At least it wasn't as bad as Voyager or something.
I don't think anything could be as bad as Voyager's finale, and I liked Voyager as a whole.

At least it wasn't as bad as Voyager or something.
I don't think anything could be as bad as Voyager's finale, and I liked Voyager as a whole.![]()
Deep Space 9 and Enterprise finales?I don't think anything could be as bad as Voyager's finale, and I liked Voyager as a whole.![]()
Deep Space 9 and Enterprise finales?
It's ironic -- the promo for the finale was all "WHO... WILL... MAKE IT... OUT... ALIVE?", priming us for violence and tragedy and shock value, and then it turns out that nobody dies except the bad guys and 2/3 of the episode is childbirth and recovery and family and interpersonal bonding. Heck, only three of the good guys were even endangered in the final conflict. Just goes to show how little you can trust advertising.
Still, I wish Sarah hadn't killed Mathieson/Westmoreland. He was dying of old age anyway, pretty much driving himself to a heart attack. Even if he'd survived the immediate event, it would've most likely been in a badly debilitated state and he wouldn't have lived long afterward or been in any condition to pose any more threat. I think it would've been better poetic justice for Sarah to leave him alive to face the inevitable natural death he'd been fighting off for so long.
I do like how the writers had a sense of humour. 'The future is female' was a central theme throughout the show and more so the finale few episodes. Yet the twins were boys.
That's kind of hard when he's about to kill her by suffocation.
It makes sense that Sarah would return to her earlier struggles in the wake of the devastating loss of Siobhan, and that in the months after the time jump, she would still be having a difficult time processing that loss. I was disappointed but not surprised she walked away from her GED test, but I did enjoy how that moment contrasted with the wonderful flashbacks with Siobhan.
Likewise, Rachel didn't get a happy ending as she's rightfully ostracized from the Clone Club, and perhaps she didn't deserve one after all the hurt and suffering she has caused. At least, she did one more good thing for the Clone Club by providing the complete list of Leda clones.
I only have two complaints about the episode. The aforementioned clean transition from childbirth to denouement quietly swept aside issues of how Helena, Sarah, Art and the twins escaped despite at least one more goon out there.
Further, there must've been questions of how "Westmoreland" (John, I think?) and Coady died and the physical evidence against Sarah, Helena, and Art (who also has another murder on his hands that was quietly ignored). This is compounded by the fact that Enger was released and can hold evidence against Art and company. This isn't a big deal, but the way it's not dealt with stands out.
Deep Space 9 and Enterprise finales?
I think the closing montage (which ran a couple of minutes over the hour, so I hope nobody missed it) showed that Sarah had changed her mind about moving and had recommitted to parenting, so she probably did go back and take the GED after all.
Yup, that's pretty much why I liked that the writers defied expectations and made the twins boys. This show strongly focuses on its female characters, but also shows great male characters that go against the norm of masculinity conventions, and not just Felix and Donnie, but also Art and Scott.Boys who will be raised by three or four strong women, and by two male role models (Donnie and Felix) who defy conventional definitions of masculinity. "The future is female" doesn't mean men can't be part of it, just that it won't be defined solely by masculine power and norms anymore.
Okay, I can see that interpretation. I thought it was a bit more open-ended as in Sarah was still hedging but keeping an open mind. Your take makes sense and is more positive. Either way, I still appreciate that the writers didn't go with the quick easy route with Sarah.I think the closing montage (which ran a couple of minutes over the hour, so I hope nobody missed it) showed that Sarah had changed her mind about moving and had recommitted to parenting, so she probably did go back and take the GED after all.
That's true. I was thinking strictly in terms with the Clone Club, but I agree that on her own, Rachel does finish out in a positive light and that it's the possible and believable ending for her.I interpret Rachel's resolution more positively. She may have lost her wealth and power, but those were just the gilding on her cage. Now she has independence, a chance to start over from scratch and live her own life for the first time ever. I think that's the happiest ending she could've had, all things considered.
That makes sense, but I wish the episode spent a minute or two to make that a bit clearer, especially regarding the legality issues and Art's situation with the police.The goons were in the process of evacuating the building, because they were afraid the alarms and such would attract the authorities. So presumably they bugged out once they realized Coady and Mathieson weren't coming.
There are a lot of crimes these characters have gotten away with. But I think we saw a week or two ago that Art decided his boss was on the right side and told him what was going on, so I imagine said boss may have helped clear things up for Art and the others, once the full magnitude of the Neolutionist conspiracy and its infiltration of the police came to light.
Further, there must've been questions of how "Westmoreland" (John, I think?) and Coady died and the physical evidence against Sarah, Helena, and Art (who also has another murder on his hands that was quietly ignored). This is compounded by the fact that Enger was released and can hold evidence against Art and company.
That was a lot of fun.
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