Re: Last Full Measure Discussion and Review (MAJOR SPOILERS!
Piper said:
Look, what you call an attack I call an observation and it had nothing to do with her character
I didn't say you attacked her character. I said you attacked her professionalism; you said that Ms. Clark must have "too much time on her hands," but I know for a fact that editing is a very time-consuming job. By implying that she had too much free time and that this prompted her to make poor creative decisions, you basically said that she wasn't doing her job. That's an insult to her professionalism, and I think that's unfair -- especially since Ms. Clark is apparently busy enough with her job that she doesn't post here nearly so often as Marco Palmieri does (which is not, BTW, to say that Marco is in any way himself unprofessional).
But all this intense attention on a character that only a percentage of fandom even cares about is again silly.
I agree, and I think it's unreasonable to imply that the Trip character is recieving nearly the amount of attention in the novels that he recieves (disproportionately, I'd add) on the 'Net.
It's not right to assume that just because you're an Enterprise fan you have to give a damn about Tucker.
No one said that (save the aforementioned overly-zealous Tuckerites). But the novels have been taking things that didn't make sense in the canon and using that as a jumping point for great stories for years now. Relatively few fans really give a damn about Shinzon of Remus, but that didn't stop the folks at Pocket from making an amazing miniseries in
A Time To... that set up the movie (and frankly redeemed a few of its worst points).
We want good books to read when we buy them, but to know that the only concern from the editor is her what she liked and didn't like is stupid.
That's
not her only concern, and it's very unreasonable of you to make such a claim. Ms. Clark has stated her reasons for revealing Trip's survival, and she's also made it clear that she almost never makes decisions like that and that this was an exception. Others have commented that the exception is justifiable, in part because the canonical manner of Trip's death is wholly out-of-character and, from a plot POV, nonsensical -- and, as I already said, the novels often use nonsensical events in the canon as jumping off points for new stories.
Why not just have written LFM without the framing sequence?
Part of the reason for it was to foreshadow the upcoming "ENT Relaunch." Similarly, that's why sample chapters from
Homecoming were included in the novelization of
Endgame. And if you haven't read the novel, won't you concede that it's possible that the framing sequence, while not contribute to the main plot, might contribute thematic elements and commentary on the main plot that may be enlightening?
If this was such a good idea I would love to hear from the other authors and editors that frequent this board and know how they think.
You already have. Christopher L. Bennet (
Ex Machina,
Orion's Hounds), for instance, commented above that he thinks it makes sense in explaining the nonsensical plot elements occuring in the canonical death.