It's simply because of the very spectre of a glimmer of a hope of a suggestion of more product.It's amazing how much discussion this has fueled from a possible tongue in cheek comment that he posted on his facebook fan page which was as I've explained a reply to someone's earlier post about the status of B5.
Babylon 5 fans are a little loyal like that; even after a whole decade marked by subpar and incomplete Babylon titles delivered to the small screen and the home video market any hint by JMS he'd make more is greeted rapturously.
Because, sadly, studios don't invest much money in mid-level budgeted productions anymore. Certainly not many mid-level SF features. They're either low-budget or expensive tentpole features. And it doesn't sound like JMS wants to produce a low-budget BABYLON 5 feature.
Does anybody really consider AICN items to be reporting?? Surely not.Oh I understand why we've been going on and on about it but it is still ridiculous to me that it was even reported in the first place.
One doesn't preclude the other. Monthly comics have regular and repeating deadlines that feature screenplays wouldn't have (or that would be subject to negotiation). While some feature projects such as the re-write on 'Ninja Assassin' have tight deadlines, most don't. With comics, though, the deadlines are montly and if it's late, the art's late, the books late and the fans react as if you'd dropped their baby.The fact that he dropped a DC comics flagship title to continue working on Superman Earth One sequel full time should indicate that he's not working on anything as time consuming as a screenplay right now.
He wrote a script for FP that was leaked so that one was scrapped and another written. According to IMDB, the second draft was turned in last December.Well, isn't he still working on those screenplays for the remake of FORBIDDEN PLANET that was supposed to be a trilogy? Or was that cancelled?
He wrote the original script for WWZ and at least one revision. Once the director came on board, he assigned another writer to revise JMS' script.I think he only wrote a draft of that. Same with World War Z a couple years ago.]
I'd love to see that if you can find a link?I think he's given an interview about his experience writing "Forbidden Planet".
JMS didn't mention it at the NY Comic-Con. Maybe we'll find out with his year-end roundup.Well, how's Lensman dong?
I'm sure there's somebody here much more knowledgable about the books than I but FWIW, JMS mentioned that he was going to start from Kimball Kinneson (?). I've picked up the books but they're a very different style of writing than is common these days so I haven't gotten very far myself.^Speaking of Lensman, dose anyone know the best order in which to read those books?
I was referring to the possibility of a television series.@JoeD80 I suppose that you didn't pay attention to Jan's post about Joe possessing B5 film rights? If anyone could inform fans about a possible project it would be Joe.
Start from Galactic Patrol. That's where the character of Kinnison is introduced and is the main focus through Gray Lensman and Second Stage Lensman. That's your main story, and then Children of the Lens follows Kinnison's children and the Third Stage. Triplanetary was older stuff re-written to fit into the story with First Lensman being written as a bridge between that one and the other books, but follows other characters. His writing style takes a little getting used to, but the universe is interesting.I'm sure there's somebody here much more knowledgable about the books than I but FWIW, JMS mentioned that he was going to start from Kimball Kinneson (?). I've picked up the books but they're a very different style of writing than is common these days so I haven't gotten very far myself.^Speaking of Lensman, dose anyone know the best order in which to read those books?
jms said:The only thing(s) that could bring me back would be either a big-budget feature or a full TV series where I have the kind of creative control I need.
^Speaking of Lensman, dose anyone know the best order in which to read those books? I've tried a few times but it's never really hooked me. It's a shame because I'd like to know what all the fuss is about.
"Doc" Smith's prose is so stogy and dense that it makes it hard for me to get into the books. I think there are some really interesting ideas in Lensmen, but I could never make it through any of the books.
^Speaking of Lensman, dose anyone know the best order in which to read those books? I've tried a few times but it's never really hooked me. It's a shame because I'd like to know what all the fuss is about.
"Doc" Smith's prose is so stogy and dense that it makes it hard for me to get into the books. I think there are some really interesting ideas in Lensmen, but I could never make it through any of the books.
Oh, how I hope that project never comes to fruition.Well, isn't he still working on those screenplays for the remake of FORBIDDEN PLANET that was supposed to be a trilogy? Or was that cancelled?
Well, how's Lensman dong?
I liked the idea of JMS writing a screenplay for Lensman. It fits his epic space opera sensibilities a fair bit. I'd actually be more interested in a JMS-penned Lensman movie then a Babylon 5 movie, blasphemously enough.
Lensman is on hold at Universal, because they know it would cost a mint to produce and they're not certain about the name value, if it's well enough known to bring in an audience that will make the investment pay off...I'm spec'ing out features now based on Dream Police and Midnight Nation, and have an offer to direct the latter once it's done...I'm almost one-third into the second volume of Superman Earth One, which is going really well...making one last pass at Shattered Union and nearly finished with the outlilne for Vanishing Point, both for Bruckheimer...I may have something to say about a new home for Apocalypse Al in the next week or so...there's been an interesting development on The Flickering Light, about which more later...and two other feature projects have landed on my desk as possible assignments, so we'll see where they go.
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