I don't get this.
Obviously.
I don't get this.
Yes and no. It, like everything else, is a political game. Not that I think Star Trek: Picard would get a "best series" nomination but the entire selection process is based on politics within the entertainment industry in general.
TNG Season 7 got a "best series" nomination. Who honestly thinks the seventh season was TNG's best? You know the answer to that one as well as I do.
Mad Men is my favorite series (sorry Star Trek). Mad Men won several awards. But even when the system was working in favor of something I like, I'd still admit that it's all a political process.
Ok...? And I guess I'll forever be guessing at the reason why people subject themselves to watching things they don't care for and describe it as "watching paint dry?"Obviously.
I think Season 2 of Discovery blows away Picard and the reason for that is Pike, Number One and the Enterprise! They stole the whole season.
Yes, actually.
It's not. It's Hollywood.how creepy is that, given they both have partners?
Because they feel like real people in a stressful situation trying to do their best.Why do you care about Stamets and Culber? The former got better when he mellowed out and he got a tad more likeable as a result, but Culber isn't a character,
this nonsensical show
Sense...this makes none.nor watch the show.
Probably not. The writers of Trek will never satisfy this audience.Oh well, maybe someday.
Return to Tomorrow suggested that the Vulcans weren't native to Vulcan, back in 68.I didn't give it a rating yet, because I don't know how to take Picard yet.
I was on board for most of the journey, but the last two episodes were anti-climactic. OK, disappointing. Which I tend to blame on the pacing of the whole series. It was really, really confusing and convoluted. At times, things in the plot happened at a million miles a minute, which looked really hyper.
It was too fast and had too much in it.
Super Uber synths from another galaxy, some super secret police of the Ta Shiar, prophecies from 200,000 years ago, a single neuron from Data that could create a whole brain etc,
It was supposed to be a planet of dangerous Synths, and yet the only ones there were in a small colony barely the size of a city. And now the Romulans settled on and colonized Vulcan,or was that an error?
It just seemed like all the build up with all that information couldn't sustain the finale when it was time.
This is one reason why I'm a fan of simpler plots. If they had found a way to keep the plot centered around the ban on Synths and the day to day lives and local politics of whats going on in the AQ currently, it would have been entertaining enough. Actually, I though it was going into that direction originally.
On the plus side, I like things like the Romulan couple that lived with Picard. I found them charming. I actually like the gritty Seven. And characters like Raffi, Rios and Elnor, you can't help but to like. And I like the modern feel to Picard--people seemed normal and relatable compared to pre- DS9 trek.
Until I see what direction Picard is going to take, the jury is still out.
Ok...? And I guess I'll forever be guessing at the reason why people subject themselves to watching things they don't care for and describe it as "watching paint dry?"![]()
Never appealed to me. If I didn't like it I don't watch it. Shows have small windows to impress me.Keep watching in the hope that it gets better. I think it would have been better to d
I voted 6, rounding from about 6.5. The entire season was really bipolar. What was good was excellent, what was bad was terrible. But I do think the good ultimately outweighs the bad, and the show has promise moving into a second year.
First, the bad: The plot. A lot of the season was senseless padding. Plot that wasn't actually in any way relevant. Characters outright wasted. Tropes and nonsense. I still think the serialized plot was pretty much a failure. They teased connections between threads they had no intention of paying off, and played up elements that ultimately had no real role in the story. The plot just kind of leapt along in places, and plodded in others without any real sense of agency from most of the characters.
But the good: The characters. The principle cast (La Sirena's crew plus Seven, and maybe Hugh) all got some fantastic and meaty stuff to play with. Lots of rumination on failure, regret, and missed opportunities. Some towering heights of hope and redemption as people see a way to move forward and keep going. Some absolutely fantastic performances, of which I will specifically call out Patrick Stewart, Allison Pill and Jeri Ryan. Almost all of the essential character work and emotional, meaningful meat is excellent. And Nepenthe deserves props just for being probably the best written moments in the entire history of Deanna Troi.
I'm trying to think of another show where I loved the character work this much, but absolutely loathed the plotting. Maybe Babylon 5, during it's final season? It's hard to say, because I had more attachment to those characters than almost all of these. I'm struggling to come up with any other example that fits what I'm feeling.
But man when this show is good does it sing. Hope, and joy, and thought provoking emotional interactions. If they can figure out how to continue to deliver the goods like that while fixing the mess that is the driving plot this could be the greatest of all Star Trek. For now it has to settle with being good, but not great, Star Trek. Kind of like Picard himself, it's highest highs remain behind it for now, but there is the spark of something new and potentially transformative in here.
TNG got a token nomination during its last season which, yes, was FAR from its best. But by that time, the show had gotten so popular that they decided to give it some minor recognition.
But that was back when the Emmys were owned, lock stock and barrel by the networks. The fact that any non-network show, let alone a genre show, got even a token nomination, was pretty shocking.
The world is entirely different now. The networks almost never actually dent the major categories anymore (well, except comedy series) and the major awards are almost always given to HBO, Netflix, other streamers, even prestige shows on basic cablers like FX, etc. A particular "genre" show has swept awards show after awards show for years, even after its quality tanked. (and that was based on residual affection the show had built up for years.)
A show like "picard", a high-profile streaming show, absolutely would have a shake at a nomination if it was good. But the competition is so fierce for the emmys, there are just SO many shows that a mediocrity like Picard isn't going to make a blip.
If the show was actually good, things would be different. But it's not.
You couldn't come up with a rough conversion for that?* - Episode 1 has not been included in the above analysis, because the Episode 1 thread has only 5 ranking options, whereas all the other episode threads have 10 options.
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