Wars have examples of this as well.There was other stuff going on contemporaneously, though, is what I'm saying. There were other Stargate teams and colonies established whose stories could be told in the same universe while simultaneously exploring new ideas and building upon what came before. Star Trek and Star Wars (EU) are examples of how this can sometimes yield great results.
Both have their advantages and disadvantages, which my overall point. The other side of continuity is the tendency to repeat successful or memorable moments from the past. Both Star Trek and Star Wars have examples of this as well.
One is not automatically superior to the other but rely upon the creativity in the new story in the writing. If people think there is value in finding a story to carry on in the SG-1 vein that's fine. I just tend to see the repeating of elements and then a revival no longer feels additive.
I remember Brad Wright got really pissed off over Origins, to the point that when MGM approached him about doing the (now aborted) revival, he demanded an apology before agreeing to discuss anything further. And he got it.Origins was all-new creative forces. The only behind-the-scenes aspects carried over from the TV franchise was Connor Trinneer and the DHD prop (which was actually loaned to them by a collector who'd bought it at auction). There were some game attempts to reconcile it with the show on the tie-in website, but it very much was a reboot.
Sure, but those would work a lot better if as a spin-off rather than a reboot. There's going to be a lot more appeal to seeing those things in the universe we're already familiar with than there would in a universe we've never seen before.First, they could tell the same story only through the eyes of the people the stories affected in the original. Why not see what the Jaffa were doing the whole time off camera or others?
OK, but I still don't see the appeal.Also not really what i said or meant. You could see a young Daniel Jackson getting handled by the intelligence agencies without realizing it and the viewers get to see the cia or nsa setting him up, etc.
Could be interesting.Also, what about resettled planets that SG-1 evacuated to others? Let’s hear more from them.
Yeah, I just rewatched the extended editions and I'm now reading Fellowship for the first time since right before the movies came out, and I was a little shocked at just how different the beginning of the book is from the beginning of the movie.This is... not correct. The Lord of the Rings movies are masterful adaptations that are still incredible 20+ years later... but there are massive changes in tone, theme, chronology, events, and especially characters.
For a few examples: aside from Tom Bombadil and the Scouring of the Shire, just about everything before leaving the Shire in the first place is different from the novels. The characters of Aragon, Faramir, and Denethor are basically completely the opposite of who they are in the novels. Elrond, Gandalf, and Gimli also have significant changes.
To name just a few deviations.
Of course they're different. A novel is going to be paced differently than a movie. A movie is all about economy of storytelling. Set up the stakes, call to action and the obstacles. A novel can meander in a different way, especially Tolkien and his style. Or even "Moby Dick." Things can be set up and described while a film will show and move forward quickly.Yeah, I just rewatched the extended editions and I'm now reading Fellowship for the first time since right before the movies came out, and I was a little shocked at just how different the beginning of the book is from the beginning of the movie.
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