I just finished watching the finale of Atlantis and decided to go out to the website, as I was feeling a bit saddened by the news...and then it hit me.
All of the regular Earth-born characters on both SG-1 and Atlantis are Caucasian. And all the People of Color on the show, Ronin, Teyla, Teal'C, are off- worlders. The one regular character of color on the first season of Atlantis, Lt. Ford, was not on very long.
Then I remembered how, on Enterprise, Shran referred to Humans as "Pink Skins," though most humans are brown-skinned, even in the 21st Century!
Then I noticed that BSG has NO black regular characters, unless you count Dualla, who is hardly ever on screen.
I am reminded of the story told by Nichelle Nichols, about how she was so frustrated with her character that she was going to quit after the first season until she was admonished to remain by none other than Dr. Martin Luther King Jr.; he felt that her being on television would present a positive image of black people for the whole world to see.
Call me a Commie or whatever you like, but isn't variety a good thing? Whatever happened to Infinite Diversity in Infinite Combinations? Doesn't saying you "don't see color" just mean that you can't see anything but white? What's wrong with intentionally casting a strong, African American male in a position of leadership, or a beautiful Afro-French femme fatale (France has the largest population of Blacks in Europe, by the way, which is why I used this example)?
Some might called that "tokenism," and dismiss it as patronizing, but characters are cast for a variety of reasons. Chekov was originally cast to appeal to younger female viewers. Almost every show on television has a sexy Blond, to appeal to the sexual appetites of White males, and/or at least one strong female character, to appeal to women. And almost all shows have a White guy in command, for the obvious reasons. All of these type-cast roles are done to appeal to a certain demographic. Why not take it a step further by casting a young, urban male, for example, to appeal to young black males and females? Isn't this a potential growth market? And don't give me that "a white person can't write authentically for a black character" crap. That's like saying a man can't write for a woman.
There is the argument often made at these posts that the writers and producers are simply hiring the best actors for the job. First off, most of the actors on genre shows are HORRIBLE actors (BSG being an obvious exception). A good-looking average actor trumps an average-looking great actor almost every time. And there is always the comedy relief, the old wise man, the young ward, etc. These are all examples of deliberate casting. And forget the "stereotyping" argument as well; I would rather see a controversial black person on TV than none at all.
How many Alfre Woodards, Will Smiths, and Denzil Washingtons (all Oscar- nominated actors who got their starts on television) are out there, waiting for their chance to shine? Or maybe the folks who make these shows are just too insecure to cast more people of color for fear that they might be diminished in the comparison. Maybe it's all just back-lash (or should I say Black-lash) for the successful blacks who went on to greater heights.
I miss TOS. Now that was a Left-Wing, Patronizing show for ya!
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All of the regular Earth-born characters on both SG-1 and Atlantis are Caucasian. And all the People of Color on the show, Ronin, Teyla, Teal'C, are off- worlders. The one regular character of color on the first season of Atlantis, Lt. Ford, was not on very long.
Then I remembered how, on Enterprise, Shran referred to Humans as "Pink Skins," though most humans are brown-skinned, even in the 21st Century!
Then I noticed that BSG has NO black regular characters, unless you count Dualla, who is hardly ever on screen.
I am reminded of the story told by Nichelle Nichols, about how she was so frustrated with her character that she was going to quit after the first season until she was admonished to remain by none other than Dr. Martin Luther King Jr.; he felt that her being on television would present a positive image of black people for the whole world to see.
Call me a Commie or whatever you like, but isn't variety a good thing? Whatever happened to Infinite Diversity in Infinite Combinations? Doesn't saying you "don't see color" just mean that you can't see anything but white? What's wrong with intentionally casting a strong, African American male in a position of leadership, or a beautiful Afro-French femme fatale (France has the largest population of Blacks in Europe, by the way, which is why I used this example)?
Some might called that "tokenism," and dismiss it as patronizing, but characters are cast for a variety of reasons. Chekov was originally cast to appeal to younger female viewers. Almost every show on television has a sexy Blond, to appeal to the sexual appetites of White males, and/or at least one strong female character, to appeal to women. And almost all shows have a White guy in command, for the obvious reasons. All of these type-cast roles are done to appeal to a certain demographic. Why not take it a step further by casting a young, urban male, for example, to appeal to young black males and females? Isn't this a potential growth market? And don't give me that "a white person can't write authentically for a black character" crap. That's like saying a man can't write for a woman.
There is the argument often made at these posts that the writers and producers are simply hiring the best actors for the job. First off, most of the actors on genre shows are HORRIBLE actors (BSG being an obvious exception). A good-looking average actor trumps an average-looking great actor almost every time. And there is always the comedy relief, the old wise man, the young ward, etc. These are all examples of deliberate casting. And forget the "stereotyping" argument as well; I would rather see a controversial black person on TV than none at all.
How many Alfre Woodards, Will Smiths, and Denzil Washingtons (all Oscar- nominated actors who got their starts on television) are out there, waiting for their chance to shine? Or maybe the folks who make these shows are just too insecure to cast more people of color for fear that they might be diminished in the comparison. Maybe it's all just back-lash (or should I say Black-lash) for the successful blacks who went on to greater heights.
I miss TOS. Now that was a Left-Wing, Patronizing show for ya!
__________________
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