Good Grief, Dilton Doiley. After the glorious, series-high of "Tales from the Darkside", "House of the Devil" wasn't just
Riverdale's worst episode by far, it was bad enough to make me fear that the show as a whole has suffered a mortal wound. Where to begin?
- Where the hell is this Reaper "Reckoning" promised at the end of "Darkside"?
- The writing was just off all over. Veronica going to
both of her parents for relationship advice concerning the L-word? Wtf? No, just,
no.
- Speaking of which, wasn't Hiram supposed to be a big, sinister presence this season? What has he actually
done, other than donating to Pop's and giving Archie a glass of whiskey (and encouraging him to fight fear with fear)? Where's the big Hiram/Fred showdown we were promised?
- As the
AV Club review noted, this Serpent stuff is getting majorly convoluted, or (more likely) just plain sloppy. The whole
point of joining a gang is that you don't retire and can't leave, so even if the Serpents were okay with letting FP step away once he got out of jail, no way in heck would they throw him a retirement party.
And, given that Alice has been vehemently anti-South Side in public and in her and Hal's paper, why the hell is she allowed, much less welcomed, back into the Whyte Worm?! She, who called for South Side High to be
shut down?!
- I generally love the show going dark, but showing us the bloodstain from two children murdered by shotgun under their own bed?
Not okay, series. Not okay at all.
- Okay, Archie's a goober, and that's part of his charm. But even
he's not dumb enough to think the Gary Jules cover of "Mad World" is an appropriate party song. (And would Veronica
really like
Donnie Darko? Seems like too suburban a movie for her.)
- The whole Betty strip/dance thing was deeply, deeply gross.
Stay tuned for my upcoming thoughts on "Silent Night, Deadly Night"... but I'm worried, guys. I'm reminded of how
Arrow was a pretty damn good show through S3's "The Climb", but, knowing how that epic midseason finale farted out, I now recommended new viewers stop at the end of S2, when the show was still legitimately great, and before the terrible, pointless Sara fridging that, in retrospect, was the first sign of the decline.